C.H. Graun: Passion Cantata / Teleman-Graun-Bach-Altnikol-Kuhnau: Passions Pasticcio / J.S. Bach Arioso for Bass, BWV 1088 - Recordings

Carl Heinrich Graun
Passion Cantata Ein lämmlein geht und trägt die Schuld
G.F. Telemann-C.H. Graun-J.S. Bach-J.C. Altikol-J. Kuhnau
Passions-Pasticcio
J.S. Bach
Arioso aus einem Passions-Pasticcio, BWV 1088

German Title

Arioso aus einem Passions-Pasticcio: So heb ich denn mein Auge sehnlich auf

English Title

Arioso from a Passion pastiche: I lift my longing eye to Heav'n above

French Title

Arioso tiré d'un patsiccio de Passion: Ainsi je lève mes yeux pleinde désirs

Spanish Title

Arioso de un pasticcio de Pasión: Así levanto mis ojos anhelantes

Event

Good Friday ?

Composed

Based on Passion cantata Ein lämmlein geht und trägt die Schuld (A lambkin goes and bears our guilt) by Carl Heinrich Graun - in Brunswick, c1730
Arranged and performed by J.S. Bach: After 1733 - Leipzig

Passions-Pasticcio:
Penned by Johann Christoph Altnikol c1750
It still cannot be determined whether J.S. Bach made the arerangement himself or whether it has come down only in a divergent copy by Johann Christoph Altnikol.
Most music composed by Carl Heinrich Graun. The work also contains some movements by Georg Philipp Telemann, Johann Kuhnau and Johann Christoph Altnikol, and one movement by J.S. Bach:
Mvt. 19: Chorus Herr Jesu Christ, wahr' Mensch und Gott (revised version of Mvt. 1: Chorus (Chorale) from Cantata BWV 127)
Mvt. 20: Arioso for Bass So heb ich denn mein Auge sehnlich auf
Mvt. 39: J. Kuhnau/J.S. Bach: Motet Der Gerechte kömmt um
Probably performed by J.S. Bach in Leipzig, 1743-1748
Probably performed by Johann Christoph Altnikol at Thomaskirche in Leipzig on Good Friday, March 29, 1750
Performed by Johann Wilhelm Cunis in Frankenhausen, Thuringia after 1757

Text:

Anon

BWV 1088 Text: German-1
Translations: Polish 2

Scoring

Passions-Pasticcio:
Soloists: Soprano, Alto, Tenor, Bass; 4-part Chorus
Orchestra: 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, violoncello, double bass, continuo (cello, organ, hrapsichord)

BWV 1088:
Soloist: Bass
Accompaniment: 2 bassoons, continuo

Score

References

BGA: - | NBA: - | BC: C 10 | Zwang: - | First Published: BJb51 (1965), pp 27-30 | Manuscript located at Staatsbibliothek Preussischer Kulturbesitz in Berlin

Commentary

Music

Music Examples

Comments

Sorce: liner notes by Elke Axmacher (English translation by Roger Clément) to the 2-CD album "Bach ƒL Telemann ƒL Graun ƒL Altnikol: Passions-Pasticcio ƒL Kantate BWV 127"(EMI Classics, 1991)

Discussions

Week of March 31, 2013

Contents

Complete Recordings of Oassions-Pasticcios
Recordings of Arioso aus einem Passions-Pasticcio, BWV 1088
Recordings of Motet Der Gerechte kömmt um

General Discussions

Recordings

Complete Recordings of Passions-Pasticcio

V-1

Bach ƒL Telemann ƒL Graun ƒL Altnikol: Passions-Pasticcio ƒL Kantate BWV 127 [C-2]

C.H. Graun- G.P. Telemann, J.C. Altnikol-J. Kuhnau-J.S. Bach: Passions-Pasticcio [107:09]
Including:
Mvt. 19: Chorus Herr Jesu Christ, wahr' Mensch und Gott [4:59]
Mvt. 20: Arioso for Bass from Passions-Pasticcio, BWV 1088 [1:38]
Mvt. 39: J. Kuhnau/J.S. Bach: Motet Der Gerechte kömmt um[4:23]

Hermann Max

Das Kleine Konzert

Soprano: Martina Lins; Counter-tenor: Ralf Popken; Tenor: Markus Brutscher; Bass: Hans-Georg Wimmer

EMI Classics 54244

Jan 7-10, 1990

2-CD / TT: 123:29

Recorded at Evang. Kirche Lohmar-Honrath, Germany.
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