Remarks And Quotations On Science Fiction, Utopia And Roadside Picnics

Peter Lewis

Remarks And Quotations On Science Fiction, Utopia And Roadside Picnics

"In the future everyone will be Anonymous"

Artists Anonymous

Antoine Berghs

Antoine Berghs

Obscurer 2

Alan Dunn

Anne Hardy

Anne Hardy

Dual Sun System

Alexander Hidalgo

The Unlimited Truth Company

Agnieszka Kurant

The Unlimited Truth Company

The Oracle Of The Present

Alessandro Moreschini

The Oracle Of The Present

Blue's Room

Adam Nankervis

Blue's Room

Meris Angioletti, Sarah Ciracì, Emre Hüner

A selection by Alessandra Poggianti

Meris Angioletti, Sarah Ciracì, Emre Hüner

A selection of Pages from 'The Autumnal Quarter'

Barbara Ryan

A selection of Pages from 'The Autumnal Quarter'

The Blessing

Claire Hooper

The Blessing

HI FI SCI FI

Conor Kelly

Charlotte Moth & Peter Fillingham

Charlotte Moth & Peter Fillingham

Forgotten Sculptors: 1. The Nanocafausu

Cesare Pietroiusti

Forgotten Sculptors: 1. The Nanocafausu

Christian Sievers

Christian Sievers

Diann Bauer

Diann Bauer

Wandering sickness and the gas of peace

Derek Horton

Wandering sickness and the gas of peace

Miniature retrospective

David Mabb

Miniature retrospective

Baselitz (Royal Academy of Arts)

David Mollin

Retinal 145

Derek Ogbourne

Retinal 145

Natural-Born Forensic Clues / Buried-Treasure Growing Wild

Douglas Park

Wells's First Utopia: Materiality and Portent

Dan Smith

Late Night Fiction

curated by Dimitra Vamiali

Late Night Fiction

Re-Imagined Prisons

Emily Allchurch & Nigel Warburton

Re-Imagined Prisons

Emily Allchurch and the Old Masters

Emily Allchurch, Xavier Bray and Minna Moore Ede

Emily Allchurch and the Old Masters

Visiting/In-between

Elizabeth Fleming

Visiting/In-between

LIGHT READING 1500 cinematic explosions

Elizabeth McAlpine

George Bolster

George Bolster

Gordon Cheung

Gordon Cheung

Proposal for an Unmade Film (Set in the Future)

Graham Ellard & Stephen Johnstone

Proposal for an Unmade Film (Set in the Future)

Giovanni Manunta

Giovanni Manunta

Speakingintongues

Guillaume Paris

Heman Chong

Within My Nature

Heather Sparks

Within My Nature

Barrington De La Roche & Inesa Vaiciute

Barrington De La Roche & Inesa Vaiciute

ScopeTele

Ines Rebelo

ScopeTele

Disinformation and "The Analysis of Beauty" A Project History

Joe Banks

Disinformation and

Roadside Picnics - Disinformation and Sound Mirrors

Joe Banks & Caroline Grigson

Roadside Picnics - Disinformation and Sound Mirrors

Speck

Joel Cahen

Freefall: Mediated Questions and Answers on the Digital Experience of Real and Virtual

John Francescutti & Lanfranco Aceti

Freefall: Mediated Questions and Answers on the Digital Experience of Real and Virtual

Jeremy Hight

Jeremy Hight

All That Rises Will Dissipate

Jeremy Hight

Pastorale

Jacko

John Hyatt

UTOPIA - A Group-Mail

Josiane

UTOPIA - A Group-Mail

Silent Cry

Jockel Liess

Architecture of Endless Folds

Sean Dawson & Jo Mitchell

Architecture of Endless Folds

terrOrless phantOms

Joseph Nechvatal

terrOrless phantOms

Review of “Digital Contagions: A Media Archaeology of Computer Viruses”

Joseph Nechvatal

Jenny Polak

Jenny Polak

John Spiteri

John Spiteri

Is it possible to fall in love with a person you have never met?

Jan Steadman

Is it possible to fall in love with a person you have never met?

Jemima Stehli

Jemima Stehli

Jemima Stehli & Lewis Amar

A Hitherto Unrecognized Sublime Photographer: The Universe

Jalal Toufic

Jessica Voorsanger

Jessica Voorsanger

Burial - The new 'Taxi Driver'

Joe Walsh

Burial - The new 'Taxi Driver'

Flatlanders 2007

JoWonder

Saturn Musings

Kulwinder Bajar

Saturn Musings

Road Song

Karen Caldicott

Road Song

An Utopian Vision

KH Jeron

Karen Knorr

Karen Knorr

Embracing my Reality

Taline Kechichian

Embracing my Reality

Laura Gannon

Laura Gannon

My mind is all I have, I've spent my whole life trying to fill it.

My mind is all I have, I've spent my whole life trying to fill it.

Reserved place for more diffuse purposes (2006)

Lisa Torell

Genealogy Of Guidance

Michelle Atherton

Genealogy Of Guidance

Air Columns

Matti Isan Blind

Air Columns

We Are Just Locals. A Discussion with Map Office

Maurizio Bortolotti

We Are Just Locals. A Discussion with Map Office

Myriam Custers

Myriam Custers

PRIVATE & CONFIDENTIAL

Mario Flecha

The Island of Scientists

Maria Fusco

Snack 2007

Michael Hampton

Snack 2007

Margaret Harrison

Margaret Harrison

Stardust Rehearsal

Melanie Manchot

Toy Yoda

Makiko Nagaya

Toy Yoda

A Process of Cultivation

Mike Rogers

A Process of Cultivation

Melanie Stidolph

Melanie Stidolph

(The Castration of) Philip

Mark Aerial Waller

Mark Aerial Waller & Giles Round

Super-Pan:

Mike Watson

Flash Point

Nooshin Farhid

Nino Sekhniashvili

Nino Sekhniashvili

The Next Page

Paul Cheshire

Poiïv

Per Huttner

Return to the scene of a crime

Peter Lewis

Project for a film of St Paul in New York

Peter Lewis

Manifesto

Peter Lewis

Reading From Departure

Peter Lewis

Peter Lloyd Lewis

Peter Lloyd Lewis

Amber Ships

Phil Sawdon

Death Row

Reza Aramesh

Death Row

Renaud Bézy

Renaud Bézy

2533

Ronnie Doom

Closer

Richard Dyer

Realities Like Straws in the Wind

Roy Exley

Rosa Ruey

Rosa Ruey

Robert Schwarz

Robert Schwarz

LAST WORDS

Stephen Coates

Feature - Production Stills

Shezad Dawood

Feature - Production Stills

Leisure

Susie Hamilton

Leisure

Simon Morse

Simon Morse

Cuboid Bloid

Steve Mykietin, Guy Billings & Keith Winter

Cuboid Bloid

somethingfornothing

somethingfornothing

REVOLV-OLUTION

Sissu Tarka

REVOLV-OLUTION

Electric Dreams, a bio-responsive wearable

Suzi Webster & Jordan Benwick

Electric Dreams, a bio-responsive wearable

Migakikko

Takayuki Yamamoto & Naohiro Deguchi

Migakikko

Uta Kogelsberger

Uta Kogelsberger

The British School Of Telepathy

W. B. Harvey

The British School Of Telepathy

Neverending Tower

ZEVS

REVOLV-OLUTION

Sissu Tarka


REVOLV-OLUTION is a reading performance experienced at the actual site of speech or mediated through a technological device (such as a telescope where the audience takes part in the work, but is physically located elsewhere). REVOLV-OLUTION includes the reading of three excerpts from the following texts on revolution: Charles Dickens, A Tale of Two Cities (1859); Raoul Vaneigem, The Revolution of Everyday Life (1967); and Tim O'Reilly, Hardware, Software, and Infoware, in: Open Sources: Voices from the Open Source Revolution (1999).

The project explores ideas around architectures of revolution, and it was developed during a residency with Colm Lally at the Banff Centre, Banff, Canada.

Reading text-material on revolution introduces difference.

For a long time turbulence was identified with disorder or noise. Today we know that this is not the case. Indeed, while turbulent motion appears as irregular or chaotic on the macroscopic scale, it is, on the contrary, highly organised on the microscopic scale. The multiple space and time scales involved in turbulence correspond to the coherent behaviour of millions and millions of molecules. Viewed in this way, the transition from laminar [i.e. nonturbulent or calm] flow to turbulence is a process of self-organisation

Prigogine, I. & Stengers, I., p.15 quoted in: De Landa, M. (1991) War in the Age of Intelligent Machines. New York: Zone Books


clutching at every weapon or semblance of a weapon that was thrown up from the depths below, no matter how far off.

Who gave them out, whence they last came, where they began, through what agency they crookedly quivered and jerked, scores at a time, over the heads of the crowd, like a kind of lightning, no eye in the throng could have told; but, muskets were being distributedムso were cartridges, powder, and ball, bars of iron and wood, knives, axes, pikes, every weapon that distracted ingenuity could discover or devise. People who could lay hold of nothing else, set themselves with bleeding hands to force stones and bricks out of their places in walls. Every pulse and heart in Saint Antoine was on high-fever strain and at high-fever heat. Every living creature there held life as of no account, and was demented with a passionate readiness to sacrifice it.

As a whirlpool of boiling waters has a centre point, so, all this raging circled round Defarge's wine-shop, and every human drop in the caldron had a tendency to be sucked towards the vortex where Defarge himself, already begrimed with gunpowder and sweat, issued orders, thrust his man back, dragged this man forward, disarmed one to arm another, laboured and strove in the thickest of the uproar.

'Keep near to me, Jacques Three,' cried Defarge; 'and do you, Jacques One and Two, separate and put yourselves at the head of as many of these patriots as you can. Where is my wife?'

'Eh, well! Here you see me!' said madame, composed as ever, but not knitting to-day. Madame's resolute right hand was occupied with an axe, in place of the usual softer implements, and in her girdle were a pistol and a cruel knife.

'Where do you go, my wife?'

'I go,' said madame, 'with you at present. You shall see me at the head of women, by and by.'

'Come, then!' cried Defarge, in a resounding voice. 'Patriots and friends, we are ready! The Bastille!.'

With a roar that sounded as if all the breath in France had been shaped into the deserted word, the living sea rose, wave on wave, depth on depth, and overflowed the city to that point. Alarm-bells

Charles Dickens, A Tale of Two Cities (1859), Amereon House Ltd.: Mattituck, New York (1980)

First published as a volume in 1859. This edition contains all the copyright emendations made in the text as revised by the Author in 1867 and 1868.


In the days of IBM's dominance, hardware was king, and the barriers to entry into the computer business were high. Most software was created by the hardware vendors, or by software vendors who were satellite to them.

The availability of the PC as a commodity platform (as well as the development of open systems platforms such as Unix) changed the rules in a fundamental way. Suddenly, the barriers to entry were low, and entrepreneurs such as Mitch Kapor of Lotus and Bill Gates took off.

If you look at the early history of the Web, you see a similar pattern. Microsoft's monopoly on desktop software had made the barriers to entry in the software business punishingly high. What's more, software applications had become increasingly complex, with Microsoft putting up deliberate barriers to entry against competitors. It was no longer possible for a single programmer in a garage (or a garret) to make an impact.

This is perhaps the most important point to make about open-source software: it lowers the barriers to entry into the software market. You can try a new product for free--and even more than that, you can build your own custom version of it, also for free. Source code is available for massive independent peer review. If someone doesn't like a feature, they can add to it, subtract from it, or reimplement it. If they give their fix back to the community, it can be adopted widely very quickly.

What's more, because developers (at least initially) aren't trying to compete on the business end, but instead focus simply on solving real problems, there is room for experimentation in a less punishing environment. As has often been said, open-source software "lets you scratch your own itch." Because of the distributed development paradigm, with new features being added by users, open-source programs "evolve" as much as they are designed.

Indeed, the evolutionary forces of the market are freer to operate as nature "intended" when unencumbered by marketing barriers or bundling deals, the equivalent of prosthetic devices that help the less-than-fit survive.

Evolution breeds not a single winner, but diversity.

It is precisely the idiosyncratic nature of many of the open-source programs that is their greatest strength. Again, it's instructive to look at the reasons for Perl's success.

Raoul Vaneigem, The Revolution of Everyday Life (1967)

http://library.nothingness.org/articles/SI/en/pub_contents/5


given the most unsophisticated of men the right to express an opinion on the marvels of technological innovation in a tone as familiar as the hand he sticks up the barmaid's skirt. The first landing on Mars will pass unnoticed on Blackpool beach.

Admittedly, the yoke and harness, the steam engine, electricity and the rise of nuclear energy all disturbed and altered the infrastructure of society (though this was almost accidental). But today it would be foolish to expect new productive forces to upset modes of production. The blossoming of technology has seen the birth of a super-technology of synthesis which could prove as important as the social community, that first of all technical syntheses, founded at the dawn of time. Perhaps more important still; for if cybernetics was taken from its masters, it might be able to free human groups from labour and from social alienation. This was precisely the project of Charles Fourier in an age when utopia was still possible.

But between Fourier and the cyberneticians who control the operational organisation of technology lies the distance between freedom and slavery. Of course, the cybernetic project claims that it is already sufficiently developed to be able to solve all the problems raised by the appearance of a new technique. But don't you believe it

1: The permanent development of productive forces, the exploding mass production of consumer goods, promise nothing. Musical air-conditioners and solar-ovens stand unheralded and unsung. We see a weariness coming, and one that is already so obviously present that sooner or later it's bound to develop into a critique of organisation itself

2: For all its flexibility, the cybernetic synthesis will never be able to conceal the fact that it is only the superseding synthesis of the different forms of government that have ruled over men, and their final stage. How could it hope to disguise the inherent alienation that no power has ever managed to shield from the weapons of criticism and the criticism of weapons?

By laying down the basis for a perfect power structure, the cyberneticians will only stimulate the perfection of refusal. Their programming of new techniques will be shattered by the same techniques turned to its own use by another kind of organisation. A revolutionary organisation

Tim O'Reilly, Hardware, Software, and Infoware
In: Open Sources: Voices from the Open Source Revolution (1999)
Chris DiBona, Sam Ockman & Mark Stone (eds.)

AltStyle によって変換されたページ (->オリジナル) /