Remarks And Quotations On Science Fiction, Utopia And Roadside Picnics

Peter Lewis

Remarks And Quotations On Science Fiction, Utopia And Roadside Picnics

"In the future everyone will be Anonymous"

Artists Anonymous

Antoine Berghs

Antoine Berghs

Obscurer 2

Alan Dunn

Anne Hardy

Anne Hardy

Dual Sun System

Alexander Hidalgo

The Unlimited Truth Company

Agnieszka Kurant

The Unlimited Truth Company

The Oracle Of The Present

Alessandro Moreschini

The Oracle Of The Present

Blue's Room

Adam Nankervis

Blue's Room

Meris Angioletti, Sarah Ciracì, Emre Hüner

A selection by Alessandra Poggianti

Meris Angioletti, Sarah Ciracì, Emre Hüner

A selection of Pages from 'The Autumnal Quarter'

Barbara Ryan

A selection of Pages from 'The Autumnal Quarter'

The Blessing

Claire Hooper

The Blessing

HI FI SCI FI

Conor Kelly

Charlotte Moth & Peter Fillingham

Charlotte Moth & Peter Fillingham

Forgotten Sculptors: 1. The Nanocafausu

Cesare Pietroiusti

Forgotten Sculptors: 1. The Nanocafausu

Christian Sievers

Christian Sievers

Diann Bauer

Diann Bauer

Wandering sickness and the gas of peace

Derek Horton

Wandering sickness and the gas of peace

Miniature retrospective

David Mabb

Miniature retrospective

Baselitz (Royal Academy of Arts)

David Mollin

Retinal 145

Derek Ogbourne

Retinal 145

Natural-Born Forensic Clues / Buried-Treasure Growing Wild

Douglas Park

Wells's First Utopia: Materiality and Portent

Dan Smith

Late Night Fiction

curated by Dimitra Vamiali

Late Night Fiction

Re-Imagined Prisons

Emily Allchurch & Nigel Warburton

Re-Imagined Prisons

Emily Allchurch and the Old Masters

Emily Allchurch, Xavier Bray and Minna Moore Ede

Emily Allchurch and the Old Masters

Visiting/In-between

Elizabeth Fleming

Visiting/In-between

LIGHT READING 1500 cinematic explosions

Elizabeth McAlpine

George Bolster

George Bolster

Gordon Cheung

Gordon Cheung

Proposal for an Unmade Film (Set in the Future)

Graham Ellard & Stephen Johnstone

Proposal for an Unmade Film (Set in the Future)

Giovanni Manunta

Giovanni Manunta

Speakingintongues

Guillaume Paris

Heman Chong

Within My Nature

Heather Sparks

Within My Nature

Barrington De La Roche & Inesa Vaiciute

Barrington De La Roche & Inesa Vaiciute

ScopeTele

Ines Rebelo

ScopeTele

Disinformation and "The Analysis of Beauty" A Project History

Joe Banks

Disinformation and

Roadside Picnics - Disinformation and Sound Mirrors

Joe Banks & Caroline Grigson

Roadside Picnics - Disinformation and Sound Mirrors

Speck

Joel Cahen

Freefall: Mediated Questions and Answers on the Digital Experience of Real and Virtual

John Francescutti & Lanfranco Aceti

Freefall: Mediated Questions and Answers on the Digital Experience of Real and Virtual

Jeremy Hight

Jeremy Hight

All That Rises Will Dissipate

Jeremy Hight

Pastorale

Jacko

John Hyatt

UTOPIA - A Group-Mail

Josiane

UTOPIA - A Group-Mail

Silent Cry

Jockel Liess

Architecture of Endless Folds

Sean Dawson & Jo Mitchell

Architecture of Endless Folds

terrOrless phantOms

Joseph Nechvatal

terrOrless phantOms

Review of “Digital Contagions: A Media Archaeology of Computer Viruses”

Joseph Nechvatal

Jenny Polak

Jenny Polak

John Spiteri

John Spiteri

Is it possible to fall in love with a person you have never met?

Jan Steadman

Is it possible to fall in love with a person you have never met?

Jemima Stehli

Jemima Stehli

Jemima Stehli & Lewis Amar

A Hitherto Unrecognized Sublime Photographer: The Universe

Jalal Toufic

Jessica Voorsanger

Jessica Voorsanger

Burial - The new 'Taxi Driver'

Joe Walsh

Burial - The new 'Taxi Driver'

Flatlanders 2007

JoWonder

Saturn Musings

Kulwinder Bajar

Saturn Musings

Road Song

Karen Caldicott

Road Song

An Utopian Vision

KH Jeron

Karen Knorr

Karen Knorr

Embracing my Reality

Taline Kechichian

Embracing my Reality

Laura Gannon

Laura Gannon

My mind is all I have, I've spent my whole life trying to fill it.

My mind is all I have, I've spent my whole life trying to fill it.

Reserved place for more diffuse purposes (2006)

Lisa Torell

Genealogy Of Guidance

Michelle Atherton

Genealogy Of Guidance

Air Columns

Matti Isan Blind

Air Columns

We Are Just Locals. A Discussion with Map Office

Maurizio Bortolotti

We Are Just Locals. A Discussion with Map Office

Myriam Custers

Myriam Custers

PRIVATE & CONFIDENTIAL

Mario Flecha

The Island of Scientists

Maria Fusco

Snack 2007

Michael Hampton

Snack 2007

Margaret Harrison

Margaret Harrison

Stardust Rehearsal

Melanie Manchot

Toy Yoda

Makiko Nagaya

Toy Yoda

A Process of Cultivation

Mike Rogers

A Process of Cultivation

Melanie Stidolph

Melanie Stidolph

(The Castration of) Philip

Mark Aerial Waller

Mark Aerial Waller & Giles Round

Super-Pan:

Mike Watson

Flash Point

Nooshin Farhid

Nino Sekhniashvili

Nino Sekhniashvili

The Next Page

Paul Cheshire

Poiïv

Per Huttner

Return to the scene of a crime

Peter Lewis

Project for a film of St Paul in New York

Peter Lewis

Manifesto

Peter Lewis

Reading From Departure

Peter Lewis

Peter Lloyd Lewis

Peter Lloyd Lewis

Amber Ships

Phil Sawdon

Death Row

Reza Aramesh

Death Row

Renaud Bézy

Renaud Bézy

2533

Ronnie Doom

Closer

Richard Dyer

Realities Like Straws in the Wind

Roy Exley

Rosa Ruey

Rosa Ruey

Robert Schwarz

Robert Schwarz

LAST WORDS

Stephen Coates

Feature - Production Stills

Shezad Dawood

Feature - Production Stills

Leisure

Susie Hamilton

Leisure

Simon Morse

Simon Morse

Cuboid Bloid

Steve Mykietin, Guy Billings & Keith Winter

Cuboid Bloid

somethingfornothing

somethingfornothing

REVOLV-OLUTION

Sissu Tarka

REVOLV-OLUTION

Electric Dreams, a bio-responsive wearable

Suzi Webster & Jordan Benwick

Electric Dreams, a bio-responsive wearable

Migakikko

Takayuki Yamamoto & Naohiro Deguchi

Migakikko

Uta Kogelsberger

Uta Kogelsberger

The British School Of Telepathy

W. B. Harvey

The British School Of Telepathy

Neverending Tower

ZEVS

A Process of Cultivation

Mike Rogers


Grapes

Grapes

Grapes

Grapes

Grapes

Grapes

I recently spotted the famous slight-of-hand artist Ricky Jay sitting at a table. He had a plate of fruit in front of him and he was picking at some grapes. He looked tired, his skin was pale, and he moved slowly. But when he spoke, it was in that same jocular tone that was familiar to me from the David Mamet films that he's been in. It's higher pitched than you would normally expect from a large man, and it makes you feel at ease, like he could be your friend.

I considered going up to him and saying something. But what do you say to a famous entertainer other than, "I really admire your work." Someone like Jay has heard that line thousands of times. It's meaningless chatter. If you had something special to say, that would be better.

For example, once I saw the actor John Malkovich walking down the street. I started to follow him and then picked up my pace, because I had summoned the courage to tell him that I was a big fan of his and had followed his work since he was in the theater in Chicago. But he sensed my approach and actually ran away from me. Another time I saw the character actor Richard Edson. Just the night before I had seen him in a commercial on television, and I realized that he must not be getting as many roles as he used to get when they needed a funny-looking guy in a movie. And I could have said to him, "Excuse me, but I knew your sister Jenny in high school. How is she?" But that would only have been partially true. She did go to my high school, but I never said a word to her the entire time we were there. She was friends with a girl I went out with for two months who later died of Lupus. But that's as close as I ever got to her. If he asked me how I knew his sister, I could either lie and risk being caught in the lie, or I could admit that I didn't really know her, which would deflate the encounter. So I decided not to approach Edson.

A while back, I was getting out of a taxi when the folk singer Garland Jeffries came up to grab the cab. I had seen him perform twice, so when I opened the door and saw him there, I was startled and said, "You're Garland Jeffries." He stared warily back at me, as if he was waiting for me to add, "and you owe me 1,000,ドル" or something like that. But instead, I said, "You're great." He smiled broadly and thanked me. We shook hands and he asked me my name. Then he got in the cab and left. I felt that he was genuinely touched. But I doubt anyone ever recognizes him. In fact, except for a handful of music buffs, no one has ever heard of him.

Of course, if you know magic, you know Ricky Jay. All his shows sell out within hours. Because of that, I was never actually able to see him perform. Everything I knew about him came from what I had read in the newspapers. I remember reading that he performed a trick where he asked a woman in the audience to pick a card from a deck. Then he took the remaining cards and threw them in the direction of a pumpkin that was placed on top of a stool. One of the cards stuck into the pumpkin like a dagger. He asked the woman to come up on stage and retrieve the card. It turned out to be her card. At least I think that's how it went.

Now, I could have gone up to him and said, "That was an amazing trick that you did with that pumpkin and the flying cards. How was that done?" But true magicians never reveal the secrets of their trade. And what if I got one of the details wrong and he could tell that I had never actually seen him perform that trick. That would be humiliating. So, instead, I stood there watching Ricky Jay.

Did you ever wonder whether famous people can tell whether they are being stared at? It's hard to know, because they're so good at ignoring everyone around them, as if they're on some other plane or as if no one else is there. But Ricky Jay is different. He must have sensed that I was staring at him, because he turned to me and stared right back. It wasn't a friendly stare or even an inquisitive stare. It was an annoyed stare. I should have stared right back. That would have convinced him that I was someone who was worth engaging in conversation. But I involuntarily lowered my eyes. I didn't even have a chance to think about it. It was almost as if he had the power to lower my eyes for me. Of course he doesn't have that power, but if he did, he would, because that's how good a magician he is.

Soon after, Ricky Jay got up from his table and walked away. Before the waitress could clear his plate, I walked over to the table, grabbed the sprig of grapes that he had been eating, and put them carefully in my pocket.

Do you know how raisins are made? We all know that they start out as grapes, but what kind of grapes? How do they dry out? Are they spread on tables or on sheets on the ground? How long does it take? Days? Weeks? Months? What happens to the dust that accumulates in the wrinkles of the raisins? Are they washed before they are packaged? And how did they make raisins before the advent of seedless grapes? Taking out those seeds took some doing.

I thought of all these questions on my way home and determined that there was only one way to find out the answers. I would turn Ricky Jay's grapes into raisins. In answer to the first question, I decided not to do this in my house for fear that the decaying grapes might attract ants. I've spent many an early morning clearing ants out of cupboards, and I can tell you that it's a royal pain. The next logical place was the dashboard of my car. It's sunny there, I could observe their progress easily, and no ant would be able to find its way to the fruit.

There were three red grapes on the sprig, and each day, I took a picture of the grapes. Nothing much happened at first, but the strong sun eventually worked its magic, as the grapes started to deflate, then wither, and then dry out. They also turned color, from light red, to black. Perhaps you find this a useless exercise, similar to watching paint dry. But can you say that you've ever seen grapes turn to raisins? Perhaps you've left grapes for too long in the fruit bin of the refrigerator, forgot about them, and then discovered them months later, all shriveled up. Well, those are not raisins. They're just rotten grapes. It's not the same thing.

Surprisingly, in the middle of this experiment, one of the raisins disappeared. When I went to photograph them one day, I discovered only two on the dashboard. Had one slipped off its stem and rolled out of sight while I was sharply turning a corner? I searched everywhere. On the seats; under the floor mats; in the air vents. I practically turned that car upside down. But that raisin could not be found. I've just chalked it up as another mystery.

So, now I have my two raisins. I must say that I'm a little wary about eating them, since I don't really know if this is the correct procedure for cultivating raisins. So they continue to sit on my dashboard, no longer changing consistency. They're as dry as they're ever going to get, I suppose. Just sitting there in the sun.

It did occur to me that I now have something to talk about with Ricky Jay. I'm sure he'd find the whole episode interesting. He might even have some ideas about the missing raisin. It wouldn't surprise me if he reached right behind my ear and pulled that raisin out just like magic. But I doubt I'll ever see him again. That doesn't happen.

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