Peter Zummo

[‰æ‘œ:Peter Zummo] Peter Zummo

Peter Zummo

Peter Zummo has been composing for solo tombone and ensemble since 1967. He has performed and produced this body of work worldwide and has recorded it for CD, LP, and video release. Critics and colleagues describe him as an important exponent of the American contemporary classical tradition. His compositions include influences of the minimal, jazz, world music, and rock styles. Zummo has devised pioneering ensembles and new instrumental techniques for trombone, valve trombone, dijeridu, euphonium, synthesizer and other electronic instruments, and voice.

In addition, from 1975 to the present, he has performed and recorded the work of many other major contemporary, jazz, popular, and classical composers in New York City, around the United States, and in Europe. Performances for television include Bernard Hoffer's theme for the Newshour with Jim Lehrer, which can be heard nightly, and Late Night with Conan O’Brien, as well as various public television appearances. Zummo's compositions are published by Frog Peak Music. Recorded releases of his work include the LP Zummo With an X, on Loris Records. CDs include Experimenting With Household Chemicals, on XI; Slybersonic Tromosome, on Penumbra; and Downtown Only, on Lovely Music.

Employment

• New York Arts Program, 1980-present: Program Associate and Associate Professor of Music, Ohio Wesleyan University, Delaware, Ohio
• The Loris Bend Foundation, Inc., a nonprofit producer and presenter of music, dance, and media, 1978-present: Artistic Director and Member, Board of Directors

Education

• PhD Ethnomusicology (ABD), Wesleyan University, Middletown, Connecticut; dissertation: Subjectivity and Methodology in Contemporary Music
• MA Music, 1975, Wesleyan University, Middletown, Connecticut; dissertation: Resonance: The Pulse of the Hero and the Measure of the Universe (acoustics, perception, and phenomenology)
• BA with Honors in Music, 1970, Wesleyan University, Middletown, Connecticut; thesis: Instructor’s Manual for Performing Workshop

Professional Training

• Carmine Caruso, 1972-1988, brass training and pedagogy
• Roswell Rudd, 1977, 1995-present, composition and jazz trombone
• Additional studies in jazz and contemporary trombone, 1972-present, with Stuart Dempster, James Fulkerson, Dick Griffin, Makanda Ken McIntyre, and Sam Rivers

Selected Venues

• Brooklyn Academy of Music Next Wave Festival (Radical Filtering)
• City Center (Lateral Pass)
• Dance Theater Workshop (Both Trumpets and Drums)
• Interpretations Series/Merkin Hall (The Time Land Forgot)
• Lincoln Center Out Of Doors; Lotus Fine Arts (Semiotic Handgun)
• New Arts Program/Kutztown
• Walker Art Center (The Ayatollah Euphonium)
• Danspace (Careful Aim)
• The Joyce Theatre (Shutter)
• LaMama (Experimenting With Household Chemicals)
• New Music America (Hornmonic)
• Experimental Intermedia Foundation (The Trombone That Devoured Cleveland)
• Boston Opera House (Fast Dream)
• Jacob's Pillow (Lateral Pass)
• Roulette (Subway Dream Music)
• Snug Harbor Cultural Center (music for The Passage II)
• The Jacques Marchais Center for Tibetan Art (Drone World and Apache Fog)
• St. Peters Church at Citicorp and Deep Listening Space (Default Mode)
• Hudson Opera House (Teapot/Heatsink)
• Hudson Valley Writer’s Center, Sleepy Hollow (Stratolounger)
• Woodland Pattern Book Center, Milwaukee (Loudspeaker than Words)
• The High Zero festival, Baltimore (Conflict of Interest)
• American Center, Paris (Sea Breathes)
• Seibu, Tokyo
• Akademi Seni Tari Indonesia, Jakarta, Jogjakarta, Surakarta, Denpasar
• United States Information Agency, Unites States Embassy, Singapore
• Logos Foundation, Ghent, Belgium (Five People Taking Long Journeys Separately)
• MeX, Dortmund, Germany (Pup Ramping)
• CUBA, M?nster, Germany (Neural Sturgeon)
• National Conservatory of Music, Tbilisi, Georgia (Drone World)

Selected Support and Residencies

• Harvestworks Artist In Residence
• Mary Flagler Cary Charitable Trust
• Jerome Foundation
• Helen W. Buckner Charitable Trust
• New York City Department of Cultural Affairs (multiple awards)
• New York State Council on the Arts (multiple awards)
• National Endowment for the Arts (multiple awards)
• Meet The Composer (multiple awards)
• Phaedrus Foundation
• Trust for Mutual Understanding
• Council on the Arts and Humanities for Staten Island, multiple awards, including an Original Work fellowship
• New York Foundation for the Arts fellowship program and Artists in the Branches

Selected Choreographic Commissions

• Trisha Brown, Newark (with Donald Judd); Lateral Pass, which won a Bessie award
• David Dorfman, Careful Aim and Out of Season
• Risa Jaroslow, Shuffled Hearts and Great Escapes
• Irene Hultman, Gruff
• Randy Warshaw, Shutter
• Jonathan Appels, Fields and Stars and Coco Grille
• Debra Wanner, For Virginia and Tryptich Escapade
• Stephanie Woodard, many dozens of works

Performances for Other Composers and Ensembles

• Downtown Ensemble, ModernWorks Ensemble; David Behrman, Jacques Bekaert, Barbara Benary, Earle Brown, Rhys Chatham, Anthony Coleman, Nick Didkovsky, Dan Froot, Jon Gibson, Daniel Goode, Peter Gordon, Steven Hall, Tom Hamilton, William Hellermann, Dick Higgins, Guy Klucevsek, Joan LaBarbara, Steve Lacy, Annea Lockwood, Frank London, Alvin Lucier, Jon Lurie, Jackson MacLow, Christopher McIntyre; David Mahler, Ron Nagorcka, Phill Niblock, Yvette Perez, Johnny Reinhard, Arthur Russell, Bill Ruyle, Elizabeth Swados, Yasunao Tone, Lenore Von Stein and Yoshi Wada.

Memberships

• Local 802, Associated Musicians of Greater New York; Broadcast Music, Inc. (BMI); New York Brass Conference; Audio Engineering Society; Council on the Arts and Humanities for Staten Island; Chamber Music America

To reach the composer:
On-line: pzummo@newyorkartsprogram.org
By telephone: +1-718-720-9369
By physical mail: 184 Daniel Low Terrace, Staten Island, New York 10301 US