Draft:Clemens Christian Poetzsch
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Rejected by Anachronist 2 days ago. Last edited by Anachronist 2 days ago.- Promotional tone, editorializing and other words to watch
- Vague, generic, and speculative statements extrapolated from similar subjects
- Essay-like writing
- Hallucinations (plausible-sounding, but false information) and non-existent references
- Close paraphrasing
- Comment: No substantive improvement since the last decline, and the number of declined submissions seems to be growing without bound. The prose still contains vapid vague AI slop, such as "has been discussed", "has been reviewed by", "appeared at festivals", "was noted for", "received coverage in European music media", "was featured in", and so on, without substantive detail. The "Reception" section appears entirely AI-generated complete with vague promotional phrasing and markdown formatting typical of LLM generation, in spite of WP:NEWLLM disallowing writing articles from scratch using AI, even after six declines. As such, there is no path to acceptance of this draft into mainspace without a complete rewrite. Start with sources complying with WP:Golden Rule and only then write the article based only on what those sources say, in your own words. ~Anachronist (who / me) (talk) 04:15, 2 January 2026 (UTC)
- Comment: Still lacking inline citations for a majority of the article, though I think GNG is shown monkeysmashingkeyboards (talk) 18:23, 15 December 2025 (UTC)
- Comment: No reference change since last submission. Source 2 potentially usable but the rest don't seem to be GNG sources. Fermiboson (talk) 13:01, 3 December 2025 (UTC)
- Comment: Not meeting WP:MUSICBIO or WP:GNG. Additional references in independent and reliable sources are needed to demonstrate notability. Hitro talk 11:35, 3 December 2025 (UTC)
- Comment: Please review the citations for hallucinatory links and non-existent content. Smallangryplanet (talk) 18:49, 2 December 2025 (UTC)
Clemens Christian Poetzsch (also Clemens Pötzsch; born 12 March 1985) is a German pianist and composer active in contemporary classical and jazz-influenced music. His work has been discussed in European music journalism, particularly in the context of ensemble performance and cross-genre collaboration.[1]
Early life and education
[edit ]Poetzsch was born in Dresden in 1985. He received formal musical training at the Heinrich Schütz Conservatory Dresden and later studied piano at the Hochschule für Musik Carl Maria von Weber Dresden, where he completed an artistic diploma in 2010.[2]
Career
[edit ]Poetzsch was a founding member of the German-Lebanese quartet Masaa, which performed internationally during the 2010s. The ensemble appeared at festivals and concert venues in Europe and the Middle East and was noted for combining jazz improvisation with influences from folk and contemporary music.[3]
As a solo artist, Poetzsch has released recordings and performed in concert settings focused on piano-led compositions. His album Remember Tomorrow (2019), released in the Neue Meister series by Edel, received coverage in European music media.[4]
Poetzsch has appeared at major European venues, including the Elbphilharmonie in Hamburg.[5] In 2025, he was featured in concert programming at the Besední dům in Brno alongside other European pianists.[6]
In addition to concert work, Poetzsch has composed music for stage productions. In 2013 he wrote the ballet score Abschied for the Sorbian National Ensemble in Bautzen, a project discussed in German regional music press.[7]
Reception
[edit ]Poetzsch’s work has been reviewed by critics in the United Kingdom and continental Europe. Writing in *London Jazz News*, reviewers described his performances as combining jazz and folk-derived material shaped through improvisation, noting his role within collaborative ensemble settings.[8]
Further coverage in *London Jazz News* highlighted Poetzsch’s participation in cross-genre projects, emphasizing contrasts between structured composition and freer improvisational passages.[9]
Music critic Doug Thomas has written about Poetzsch’s solo recordings, characterizing them as introspective works that draw on classical piano traditions while incorporating contemporary textures.[10]
Discography
[edit ]- Masaa – Freedom Dance (2013)
- Remember Tomorrow (2019)
- Clemens Christian Poetzsch plays Sven Helbig (2020)
- The Soul of Things (2021)
- Chasing Heisenberg (2022)
- Collateral Flow (2024)
Film music
[edit ]- Nationalstraße (2019)
- The Swimmer (2022)
References
[edit ]- ^ "Review: Roberts Menzel/Clemens Poetzsch Quartet in Islington". London Jazz News. 2014年10月20日. Retrieved 2025年12月06日.
- ^ "Zwischen Rammstein und Weltmusik". Musik in Dresden (in German). 2016年01月22日. Retrieved 2025年12月06日.
- ^ "Festival Report 2017 – Manchester Jazz Festival". London Jazz News. 2017年08月06日. Retrieved 2025年12月06日.
- ^ "The Soul of Things – Review". Doug Thomas. Retrieved 2025年12月06日.
- ^ "Klavierabend Clemens Christian Poetzsch in der Elbphilharmonie". KulturPort.de (in German). 2019. Retrieved 2025年12月06日.
- ^ "Two Concerts from Prominent European Pianists to Take Place at Besední dům in October". Brno Daily. 2025年09月02日. Retrieved 2025年12月06日.
- ^ "Zwischen Rammstein und Weltmusik". Musik in Dresden (in German). 2016年01月22日. Retrieved 2025年12月06日.
- ^ "Review: Roberts Menzel/Clemens Poetzsch Quartet in Islington". London Jazz News. 2014年10月20日. Retrieved 2025年12月06日.
- ^ "Festival Report 2017 – Manchester Jazz Festival". London Jazz News. 2017年08月06日. Retrieved 2025年12月06日.
- ^ "With Clemens Christian Poetzsch". Doug Thomas. Retrieved 2025年12月06日.
External links
[edit ]