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Culm bomb

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Compressed block of culm used for fuelling a fire
Women making culm bombs in Ireland in the early 20th century
A horse-powered culm crusher near Castlecomer in County Kilkenny

A culm bomb[1] or culm ball[2] is a compressed ball of culm (anthracite), mixed with yellow clay as a binding agent, historically used as a solid fuel.[3] [4] Associated primarily with Ireland,[5] culm bombs were historically used in industry (for example in blacksmith's forges and grain drying) as well as for domestic use. They were most commonly used in coal mining areas, including Castlecomer, County Kilkenny [6] and Ballingarry, County Tipperary.[2]

In domestic use, culm bombs were often handmade by those who used them as coal finings could be bought (or found) more cheaply than buying coal. The yellow clay used to bind the culm could be dug up in a field, being common to the areas in which culm bombs were made.

When large quantities of bombs were being made, the process was somewhat mechanised by using a culm-crusher drawn by a horse.[7] Otherwise, for smaller batches used by a single family, the process was entirely manual, with a person wearing a strong pair of boots trampling the culm and clay mixture. This process, known as "dancing the culm",[3] required a person to tread the culm and clay together until it was ready to be made into balls or "bombs".[3]

When the culm was sufficiently prepared, it was hand-formed into "bombs" or "bumbs".[8] These were about the size of a hand grenade (hence the term bomb), and left out to dry in the sun. While the process of preparing the mixture was typically undertaken by men, the making of the balls was traditionally completed by women or children.[9] [10] During the 1920s and 1930s, a mechanical device known as a "culm shooter" was used to reduce the mechanical labour required to make culm balls.[11] Once made, culm bombs were typically stacked on a fire started with kindling in much the same way a coal fire is sustained.[citation needed ]

The use of culm bombs lasted well into the middle of 20th-century Ireland, by which time Ireland's coal seams were becoming depleted and affordable alternatives for heating and cooking had improved (including mass-produced peat briquettes for ranges, with oil, electricity and natural gas used for hot water boilers).[citation needed ]

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Further reading

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References

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  1. Mac an Fhailghe, Pilib (1938). "Culm". School's Collection . Retrieved 7 August 2020 via Dúchas.
  2. 1 2 "Dancing the Culm and Culm Balls". tipperarycoalmines.ie. Retrieved 30 July 2026.
  3. 1 2 3 Conry, Michael (2001). Dancing the Culm: Burning Culm as a Domestic and Industrial Fuel in Ireland. Ireland: Chapelstwon Press Limited. ISBN 9780953587629.
  4. O'Connell, Pauline (2025). "Chapter 13: Reflections on A Woman's Culm, Keeping the Home Fires Burning (Gender and Rurality in the Commemoration of Ireland's Struggle for Independence)" (PDF). In Peeren, Esther; Valdés-Olmos, Tjalling (eds.). Rural Imaginations for a Globalized World. Brill. pp. 251–267. doi:10.1163/9789004731943_015. ISBN 9789004731943.
  5. "History of the Tudor Merchant's House". nationaltrust.org.uk. 13 May 2025. Retrieved 30 July 2026. A 'Culm ball' was made of anthracite dust mixed with clay. This which burned more slowly and were very popular in Ireland.
  6. Mulvihill, Mary L. (2003). Ingenious Ireland: A County-by-County Exploration of the Mysteries and Marvels of the Ingenious Irish. Town House/Country House. pp. 360–363. ISBN 9780684020945.
  7. O'Connell 2025 , p.263. "'Culm crushers' are large grinding stones hewn by limestone or granite, they were drawn in a circular orbit by a horse"
  8. Lyng, Tom P. (1962). "Grinding Stones or Culm Brushers" (PDF). Old Kilkenny Review (14). Kilkenny Archaeological Society: 17.
  9. O'Connell 2025 , Abstract. "This [forming culm balls by hand] was predominantly women's and sometimes children's work"
  10. Woods, Vincent (2002). "Review: Dancing the Culm". Béaloideas. 70: 250–252. doi:10.2307/20520812. JSTOR 20520812 . Retrieved 30 July 2026. In Ireland [..] the coal dust or slack was mixed with a binding material like daub or manure and made into culm balls. The process of mixing the materials to the right consistency-dancing or tramping or working the culm-was a task generally performed by men, while women (and sometimes children) had the job of making the culm balls for burning. The better-off poor sometimes hired women to make the finished product
  11. Hamilton, Joanne (2023). "Culms, Bums and Shooters in the Irish Folklife Collection". museum.ie. National Museum of Ireland. Retrieved 30 July 2026.
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