5.1 Surround Terakoya Lab / サラウンド寺子屋塾

Photo By Ari Trofeo

Part 1: To acquire the skill for writing, listening, and talking

Part 2: A sweet-potato-vine-style study method - to keep expanding questions in your workplace

Part 3: The relationship of a workplace and self-polishing "An extraordinary nail will not be hammered"

Part 4: Efforts to tell the genuineness - A flog out of pond

Part 5: Generalizing Your Routines


Part 6: The trigger to the surround sound field - dissatisfaction is a new dynamo!


Part 7: Let's build a surround studio!

Part 8: From 3-1 Surround To 3-2, and Then 5.1 Channel

Part 9: Surround Crusaders - to drive surround grow


Part 10: Steps To Surround School-shed and the Next Generation

Part 11: Special Interview with Mr. Kazutsugu Uchimura

Part 12: Special Interview with Mr. Keimei Asami

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Dolby Atmos Music rendering by Pyramix VAD and Ravenna network

Jazz album5.1CH Surround production and Survey of POP Music Surround Mix Techniques

Consideration of Height ch miking along with music style (AES 2018INT CONFERENCE)

MQA Music production workflow for professional at InterBEE in 2017

Dummy Head Sound Production Tips and Pitfall

Immersive surround 9.1 channel production 「UNAHQ 2011 A.Piazzolla by Strings and Oboe」

Taketomi IslandDSD 11.2 / PCM 192 - 24 Field Surround Recording and Music Production

Contigo en La Distancia " 192-24 9ch Immersive Surround Production BTS

Surround sound music has always been important to me.

Latest Surround Design for Cinema, October 6, 2015

Investigation into Tolerance of Home-theaters’ Surround Speaker Placement for Acceptable Perception of Reproduced Sound

On the Surround Recording of Orchestra at the Funkhaus Berlin Nalepastrasse

Road to surround 35-Years Mick Experience

5.1 PHASE CONTROL BETWEEN MAIN CH-LFE 2006-06
This paper describe an immportance of phase matching at main-LFE

Development of Broadcast Surround Sound Production in China 2006

Multichannel Surround Production for Broadcasting 2004 Best Artcle award ABU

SONA 5.1 MONITORING TUTORIAL
This paper present you fundamental 5.1 monitoring set up practice

AES M.CH ROOM DESIGN
This paper presented NHK Surround Mixing Room Acoustic Desgin Aprroch

NARAS 5.1 PRODUCTION GUIDE LINE
NARAS presented Music Surround production guide

AES WHITE PAPER M.CH GUIDE LINE
AES presented a guide line for surround system&production guide

AES2001 1st M.CH Conference workshop
This workshop presented Radio Drama surround production

IBC1999 SUROUND WORKSHOP
This workshop presented 6 surround desgin fundamentals

Mick'S Interview with Pro-Sound ASIA 2003
It was a interview How established Mick's surround history

The 9TH AES/SMPTE INT Conference [TV Sound Today &Tommorow] Detroit U.S.A 1991 Feb 1-2 Presented Paper - It was my first presentation paper in AES
The 91st Academy Award for Best Sound of Sound Design for "Dune Part-one The 97th Academy BEST SOUND award in 2025 Sound design for “Dune part-2“