The Fiddler’s Companion

ƒD 1996-2010 Andrew Kuntz

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Home ?????? Alphabetical Files ????? References

TIN GEE GEE , THE.? English, Polka. EFDSS CD13, Mark Bazeley & Jason Rice ? “Hardcore English? (2007. Various artists). Veteran VT139CD, Mark Bazeley & Jason Rice ? “Moor Music.?

TIN WARE LASS , THE (Cailin an Stain-Earrada). AKA and see "The Pewter Mug." Irish, English; Reel or Hornpipe. G Major. Standard tuning. AABB. Cole (1000 Fiddle Tunes), 1940; pg. 17 (Reel). O'Neill (Krassen), 1976; pg. 166? (Appears listed as the hornpipe "Tinware Lass" in the O'Neill's editions). O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1566, pg. 290. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 817, pg. 142. Raven (English Country Dance Tunes), 1984; pg. 179 (Appears as "Tinware Lass"). Ryan’s Mammoth Collection, 1883; pg. 40.

X:1

T:Tinware Lass, The

M:C|

L:1/8

R:Hornpipe

S:O’Neill ? Dance Music of Ireland: 1001 Gems (1907), No. 817

Z:AK/Fiddler’s Companion

K:G

BA|GABc d2ef|gfaf gedc|BABc dBGA|B2A2 AcBA|

GABc d2(3def|gfaf gedc|BABc dBAc|B2G2G2:|

|:(3efg|a2d2 d2(3def|g2G2 G2(3def|gfge dBGA|B2A2 AcBA|

GABc d2 (3def|gfaf gedc|BABc dBAc|B2G2G2:|

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TIN WEDDING HORNPIPE . American, Hornpipe. C Major. Standard tuning. AABB. Source for notated version: New York fiddler Larry Redican (1908-1975), born in Dublin [O’Malley]. Cole (1000 Fiddle Tunes), 1940; pg. 104. O’Malley (Luke O’Malley’s Collection of Irish Music), 1976; No. 127, pg. 64. Ryan’s Mammoth Collection, 1883; pg. 140.

X: 1

T: Tin Wedding

M: 4/4

L: 1/8

Q: 325

S: Luke O'Malley vol 1

R: hornpipe

K: C

(3GAB |cG G2 EGCG|(3FGF DG (3FGF DG|EGcd ecfe|(3ded (3cBA G2 AB|

cG G2 (3EFG CE | FGDG (3FGF DG | EGcd edcB | c2 e2 c2 :|

|: Bc | dBGB dBgf | ecGc ecag | ^fdAd fdba | (3gag (3fgf (3efe (3ded|

cG G2 EGCG | (3FGF DG (3FGF DG | EGcd edcB | c2 e2 c2 :|

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TINA’S SCHOTTISCHE . Canadian, Schottische. Canada; New Brunswick, Prince Edward Island. D Major. Standard tuning. AABB. The tune was introduced by New Brunswick fiddler Ivan Hicks, according to Perlman (1996). Source for notated version: Alvin Bernard (b. 1929, Long River, Queens County, Prince Edward Island) [Perlman]. Perlman (The Fiddle Music of Prince Edward Island), 1996; pg. 159.

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TINK-A-TINK . English, Schottsiche. G Major (Ashman, Callaghan, Kennedy, Raven, Sharp, Trim): A Major (Kerr). Standard tuning. ABC (Kennedy, Raven): AAB (Kerr): AABB (Ashman, Trim): ABAC (Sharp). This very popular melody first appeared as the vehicle for a duet in the 1798 opera Blue Beard, or Female Curiosity by Michael Kelly, first performed at the Drury Lane theatre. It was sung by Mrs. (Maria Theresa) Bland and Mr. John Bannister Jr. According to Bannistger’s memoirs (John Adolphus, Memoirs of John Bannister, Comedian, 1839), the melody was rumoured to have been Russian originally; “Kelly never concealed or denied it? (pg. 16). Editor Ashman says his version is very similar to another dotted variation found in the John Clare manuscript (Helpstone, Northants, 1820), and thinks "both are nicer than the undotted tune found in the Hardy MS." “Tink-a-Tink? appears in numerous other musicians? manuscripts from the period, including John Moore (where it appears simply as “Dance?), the Rev. Robert Harrison (Brampton, Cumbria, 1820), William Mittell (New Romney, Kent, 1799), the Browne family manuscripts (Troutbeck, Cumbria), the John Rook manuscript (Warerton, 1840), William Calvert (Leyburn, North Yorkshire, 1812), James Winder (Wyresdale, Lancashire, 1835), the Welch family manuscripts (Bosham, Sussex), the Tiller manuscript, James Haslingden (Midlands?, 1827), and Ann Winnington (England & New York, 1815). In America, “Tink a Tink? was included in Thomas Cushing’s copybook (1805-1813) and Daniel Henry Huntington’s copybook (Onondoga, New York, 1817).

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Similarly, it appears in print in a number of publications on both sides of the Atlantic soon after the opera was produced: Andrew’s Complete Instructions for the Fife (London, c. 1808), G. Astor’s Entire New and Complete Instructions for the Guittar (London, 1800) and his Hoboy Preceptor, or Military Pieces (London, c. 1800), Thomas Ball’s Gentleman’s Amusement Book 1 (Norfolk, Va., 1815), G. Gilbert’s Gentleman’s Pocket Companion for the German Flute or Violin (New York, 1802), Goulding’s Clarinet Preceptor (London, c. 1803), Carr’s Musical Repository (1800), Edward Riley’s Flute Melodies (New York, 1814-16), James Hulbert’s Complete Fifer’s Museum (Greenfield, Mass., c. 1811), and on various songsheets. Linscott (1939) thinks this melody is similar to "Petronella." Source for notated version: a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]. Ashman (The Ironbridge Hornpipe), 1991; No. 49b, pg. 19 (appears as untitled dance). Callaghan (Hardcore English), 2007; pg. 90. Kennedy (Fiddlers Tune Book), vol. 1, 1951; No. 26, pg. 13. Kerr (Merry Melodies), vol. 1; No. 13, pg. 29. Raven (English Country Dance Tunes), 1984; pg. 177. Sharp (Country Dance Tunes), 1909/1994; pg. 12. Trim (Thomas Hardy), 1990; No. 29. Wilson (Companion to the Ball Room), 1816.

X:1

T:Tink-a-Tink

M:2/2

L:1/8

S:Sharp ? Country Dance Tunes? (1909)

Z:AK/Fiddler’s Companion

K:G

(G2d>B) (B2d>B) | (c>dc>B A>F D2) | (G2d>B) (G2d>B) | (c>AG>F) G4 :|

|: (d2 g>f e>dc>B | A>Bc>d B2G2) | (d2 g>f e>dc>B | c>Ad>F G2G2) :|

(G2d>B) (B2d>B) | (c>dc>B A>F D2) | (G2d>B) (G2d>B) | (c>AG>F) G4 :|

(G2d>B) (G2e>c) | (G2 d>B c>AG>F) | (G2d>B) (G2d>B) | (c>AG>F G2G2) :|

X:2

T:Tink a TInk

M:2/4

L:1/8

S:From Ann Winnington’s music manuscript book (No. 6), from the early 19^th century.

N:Winnington was an American, probably a pianist, who resided in England.

K:G

G2d>B | G2 d>B | c>dc>B | AG F2 | G2d>B | G2 d>B | c>AG>F | G2G2 :|

|: d2 g>f | e>dc>B | A>Bc>d | c2 A2 | d2 g>f | e>dc>B | AcFA | G2G2 :|

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TINKER BARN, THE.? American, Reel. C Major. Standard tuning. AABB. Composed by Alstead, New Hampshire, fiddler and composer Randy Miller. Miller (Fiddler’s Throne), 2004; No. 257, pg. 155.

TINKER CART , THE. Irish, Reel. G Major. Standard tuning. AA’BB?. A traditional “slow reel? set by County Cavan/Philadelphia fiddle player and composer Ed Reavy (1898-1988). Reavy (The Collected Compositions of Ed Reavy), No. 56, pgs. 61-62.

X: 56

T:The Tinker Cart

R:reel

C:Ed Reavy

M:2/2

L:1/8

Z:Joe Reavy

N:This is Ed's setting of an old tune that is seldom heard today. It's one

N:of those lovely slow reels that has the right touch in the most

N:important spots. Ed's "fixing" of it in this setting makes it a truly

N:superb fiddle tune.

K:G

D | GABd cAFG | AGGF GABc | (3dcB AG FGAc|BGAF GFED|GABd cAFB AGGF GBdg|

fdcA FDEF |1 AGGF GDEF :|2 AGGF G2 Bd | gage fgfd | (3cBA Bc dcdf |

gage fgfd | (3cBA dB c2 ef | gage fgfa | gfed ^cdfg | (3bag fd cAFG |

AGGF G2 Bd || gage fgfd | (3cBA Bc dcdf | gage fgfd | (3cBA dB c2 ef |

gage fgfa | gfed ^cdfg | (3bag fd cAFG |1 AGGF GDEF ||

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TINKER DOHERTY . AKA and see ?All Around the World,? ?Cooley’s (Reel) [2],? ?The Connemara Rake,? ?Doherty’s (Reel) [2],? ?Grehan’s,? ?John Doherty’s Reel [1],? ?Johnny Doherty’s Reel [1],? ?Jolly Beggar [2],? ?The Knotted Chord [2]," ?Matt Molloy’s [1],? ?The Mistress,? “Mot Malloy,? ?The Wise Maid [1]."

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TINKERMAN’S WIFE , THE.? AKA and see ? ““Johnny Allen’s Reel,? ?Sean McGlynn’s Fancy.? Irish, Reel. Compass 7 4298 2, Mike McGoldrick ? “Fused? (2000). ?

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TINKER'S APRON , THE (Apr?n an Tincéara). AKA and see ?Monaghan Twig [1].? Irish, Reel. A Mixolydian. Standard tuning. AB. See also the related ?Little Katie Kearney? and ?Tom Keane’s Reel.? Source for notated version: whistle player Johnny Maguire, 1966 (Co. Cavan and Belfast, Ireland) [Breathnach]. Breathnach (CRƒm II), 1976; No. 152, pg. 81. Ceol, iii, pg. 24.

X:1

T:Tinker’s Apron, The

M:4/4

L:1/8

R:Reel

K:D

ed|:cAAB cAAB|cAAG (3eee ed|cAAB (3ccc cA |BGGB (3ddd ed|

cAAB cAAB|cAAG (3eee ed|cAAB (3ccc cA|BGGB (3ddd ed :|

|:cdef gfed|cdef eABA|(3Bcd ef gfge|dBgB (3ddd ed |

cdef gfed|cdef eABA|(3Bcd ef (3ggg ge|dBgB (3ddd ed:|

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TINKER’S BIB , THE (Práisc?n an Tincéara). Irish, Reel. A Major. Standard tuning. AABB. As it is similar to ?The White Leaf? this tune is sometimes called “The Green Leaf.? Source for notated version: the mid-20th century collection of Jack Wade (County Monaghan) [Breathnach]. Breathnach (CRƒm IV), 1996; No. 192, pg. 89.

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TINKER'S DAUGHTER , THE.AKA and see ?Broderick’s Reel,? ?Creamer’s Reel,? ?Joe Monahan’s Reel,? ?Peter Broderick’s Reel.? Irish, Reel. D Major. Standard tuning. AA’BB?. Composed by flute player Vincent Broderick, originally from Bullaun, north of Loughrea, County Galway, originally titled “The Tinker’s Daughter,? but often known by the alternate titles. Peter Broderick is Vincent’s older brother. “The Tinker’s Daughter? is one of Broderick’s more popular tunes, and is sometimes heard in a medley with two other of his compositions, ?The Midsummer Night? and ?The Crock of Gold.?? The melody is in Martin Mulvihill’s book as “Joe Monahan’s.? Green Linnet GLCD 1200, Lunasa ? “Otherworld? (1999). Philo 1051, Boys of the Lough ‑ "Good Friends, Good Music" (1976). Shanachie SH78041, Solas ? “The Hour Before Dawn? (2000). Conal O Grada ? “Top o? Coom.?

X:1
T:Michael Cramer's
T:Tinker's Daughter, The
R:reel
D:Conal O'Grada: The Top of Coom
Z:id:hn-reel-291

Z:transcribed by henrik.norbeck@mailbox.swipnet.se
M:C|

L:1/8
K:D
~A3B AF~F2|AFAd f2fg|afef dB~B2|dBAF FEDF|
~A3B AF~F2|AFAd f2fg|afef d2dB|1 Adfe d2dB:|2 Adfe d2de||
|:fded BAFA|dcdf a2af|g2fg eB~B2|dBAF FEDF|
~A3B AF~F2|AFAd f2fg|afef d2dB|1 Adfe d2de:|2 Adfe d2dB||
"Variations:"
ABdB AFDF|~A3d f2fg|afef d2dB|dBAF FEDF|
AFAB AF~F2|AFAd ~f3g|afef dB~B2|1 Adfe d2dB:|2 Adfe d2de||
|:fded BdAB|d2df ~a3f|g2fg edBc|dBAF FEDF|
ABdB AF~F2|AFAd ~f3g|afef d2dB|1 Adfe d2de:|2 Adfe d2dB||

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TINKER’S FROLIC, THE.? Irish, Reel. E Minor. Standard tuning. AB. The melody appears in the mid-19^th century music manuscript collection of Church of Ireland Canon James Goodman (1828-1896). Goodman, an Irish speaker and uilleann piper, collected in tradition in County Cork and elsewhere in Munster, but also obtained tunes from manuscripts and printed sources. Shields (Tunes of the Munster Pipers), 1998; No. 98, pg. 42.

TINKER’S HORSE , THE.Scottish, Country Dance Tune (4/4 time). A Major. Standard tuning. AABB. A reel-time setting of the famous ?MacPherson’s Rant,? from the Wick Scottish Country Dance Band.

X:1
T:Tinker's Horse, The
D:Wick S.C.D., The Sound of the North (1970)
O:Scotland
Z:Nigel Gatherer
L:1/8
M:4/4
K:A
EF|AAAE c2 BA|BABc B2 cd|eefe c2 BA|F4 Ed cd|
eefe c2 BA|BABc B2 EF|AABc B2 AF|E4 E2:|
cd|eefe c2 BA|BABc B2 cd|eefe c2 BA|F4 Ed cd|
eefe c2 BA|BABc B2 EF|AABc B2 AF|E4 E2:|

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TINKER’S OCCUPATION , THE (Eala?n an Tincéara). AKA and see ?Johnny Doherty’s Yellow Tinker,? ?The Jolly Tinker [2].? Irish, Reel. D Dorian/Mixolydian. Standard tuning. ABCDEFF. The tune is related to O’Neill’s “Jolly Tinker? and ?The Yellow Tinker.? Source for notated version: the mid-20th century collection of schoolteacher and fiddler Michael ‘Master? McDermott (Carrickmore, southern County Tyrone), who learned his tunes from local musicians [Breathnach]. Breathnach (CRƒm IV), 1996; No. 186, pg. 86. Shanachie 34013, Liz Carroll - “A Friend Indeed? (appears as “Johnny Doherty’s Yellow Tinker?).

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TINKER'S REEL [1] , THE (Cor na Stanadoir). AKA and see ?Free and Easy [2]," ?Mulqueen’s,? ?Spindleshanks,? ?Spinkle Shanks [1]." Irish, (Single) Reel. D Major. Standard tuning. AB. Source for notated version: from the whistling of Jimmie Ward (Co. Clare) [Breathnach]. Breathnach (CRƒm II), 1976; No. 187, pg. 98 (appears as Gan ainm). O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 782, pg. 136. CBM, “Cran.? Claddagh CCF 27, Conal O’Grada - “Top of Coom.? SU 1130, De Dannan ? “Song for Ireland? (appears as first tune of medley entitled “Mulqueen’s?).

X:1

T:Tinker’s Reel

M:C|

L:1/8

K:D

|F2 EG FD DE|EG AG FD DE|F2 EG FD DE|FA Bc dF EG|

F2 EG FD DE|FG AG FE DE|F2 EG FD DE|FABc d2 cd ||

|:e4 ef ed|cd ef g2 fg|e4 ef ed|cA Bc d2 cd|

e4 ef ed| cd ef g2 fg|af f2 ge e2|1 df ec d2 cd:|2 df ec e4||

TINKER’S REEL [2] , THE. Irish, Reel. G Major/E Minor. Standard tuning. AB. Source for notated version: Brendan Mulvihill (Baltimore, Md.) [Mulvihill]. Mulvihill (1^st Collection), 1986; No. 79, pg. 21.

TINKER’S REEL [3] , THE (R?l an Tincéara). Irish, Reel. A Dorian/D Major. Standard tuning. AABB. No relation to “Tinker’s Reel [1].? Source for notated version: from the 19th century (?) collection of Dan Sheahan (County Cavan) [Breathnach]. Breathnach (CRƒm IV), 1996; No. 145, pg. 71.

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TINKER'S STICK , THE. AKA ? “Tinker’s Sticke.? AKA and see ?Boil the Kettle Early [3],? ?The Cloontia Reel,? ?The Far Field,? "An Garda Nua," ?Michael Dwyer’s Favourite,? ?Nancy in the Hobble,? "The New Policeman [3]," "Paddy Bolster's Reel," "The Twin Brothers [1]," "Lady Cork's Reel." Irish, Reel. G Major. Standard tuning. AB. Treoir, vol. 32, No.2. Cl? Iar Chonnachta CICD 165, John Wynne & John McEvoy ? “Pride of the West? (2007).

X: 1

T: Tinker's Stick

S: "Treoir" 32/2

M: 4/4

L: 1/8

R: reel

Z: Transcribed by Bill Black.

K: G

B2 BG A2 GE | DGBG AGED | BcBA G2 GB | dBAc BGGA |

BcBG ABGE | DGBG AGED | B2 BA G2 GB | dBAc BG G2 ||

dggf g2 ag | egdg eg d2 | dggf gabg | egab ageg |

dggf g2 ag | egdg eg d2 | gedB ABcd | eaaf gedc ||

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TINKER'S WIFE , THE. Irish, Reel. D Minor. Standard tuning. AB. Source for notated version: fiddler Teresa Halpin (Limerick, Ireland) [Darley & McCall]. Darley & McCall (Darley & McCall Collection of Traditional Irish Music), 1914; No. 5, pg. 3.

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TINNEHINCH CASTLE . Irish, Air (3/4 time). G Major. Standard tuning. One part. Source for notated version: "Sent to me (about 1905) by Mr. Patrick O'Leary of Graignamanagh, Co. Kilkenny, a good amateur musician with a great knowledge of the popular airs of that part of Ireland" (Joyce). Joyce (Old Irish Folk Music and Song), 1909; No. 299, pg. 141.

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TINWARE LASS , THE. See "Tin Ware Lass."

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TIOB AN FIAD . AKA and see "Stagger the Buck."

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TIOCFADH TƒŒ A BHAILE LIOM , AN. AKA and see "Eileen/Aileen Aroon [1]." Irish, Air. A 17th century Irish song. See ?Will You Come Home With Me??

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TIOCFAID TƒŒ A BAILE LIOM , AN. See "Will You Come Home With Me?" "Tiocfaidh T? Abhaile Liom." Irish, Jig.

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TIOCFAIDH TƒŒ ABHAILE LIOM [1] . See ?Oh, Hag You Have Killed Me [1],? ?Will You Come Home With Me??

TIOCFAIDH TƒŒ ABHAILE LIOM [2] . See ?Oh, Hag You Have Killed Me [2].?

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TIOMAIN NA BA A BAILE . AKA and see "Drive the Cows Home."

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TIONSGNAD PAIDIN . AKA and see "Paddy's Resource [1]."

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TIOMCUAIRT , AN. AKA and see "The Friendly Visit."

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TIP OF THE WHISTLE . Irish, Air. So‑called by Paddy Moloney of the Chieftains, when he could not remember the tune's true name or origin. Shanachie 79024, "Chieftains 4" (1972/1983).

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TIP THE CRUISKEEN (Doirt an Cruisgin/Cruiscin). Irish, Single Jig. A Major. Standard tuning. AABB. O'Neill (O’Neill’s Irish Music), 1915/1987; No. 212, pg. 113. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 887, pg. 165. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 380, pg. 77.

X:1

T:Tip the Cruiskeen

M:6/8

L:1/8

R:Single Jig

S:O’Neill ? Dance Music of Ireland: 1001 Gems (1907), No. 380

Z:AK/Fiddler’s Companion

K:A

A2B c2A|B2G A2F|cAF FAF|cAF FAF|A2B c2A|B2G A2F|BGE EGE|BGE EGE:|

|:e2c d2B|c2A cde|cAF FAF|cAF FAF|e2c d2B|c2A cde|BGE EGE|BGE EGE:|

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TIP TOE FINE . AKA and see "Tip Toe, Pretty Betty Martin," "I Betty Martin," "Betty Martin," "Pretty Betty Martin."

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TIP TOE, PRETTY BETTY MARTIN . AKA and see "Betty Martin," "Pretty Betty Martin," "I Betty Martin," "Tip Toe Fine," "Very Pretty Martin," "Granny, Will Your Dog Bite? [1]," "Old Mother Gofour," "Fire on/in the Mountain [1]," "Hog Eye [1]." Old‑Time, Breakdown. A Major. Standard tuning. AABB'. Various sets of words attached to the tune have led to a varity of titles for it:

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Pretty Betty Martin, tip toe, tip toe,

Pretty Betty Martin, tip toe fine.

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Ford (Traditional Music in America), 1940; pg. 58.

X:1

T:Tip Toe, Pretty Betty Martin

M:2/4

L:1/8

B:Ford ? Traditional Music in America (1940)

Z:AK/Fiddler’s Companion

K:A

AA A,/C/E/C/|DF E2|FD/F/ EC/A,/|DF E2|AA A,C/E/C/|

DF E2|A/A/A/A/ c/A/B/A/|EG A2::e/f/e/d/ cd|ea cd|

e/f/e/d/ cA|.B.E A2|e/f/e/d/ cd|ea cd|g/f/e/d/ cA|.B.E A2:|

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TIP TOP HORNPIPE . English? American?, Hornpipe. D Major. Standard tuning. AABB. Howe (1000 Jigs and Reels), c. 1867; pg. 57. Topic 12TS431, "Brass Monkey" (1983. Learned from English melodeon player, fiddler, Northumbrian piper and whistler Bob Rundle). Topic TSCD, “The Complete Brass Monkey? (1993).

X:1

T:Tip Top Hornpipe

M:2/4

L:1/8

R:Hornpipe

S:Howe ? 1000 Jigs and Reels (c. 1867)?????

Z:AK/Fiddler’s Companion

K:A

A, | {E}D/C/D/F/ {B}A/^G/A/c/ | d/e/f/e/ d/c/B/c/ | d/c/d/B/ A/F/D | C/D/E/F/ E/G/F/E/ |

D/C/D/F/ A/^G/A/c/ | d/e/f/e/ d/B/^A/B/ | bz/g/ z/a/f | z/A/ F/A/ d :: f/g/ |

a/b/a/f/ d/e/f/d/ | e/f/d/f/ e/d/B/c/ | d/c/d/B/ A/F/D | C/D/E/F/ E/G/F/E/ |

D/C/D/F/ A/^G/A/c/ | d/e/f/e/ d/B/^A/B/ | bz/g/ z/a/f | z/A/F/A/ d :|

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TIP TIP POLKA . American, Polka. USA, Michigan. Folkways FA 2381, "The Hammered Dulcimer as played by Chet Parker" (1966).

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TIP TOE HOME .? Irish, Reel. E Dorian. Standard tuning. AABB?. Composed by button accordion player Mary Rafferty, daughter of fluter Mike Rafferty, about a neighbour. Source for notated version: New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. Harker (300 Tunes from Mike Rafferty), 2005; No. 118, pg. 36. Larraga Records LR090098, Mike and Mary Rafferty ? “Old Fireside Music? (1998).

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TIPP STAFF , THE.? See ?Tipstaff Strathspey.?

TIPPERARY (Tiobrad-Arainn). Irish, Air (6/8 time, "Lively"). G Major. Standard tuning. ABC. County Tipperary is divided into two sections, or in modern administrative usage, two counties, North Riding and South Riding. These terms are imports from England where the County of Yorkshire is divided into Ridings, albeit three Ridings, North, South and West. The term ‘Riding? is derived from the word thriding, a variant of the Old English thrithing, itself derived from Old Norse thrithi, meaning a third. O'Neill (O’Neill’s Irish Music), 1915/1987; No. 10, pg. 15. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 588, pg. 103.

X:1

T:Tipperary

M:6/8

L:1/8

R:Air

N:”Lively?

S:O’Neill ? Music of Ireland (1903), No. 588

Z:AK/Fiddler’s Companion

K:G

D|G>AG d>ed|G>AG F>ED|G>FG E>FG|A>BG F2D|G>AG d>ed|G>AG F>ED|

G>FG A>B{d}c|BAF G2||B|B>cB e>fe|d>cB A2A|A>Bc c>BA|BGA B2B|

B>cB e>fe|dcB A2A|A>Bc BAB|GEF E2||D/D/|G>AG d>ed|G>AG F>ED|

G>FG EFG|ABG F>ED|GBd gde|dcB A e2|d>ed GAB|cAF G2||

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TIPPERARY FANCY .? AKA and see ?The Ashplant [2]," ?Coleman’s (Reel) [2],"? ?Dennis Murphy’s Favourite,? Dicky Sherlock’s Reel,? ?Jim Kelly’s [2]," ?John Brennan’s Reel [2],? ?Maguire’s (Reel),? ?Matt Molloy’s [2],? ?Night in Ennis,? ?Packie Duignan’s Reel,? ?Tipperary Fancy.? Irish, Reel.

TIPPERARY HILLS (Cnuic Tiobraid-Arainn). AKA and see "Andrew Carey" [1], "Andrew Carr," "Over the Hill to Tipperary," ?Michael Gorman’s.? Irish, Slip Jig. D Major. Standard tuning. AABB. O'Neill (Krassen), 1976; pg. 83. Breathnach (CRƒm II), 1976; No. 103 (appears as untitled slip jig). Bulmer & Sharpley (Music from Ireland), vol. 4; No. 88 (appears as untitled slip jig). O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1148, pg. 216. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 430, pg. 84. Ryan’s Mammoth Collection, 1883; pg. 109.Folkways FW 6819, Michael Gorman - “Irish Jigs, Reels & Hornpipes? (1956).

X:1

T:Tipperary Hills

M:9/8

L:1/8

R:Slip Jig

S:O’Neill ? Dance Music of Ireland: 1001 Gems (1907), No. 430

Z:AK/Fiddler’s Companion

K:D

F2A AFA AFA|G2B BGB BGB|F2A AFA ABc|d2B AFD E2D:|

|:d2B AFD DFA|Bcd efg f2e|d2B AFD DFA|Bcd AFD E2D:|

???????????????????????

TIPPERARY REEL , THE.? Canadian, Reel. Canada, Cape Breton. G Major/Mixolydian. Standard tuning. AABB. Composed by the late Cape Breton fiddler and composer Jerry Holland (1955-2009) at the request of musician Denis Ryan (see also ?Farewell to Ryan’s Fancy?). Ryan and Holland played together at the University of Limerick in 1997, as part of a concert commemorating the 800^th anniversary of the charter of the city of Limerick [Cranford]. Cranford (Jerry Holland: The Second Collection), 2000; No. 213, pg. 79.

TIPPERTY’S JEAN . Scottish, Jig. Composed by the great Scots fiddler-composer J. Scott Skinner. WS 031703, Wendy MacIsaac ? “Timeline? (2003).

???????????????????????

TIPPITY WICHET . AKA - "Tippitiwitchet." English, Air and Country Dance Tune (2/4 time). C Major. Standard tuning. One part (Scott): AB (Raven). This is one of the early 19th century singer Grimaldi's most famous songs, who sang it in Thomas Dibdin's "Bang up or Harlequin Prime," for which William Reeve wrote the music (including the tune for this song). It was later sung famously by Sam Cowell.

***

This morning early My malady was such

I in my tea took brandy, And took a drop too much.

Tol lol lol (hiccup),

Tol lol lol de rol de lay.

***

Raven (English Country Dance Tunes), 1984; pg. 148. Scott (English Song Book), 1926; pg. 56.

???????????????????????

TIPP’S TUNE .? Old-Time, Breakdown. Nebraska fiddler Uncle Bob Walters learned this melody from Willis Tipperey, who ran a barber shop in Decatur, Nebraska, that became a congregating place for local fiddlers, according to Mark Wilson (Rounder 0529). ?Wilson thinks it has turn-of-the 20^th century military march origins. Rounder 0529, Dwight Lamb ? “Hell Agin the Barn Door? (2005).

TIPP'S WALTZ . Old‑Time, Waltz. USA, Nebraska. F Major. Standard tuning. ABCC. Source for notated version: Bob Walters (1951) and "decades earlier by Willis Tippery, a barber..." ({both from} Burt County, Nebraska) [Christeson]. R.P. Christeson (Old Time Fiddlers Repertory, vol. 1), 1973; pg. 194‑195.

???????????????????????

TIPPY, GET YOUR HAIRCUT . Old-Time, Breakdown. USA, West Virginia. The tune was learned by Braxton County, West Virginia, musician Bob Wine, father of fiddler Melvin Wine, who heard mulatto fiddler Jilly Grace play it but once. According to Gerry Milnes (1999) the elder Wine “could not even bribe Grace to play the tune a second time, but he managed to learn it anyway.? Grace was a fiddler in the Burnsville area who occasionally played for horse-drawn travelling merry-go-rounds. Poplar Records, Melvin Wine - "Cold Frosty Morning.? Rounder 0172, Bob Carlin - "Where'd You Get That Hat?" (1982. Learned from W.Va. fiddler Melvin Wine).

???????????????????????

TIPS FROM THE BOUGHT . American, Quadrille. Bronner (1987) states it was a commonly played tune for dances in New York state in the early 20th century.

???????????

TIPSTAFF STRATHSPEY . Scottish, Strathspey. G Major. Standard tuning. AB. The melody appears in the 1790 collection by Kirkmichael, Perthshire, fiddler Robert Petrie. An earlier version, called “The Tipp Staff? appears earlier in the 1770 music manuscript collection of Northumbrian musician William Vickers, about whom, unfortunately, nothing is known. Vickers? version is set in reel time, without the dotted strathspey rhythms. Petrie (Collection of Strathspey Reels and Country Dances), 1790; pg. 3.

X:1

T:Tipstaff Strathspey

C:Robert Petrie

S:Petrie's Collection of Strathspey Reels and Country Dances &c., 1790

Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 3/5/04

N:Petrie's First Collection, page 3

L:1/8

M:C

R:Strathspey

K:G

c | B<Gg>G DG-GA/B/ | c<Aa>A EA-A.c? | dB-Bd ec-ce | g>dTc>B (TB2A>)c |

BGgG D(G G)A/B/ | cAaA EA-Ac | Bg-ge (f/e/f/g/) ag | fd f/e/d/^c/ dDd ||

d | (d<=f)(Tf>e) (Ted)(Tdc) | cBA^G A2 A,A/B/ | c<eTe>d d>cB<d | g<dTc>B TB2Az |

G,<G-TG>B A,<ATA>c | B,<TBB>d C<Tc-c>e | B>de>f? g>dTc>B | TA>GA<B G2 G,2 |]

X:2

T:Tipp Staf [sic], The

M:C|

L:1/8

R:Reel

S:William Vickers? music manuscript collection (Northumberland, 1770)

K:G

d/c/|BGgG G,G GA/B/|cAaA A,A AB/c/|dBBd ecce|dccB BAAc|

BGgG G,G GA/B/|cAaA A,A AB/c/|Bdge fgag|fdec d3 D:|

|:d=ffe eddc|BAA^G AA,A,B|ceed dccB|gdcB B3A|

G,GGB A,AAc|B,BBd Ccce|deef gdcB|AGAB G2 z2:|

???????????

TIPSY HOUSE , THE. AKA and see ?The Templehouse (Reel).? Irish, Reel. E Minor. Standard tuning (fiddle). AB. Darley & McCall’s title is perhaps a garbled version of the well-known “The Templehouse,? of which this is a version. If this is so, it was probably not their mistake but one that had sunk into tradition, for the title is among those mentioned in Patrick J. McCall’s 1861 poem “The Dance at Marley?:

***

Murtagh Murphy’s barn was full to the door when the eve grew dull,
For Phelim Moore his beautiful new pipes had brought to charm them;
In the kitchen thronged the girls - cheeks of roses, teeth of pearls -
Admiring bows and braids and curls, till Phelim’s notes alarm them.
Quick each maid her hat and shawl hung on dresser, bed, or wall,
Smoothed down her hair and smiled on all as she the bawnoge entered,
Where a shass of straw was laid on a ladder raised that made
A seat for them as still they stayed while dancers by them cantered.

***

Murtagh and his vanithee had their chairs brought in to see
The heels and toes go fast and free, and fun and love and laughter;
In their sconces all alight shone the tallow candles bright -
The flames kept jigging all the night, upleaping to each rafter!
The pipes, with noisy drumming sound, the lovers? whispering sadly drowned,
So the couples took their ground - their hearts already dancing!
Merrily, with toe and heel, airily in jig and reel,
Fast in and out they whirl and wheel, all capering and prancing.

***

“Off She Goes,? “The Rocky Road,? “The Tipsy House,? and “Miss McLeod,?
“The Devil’s Dream,? and “Jig Polthogue,? “The Wind that Shakes the Barley,?
“The First o’May,? “The Garran Bwee,? “Tatther Jack Welsh,? “The River Lee,? -
As lapping breakers from the sea the myriad tunes at Marley!
Reels of three and reels of four, hornpipes and jigs galore,
With singles, doubles held the floor in turn, without a bar low;
But when the fun and courting lulled, and the dancing somewhat dulled,
The door unhinged, the boys down pulled for “Follow me up to Carlow.?

***

Source for notated version: flutist and farm laborer John Ferguson (Rathangan, Co. Wexford, Ireland), noted from his performance at one of the Feis Ceoil competitions at the turn of the 20^th century [Darley & McCall]. Darley & McCall (Feis Ce?il Collection of Irish Airs), 1914; No. 70, p. 32.

X:1

T:Tipsy House, The

M:C

L:1/8

R:Reel

S:Darley & McCall ? Feis Ce?il Collection (1914).

Z:AK/Fiddler’s Companion

K:Emin

E2 GE BEGE | D2 FD ADFD | E2 GE BEGE | (3BcB AG (3BGE E2 |

E2 GE BEGE | D2 FD ADFD | E2 GE BEGE | (3BcB AG (3BGE E2 ||

ge (3efe ge (3efe | fd (3ded fd (3ded | ge (3efe ge (3efe | (3gfg bg (3afd e2 |

ge (3efe ge (3efe | fd (3ded fd (3ded | bgaf (3gfe e2 | (3BcB AG (3BGE E2 ||

???????????????????????

TIPSY PARSON [1] . AKA and see "Liberty [1]." American, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. Sweet (Fifer’s Delight), 1965/1981; p. 59.

TIPSY PARSON [2] , THE.? American, Reel. G Major. Standard tuning. AABB. Composed by Ralph Page (1903-1985, New Hampshire), the “dean of the contra dance callers,? and a seminal figure in New England traditional dance and music for 40 years (see www.izaak.unh.edu/nhltmd/pagehome.htm). It first appears in Page’s periodical Northern Junket, vol. 4, No. 2, 1953. Miller (Fiddler’s Throne), 2004; No. 258, pg. 155.

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TIPSY SAILOR [1] , THE. English, Reel. G Minor. Standard tuning. AABBCCDD. "From the playing of (English revial musician) Nic Jones on fiddle." Raven (English Country Dance Tunes), 1984; pg. 216. Wild Asparagus WA 003, Wild Asparagus - "Tone Roads" (1990).

X:1

T:Tipsy Sailor, The [1]

M:4/4

L:1/8

R:Reel

K:Gmin

DGGF GABc | dcBA GFDE | F2 FE FGAB | cAFA dcBA |

GDB,D GABc | dcBA GFDE | F2 fe dcBA | ABGG G4 :|

TIPSY SAILOR [2] , THE. AKA and see ?The Merry Harriers [3].? Scottish, Jig. E Mixolydian. Standard tuning. AA’BB?. Credited to William Morrison in Joseph Lowe’s collection (1840) where it is called “The Merry Harriers.? The Tipsy Sailor title was used by fiddler Jerry Holland on his Rounder album. Cranford (Jerry Holland’s), 1995; No. 248, pg. 71. Rounder Records, “Jerry Holland? (1976).

TIPSY SAILOR [3] , THE. Irish (?), Jig. G Minor. Standard tuning. AA’BB?. White’s Unique Collection, 1896; No. 9, pg. 2.

X:1

T:Tipsy Sailor, The [3]

M:6/8

L:1/8

R:Jig

S:White’s Unique Collection (1896), No. 9

Z:AK/Fiddler’s Companion

K:Gmin

gdB gdB | gdB (g2a) | bag g^fg | a^fd dcd | gdB gdB | gdB (g2a) |

_bag ^fga |1 g3 [G,2D2B2g2]z :|2 g2z =f3 || fdB {c}BAB | fBB gBB |

fdB {c}BAB | cAF FAc | fdB {c}BAB | fBB gBB | fba gfe |1 dcB AGF :|2 dcB A^Fd ||

??????????????????????? ???????????????????????

TIR FHIACHRAIGH . See "Tir Fiachrach."

???????????????????????

TIR FIACHRACH . AKA - "Tireragh." Irish, Air (6/8 time). E Flat Major. Standard tuning. AABB. O'Sullivan (1983) finds the locale of the title in all probability to be the barony of Tirerah in County Sligo. Source for notated version: the Irish collector Edward Bunting took the tune down from "an old man at Sligo in 1802," according to the index of his 1840 collection. O'Sullivan/Bunting, 1983; No. 40, pg. 61.

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TIR RAFARTAIGH .? Irish, Slip Jig. E Minor. Standard tuning. AA’BB?. Composed by harpist M?cheál Rooney, named for the townland where he lives and composed as part of a millennium suite (see also his “Gort na M?na?). Source for notated version: flute player Gary Shannon [Treoir]. Treoir, vol. 37, No. 2, 2005; pg. 30. M?cheál Rooney & June McCormack ? “Dra?ocht? (2004).

X:1

T:Tir Rafartaigh

M:12/8

L:1/8

R:Slip Jig

S:Treoir, vol. 37, No. 2? (2005)

Z:AK/Fiddler’s Companion

K:Emin

A | G2E (EDE) c2A B2G | AcA G2E A2c B2A |1 G2E (EDE) c2A B2G | AcA (G2E) D3 D2E :|2

G2A B2c d3 B2G | AGE G2E D3 (D2E) ||: G2A B2c d3 B2G | ABA G2E A2c B2A |

G2A B2c d3 B2G |1 AGE G2E D3 (D2E) :|2 AGE (G2E) D3 D2 ||

TIRE KICKERS .? Canadian, Reel. Canada, Cape Breton. D Major. Standard tuning. AABB. Composed by the late Cape Breton fiddler and composer Jerry Holland (1955-2009). Cranford (Jerry Holland: The Second Collection), 2000; No. 141, pg. 53.

TIRED AFTER MY EXPEDITION (Gur trom an deigh mo thurais mi). Scottish, Slow Air (4/4 time). E Minor. Standard tuning. AB. This tune "is another air acquired by the editor's father, through Dr. Morison from Lews, formerly mentioned. The words contained reflections on various events which befel them during the Canadian expedition, particularly during a winter's quarters in Ft. Stanwix, of which they were heartily tired; absence and distance from their native country, thus reviving all their predilections for it. On this occasion Dr. Morison composed his unequalled Gaelic verses to the Garb of Old Gaul" (Fraser). Fraser (The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles), 1874; No. 189, pg. 78.

X:1

T:Tired after my Expedition

T:Gur trom an deigh mo thurais mi

M:C

L:1/8

R:Slow Air

S:Fraser Collection? (1874)

Z:AK/Fiddler’s Companion

K:G

B,|G2 F>E DB,B,z/B/|G>EF>^D [G,3E3] (E/4D/4E/4F/4)|

G>B (3A/B/G/ (3F/G/E/ DB,B,D|B,>^A,B,^D E2 EB,|

G2 F>E DB,B,z/B/|G>E F>^D [G,3E3] (E/4D/4D/4F/4)|

G>B (3ABG (3FGE DB,B,D|B,>^A,B,^D E2D||B|

eB B(e/f/4g/4) fBB^d|eB B(e/f/4g/4) [d3f3] a|g>b a/g/(f/e/) =d(GF)B|

B,>^A,B,^D E3B|eB B(e/f/4g/4) fBB^d|e>fga g2 [df] (g/4f/4g/4a/4)|

b>B (c/B/)(A/G/) (A/G/)(F/E/) B (A/4G/4F/4E/4)|B,>^A,B,^D E3||

???????????????????????

TIREE BRIDAL SONG , THE.? Scottish, Air or Waltz. A Mixolydian. Standard tuning. AB. A Gaelic air entitled “Am falbh thu leam, a ribhinn ?g? (Will you come away with me, young maiden?), which is not the same as ‘bridal song?, a polite and probably Victorian euphemism. The picturesque Isle of Tiree is off the west coast of Scotland, the most westerly of the Inner Hebrides. Miller (Fiddler’s Throne), 2004; No. 374, pg. 221. Lapwing Records LAP 103, Sandy Coghill ? “Out the Box? (1981).

TIRETAGH . AKA and see "Tir Fiachrach."

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TIRNASKEA LASSES , THE (Gearrchail? Th?r na Sceach). Irish, Reel. E Minor. Standard tuning. AAB. Source for notated version: the mid-20th century collection of schoolteacher and fiddler Michael ‘Master? McDermott (Carrickmore, southern County Tyrone), who learned his tunes from local musicians [Breathnach]. Breathnach (CRE IV), 1996; No. 202, pg. 92.

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TIRO L'AUTO. French, Varsovienne (3/4 time). C Major. Standard tuning. AAB. Stevens (Massif Central), vol. 1, 1987; No. 77.

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TIRRICK HORNPIPE , DA. Shetland, Hornpipe. B Flat Major. Standard tuning. AABB. "A little hornpipe composed in 1965 while watching the flight of an Arctic Tern. Terns are called 'Tirricks' in Shetland" (Anderson). Anderson (Ringing Strings), 1983; pg. 93.

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TIRTEAC NUAD , AN. AKA and see "The New Demense."

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'TIS A BIT OF A THING . AKA and see "The Black Rogue [1]."

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'TIS A GIFT TO BE SIMPLE . AKA ‑ "Simple Gifts," "Lord of the Dance," "Shaker Hymn." American, Air or March (4/4 time). G Major. Standard tuning. AABB. An American Shaker song attributed to Elder Joseph Brackett, 1848. Miller & Perron (New England Fiddler’s Repertoire), 1983; No. 168 (appears as “Simple Gifts?). Rounder 0078, "Early Shaker Spirituals."

X:1

T:’Tis a Gift to be Simple

M:C

L:1/8

K:G

DD|G2GA BG Bc|d2dd B2AG|A2A2A2A2|AB AF D2D2|

GF GA B2AA|B2c2d3B|A2AB A2GG|A2GF G2:|

|:d4B3A|Bc BA G3A|B2 Bc d2B2|A2AB A2D2|

G4G3A|B2Bc d2BB|A2A2B2BA|G2G2G2:|

???????????????????????

'TIS A PITY TO SEE . Irish, Air (3/8 time). G Major. Standard tuning. One part. "From Mr. J. Snowe (Co. Cork). In the MS. the rhythm was nearly unintelligible: the version given here is my restoration" (Joyce). Joyce (Old Irish Folk Music and Songs), 1909; No. 823, pg. 399.

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‘TIS ALL FOR THE LOVE OF THE WIDOW . American (?), Air (6/8 time). D Major. Standard tuning. One part. Howe categorizes the tune among the ‘songs? section. Howe (1000 Jigs and Reels), c. 1867; pg. 45.

X:1

T:’Tis All For the Love of the Widow

M:6/8

L:1/8

S:Howe ? 1000 Jigs and Reels (c. 1867)

Z:AK/Fiddler’s Companion

K:D

A | Add dcd | eAA A2 c/d/ | eac edB | BA2 z2A | f>ed e>dc | dBd cee | a2c/c/ e>dB |

B A2 z2A | d>dd d>cd | B>BB B2 c/d/ | eef gBe | d3 {e/d/}c2 A/A/ |

f>ed efg | fa2 z2A/A/ | Bge ABc | e d2 z2 :|

???????????????????????

‘TIS I YOUR LOVER . Irish, Air (3/4 time). Ireland, County Wexford. B Flat Major. Standard tuning. AB. Source for notated version: “From Mr. R.A. Fitzgerald? [Stanford/Petrie]. Stanford/Petrie (Complete Collection), 1905; No. 782, pg. 195.

X:1

T:’Tis I your lover

M:3/4

L:1/8

N:?County of Wexford?

R: Air

N:”Andante?

S:Stanford/Petrie (1905), No. 782

Z:AK/Fiddler’s Companion

K:Bb

f/e/ dB | (G2A) B cc/B/ | (G2F) A/B/ cc | c>e dc dB | B3 f/e/ dB | G2A B cc/B/ |

G2F A/B/ cc | c>e dc dB | B3 || F B/c/ d/e/ | f>d ef gf/d/ | (c2B) F B/c/ d/e/ |

f>d ef gf/d/ | c3 f/e/ dB | (G2A) B cc/B/ | (G2F) A/B/ cc | c>e dc dB | B3 ||

???????????????????????

'TIS LITTLE FOR GLORY I CARE . AKA and see "Terry Heigh Ho the Grinder [1]."

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‘TIS MY BITTER SORROW . AKA and see ?’S? Fáth Mo Bhuartha.?

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TIS MY DELIGHT ON A SHINY NIGHT . AKA ‑ "The Lincolnshire Poacher." English, Jig and Air. D Major. Standard tuning. AABAA. Raven (English Country Dance Tunes), 1984; pg. 121.

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‘TIS NOT YOUR GOLD WOULD ME ENTICE .Irish, Air (4/4 time). G Major. Standard tuning. One part. Howe (1000 Jigs and Reels), c. 1867; pg. 26.

X:1

T:’Tis Not Your Gold Would Me Entice

M:C

L:1/8

R:Air

N:”Lively?

S:Howe ? 1000 Jigs and Reels (c. 1867)

Z:AK/Fiddler’s Companion

K:G

Bc | d2B2e2 BA | G2F2E2 EF | G2G2 ABAG | F2E2D2 (3B,^CD | E3F G2A2 |

B2 gf e2 fe | d2B2e2 BA | G2A2B2 GF | E3F G2A2 | B2 gf? e3f | d2B2 e2 (3dBA | B2 EF G2 ||?

???????????????????????

'TIS SWEET TO THINK . AKA and see "Daniel of the Sun [1]."

???????????????????????

‘TIS THE LAST ROSE OF SUMMER . AKA and see ?The Groves of Blarney,? ?The Last Rose of Summer.?

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'TIS THE WHISKEY THAT MAKES LIFE'S CARES LIE LIGHT ON ME . Irish, Air (3/4 time). C Major. Standard tuning. AB. Source for notated version: Hugh O'Beirne, professional fiddler from Ballinamore, Co. Leitrim, c. 1846. Joyce (Old Irish Folk Music and Songs), 1909; No. 547, pg. 291.

‘TIS TIME TO GO HOME . See ?’S fheudar dhomh fhein a bhi falbh.?

TIS WOMAN THAT SEDUCES ALL MANKIND . AKA and see "The bonny grey‑ey'd morn."

TISHAMINGO . Old‑Time. The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. There is a Tishomingo County in the state of Mississippi.

TISHOMINGO COUNTY BLUES . Old‑Time, Breakdown. USA, Mississippi. D Major. Standard tuning. ABB. The tune was composed by the source, John Hatcher, of Tishomingo County, Mississippi, who said of it:

***

All counties have blues. I felt that Tishomingo County was blue

enough and ought to have one. I picked up notes from other

tunes and made one up of my own. It took some time, not all

at once.

***

Gary Stanton, in his article “All Counties Have Blues: County Blues as an Emergent Genre of Fiddle Tunes in Eastern Mississippi? (North Carolina Folklore Journal, vol. 28, no. 2, Nov. 1980), points out that while almost a third of the commercial releases of white Mississippi musicians in the 1920’s and 1930’s were blues or blues influenced, only two field recordings of white instrumental blues were made, “Tishomingo County Blues? and “Lost John.? The field recordings were assumed to have been of older, less commercial musicians. Stanton’s thesis is that Mississippi fiddlers of that time period were split between older fiddlers whose repertoire reflected that of the turn of the century, and younger fiddlers who were influenced by mass media and popular trends, whose repertoire included the more modern forms of waltzes, blues and popular tunes.

***

Tom Rankin (1985) points out that the coarse part of the melody was borrowed almost directly from "Carroll County Blues #1? (there were three different Carroll County Blues recorded), although it was played in a different key. “Tishomingo? is called by Stanton a ‘one-chord? tune.

***

Source for notated version: John Hatcher [Phillips]. Phillips (Traditional American Fiddle Tunes), vol. 2, 1995; pg. 151. Mississippi Department of Archives and History AH‑002, John Hatcher ‑ "Great Big Yam Potatoes: Anglo‑American Fiddle Music from Mississippi" (1985. Originally recorded for the Library of Congress in 1939). Rounder 0320, Bob Carlin & John Hartford - "The Fun of Open Discussion."

X:1

T:Tishomingo County Blues

M:2/4

L:1/8

S:John Hatcher, Iuka, Miss.

Z:From a transcription by Gary Stanton

K:D

[D2d2]|[D2d2] (3ef/|d2 (3ef/|(3ed/ (3B/(d|d2) (3ef/|(d2 [D2d2)] (3ef/|

d2 (3ef/|d2 ef/f/|(3ed/ (3B/[D(d]|[D2d2)] (3ef/|a2a2|a2a2|cB cB|

(A3 A/)A/|(3aa/ (3ba/|(3b(a/ (3a)e/|(3f(d/ (3d)B/|(3AE/ (3FE/|

(3F((d/ d2)|d2) (3FD/|(3EE/ (3FE/|Dz (3FD/|(3EE/ (3FE/|

Dz (3FD/|(3EE/ (3FD/|(3EE/ (3FE/|(3DE/F2|(d4| d2) (3FD/|

(3EE/ (3FE/|Dz (3FD/|(3EE/ (3FE/|Dz (3[FA]D/|(3EE/ (3FE/|(3DE/ F2|[D2d2]||

???????????????????????

'TIT ARDOIN TWO-STEP . See "Jolie Catin [2]."

???????????

TIT BITT , THE.? English, Country Dance Tune (2/4 time). G Major. Standard tuning. The melody appears unique to London publisher Charles and Samuel Thompson’s 1765 country dance collection. Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 68.

X:68

T:Tit bitt, The

M:2/4

L:1/8

B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765)

Z:Transcribed and edited by Flynn Titford-Mock, 2007

Z:abc’s:AK/Fiddler’s Companion

K:G

G2 BG|BGEB|G2 BG|AFDA|G2 BG|BGEB|cecA|FDFA:|

|:G2 gf|gGGB|Gggf|aAAB|G2 gf|gbge|cecA|FDFA:||

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TIT FOR TAT [1] (Sud Air/Ar So!). AKA and see "Limestone Rock," "An Chloch Aoil." Irish, Reel. G Major ('A' part) & E Minor ('B' part). Standard tuning. AA'B. The phrase ‘Tit for Tat? is derived from the German phrase ‘Dir fur Dat?, or ‘this for that?. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1457, pg. 270. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 688, pg. 122.

X:1

T:Tit for Tat

M:C|

L:1/8

R:Reel

S:O’Neill ? Dance Music of Ireland: 1001 Gems (1907), No. 688

Z:AK/Fiddler’s Companion

K:G

dc|BGGB AG G2|DG {A}(3GFG A2 dc|(3BcB BG (3ABA AB|1 cABG A2:|2

cdef g2||Bd|(3efe dB (3efe dB|(3efe dB A2 Bd|e>B {c}(3BAB g>B {c}(3BAB|

cABG A2 Bd|(3efe dB (3efe dB|(3efe dB A2 Bd|e g2 e gagf|edef g2||

TIT FOR TAT [2] . AKA and see ?Fair Play.? English, Country Dance Tune (6/8 time). G Major. Standard tuning. AB. An old handwritten note in script in the copy of Aird’s Selection in a Massachusetts library reads: “or Fair Play.? Aird (Selection of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 85, pg. 31.

X:1

T:Tit for Tat [2]

M:6/8

L:1/8

S:Aird, vol. II (1785)

Z:AK/Fiddler’s Companion

K:G

d2d A2A | BcB A2A | dcd e2f | gag f2e | d2d A2A | BcB A2A | dcd efg | f2e d3 ||

fga a3 | fga a3 | fga b2a | g2f e2d | fga a3 | fga a3 | fga b2a | g2f e3 ||

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'TIT GALOP POUR MAMOU (Canter to Mamou). Cajun, Two-Step (4/4 time). USA, southwestern Louisiana. A Major. Standard tuning. AA(Vocal)AABB(Vocal)AABB. Related songs, according to Raymond Francois (1990), are Leopold Francois' "Tit Mulet Coton-Mais" and "The Games People Play." Source for notated version: Dewey Balfa (La.) [Francois]. Francois (Y? Yaille, Chère!), 1990; pgs. 285-286. Swallow Records SW-LP6019, Dewey Balfa.?

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'TIT GALOP POUR POINTE AUX PINS (Canter to Pine Point). AKA and see "La Pointe aux Pins."

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'TIT MAURICE (Little Maurice). Cajun, Waltz. USA, southwestern Louisiana. D Major. Standard tuning. One part. According to Raymond Francois (1990), the song was named for a nightclub in Vatican, near Bosco, Louisiana, about twelve miles northeast of Rayne. Related songs include Dennis McGee's "Valse d'Amour [2]" and " Valse de Coteau Magnolia," Austin Pitre's "Chinaball Blues," Rufus Thibodeaux's "Basile Waltz" and Jimmy Newman's "Valse de Grand Basile." Source for notated version: Felton LeJeune, Oran "Doc" Guidry, Leroy "Happy Fats" LeBlanc (La.) [Francois]. Francois (Y? Yaille, Chère!), 1990; pgs. 469-470. Bee Records BEE-104, Felton LeJeune. La Louisiane Records LL-8083, Leroy "Happy Fats" LeBlanc.

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'TIT MONDE (Little One). Cajun, Waltz. USA, southwestern Louisiana. D Major. Standard tuning. A(Vocal)BBAA(Vocal)B. A 4/4 tune which feels like a waltz. Source for notated version: accordion player Iry LeJeune (La.) [Francois]. Francois (Y? Yaille Chère!), 1990; pgs. 287-288. Arhoolie CD445, Alphonse “Bois Sec? Ardoin with Canray Fontenot - “La Musique Creole.? Goldband Records GB-LP7741, Iry LeJeune.

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TIT MULET COTON-MAIS . See "'Tit Galop Pour Mamou."

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TITANIC HIGHLAND , THE. AKA and see ?Miss Drummond of Perth [1],? ?Yorkshire Bite [1].? Irish, Highland. Ireland, County Donegal.

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'TITE CANAILLE (Little Scoundrel). Cajun, Two-Step (4/4 time). USA, southwestern Louisiana. A Major. Standard tuning. One part. Raymond Francois (1990) explains that the tune has elements of both Cajun and Zydeco music; for example, the accordion is played Zydeco style with many variations on the tune, while the fiddle repeats the tune faithfully. John Semien has one of the very few black bands that plays Cajun music, he says. Source for notated version: John Semien [Francois]. Francois (Y? Yaille Chère), 1990; pgs. 289-290. La Louisiane Records LLC-509, John Semien.

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TITE SMITH’S HORNPIPE .? See “Ted Smith’s Hornpipe.?

TITT BITT . Northumbrian. One of the "missing tunes" from William Vickers' 1770 Northumbrian dance tune manuscript.

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'TITS YEUX BLEUS (Little Blue Eyes). Cajun, Waltz. USA, southwestern Louisiana. A Major. Standard tuning. One part. Source for notated version: Duson Playboys, vocal by Joel Sonnier (recorded when Sonnier was about twelve years old) {La.} [Francois]. Francois (Y? Yaille Chère!), 1990; pg. 471. Kajun Records, Joel Sonnier.

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'TITS YEUX NOIRS (Little Black Eyes). Cajun, Waltz. USA, southwestern Louisiana. D Major. Standard tuning. One part. Accordion player Lawrence Walker recorded this song in the 1960's. See related tune "Rainbow Waltz." Source for notated version: Lawrence Walker (La.) [Francois]. Francois (Y? Yaille Chère!), 1990; pgs. 472-473. La Louisiane Records LL-LP126, Lawrence Walker.

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TIUGAINN DO dh’UIBHIST. Scottish, Slow Air (3/4 time). G Major. Standard tuning. One part. Martin (Ceol na Fidhle), vol. 4, 1991; pg. 22.

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TIVIOT JIG . AKA and see "Teviot Bridge/Brig."

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TIVOLI . AKA and see "Bounce Upon Bess," "Come all you good fellows,?? "Kissing and Drinking," "Larry O Lashem," "The Parson in/on His Boots," "Paddy's Trip from Dublin," "The Priest and/in His Boots [1]," ?Rocking the Cradle [2],? "There are Sounds of Mirth." Irish, American; Jig. D Major. Standard tuning. AABB. In the 19^th century the name Tivoli, among other things, referred to a gambling game, similar to Skittles, often played in New York City beer gardens and similar establishments. The Times, in April 1860, recorded it was played in the Volksgarten (the name of a German beer garden), and was “an innocent little game in which you send a ball spinning among a lot of pins which, if touched by the ball, is placed to the credit of the player. You are admitted to the game on the payment of five cents; any number can play that choose; and the winner—the individual that makes the greatest count—takes two thirds of the money, the balance going to the Tivoli machine? (quoted in McNamara, The New York Concert Saloon: The Devil’s Own Nights, 2002, pg. 99). Cole (1000 Fiddle Tunes), 1940; pg. 60. Ryan’s Mammoth Collection, 1883; pgs. 81 & 89. Edison 50870 (78 RPM), Joseph Samuels, 1919 (appears as last tune of "St. Patrick's Day Medley").

X:1

T:Tivoli

M:6/8

L:1/8

R:Jig

S:Ryan’s Mammoth Collection (1883)

Z:AK/Fiddler’s Companion

K:D

(c/d/) | eee eee | efe cBA | ddd fed | cAc e2 (c/d/) | eee eee | efd cBA | ddd fga | gec d2 :|

|: (f/g/) | aga fef | fed cBA | ddd fed | cAc e2(f/g/) | aaf gge | ffd cBA | ddd fga | gec d2 :|

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TIVOLI HORNPIPE .? English(?), Hornpipe. A Major. Standard tuning. AABB. A composition of Emile Berger? Craig (The Empire Collection of Hornpipes), c. 1890’s; pg. 2.

X:1

T:Tivoli Hornpipe

M:2/4

L:1/8

R:Hornpipe

S:Thomas Craig ? The Empire Collection of Hornpipes (c. 1890’s)

Z:AK/Fiddler’s Companion

K:A

E | AA A(G/A/) | B/A/G/A/ F/A/E/c/ | d/e/f/g/ a(g/f/) | e/c/d/B/ c/A/B/G/ | AA A(G/A/) |

B/A/G/A/ F/A/E/c/ | d/e/f/g/ a(g/f/) | e/c/d/B/ A :: z | A,ACA | A,A/B/ c/B/c/A/ | EeGe |

E(e/f/) g/e/d/B/ | A,ACA | A,A/B/ c/B/c/A/ | EeGe | (3g/f/e/ (3d/c/B/ A :|

TJƒŠNNEBLOMEN (The Water Lily).? Norwegian, E Minor. Standard tuning. AA’BCC’DE. A hardanger fiddle piece composed by Gjermund Haugen (1914-1976, Notodden, Telemark). Fiddler Magazine, vol. 11, No. 3, Fall 2004; pg. 25. Annbjorg Lien ? “Felefeber.? Loretta Kelley ? “AmerickaSpel? (1996).

TNƒŒTHƒ`N I NDIADH AN BHAILE , AN.? AKA and see ?The Dream of Home.?

TO ALL YOU LADIES NOW AT LAND . English, Song Air (4/4 time). B Flat Major. Standard tuning. AB. According to Chappell (1859), this ballad was written by Lord Buckhurst, later Earl of Dorset, when he was at sea during the first Dutch War of 1664‑65. Samuel Pepys mentions the ballad in his diary entry of Jan. 2nd, 1664‑5, and says "To my Lord Brouncker's by appointment, in the Piazza, Covent Garden; where I occasioned much mirth, with a ballet I brought with me, made from the seamen at sea to the ladies in town." The first verse goes:

***

To all you ladies now at land,

We men at sea indite;

But first yould have you understand

How hard it is to write.

The muses now, and Neptune too,

We must implore to write to you;

With a fa, la la la, la la, la la la la.

***

Chappell (Popular Music of the Olden Time), vol. 2, 1859; pgs. 154‑155.

X:1

T:To All You Ladies Now at Land

M:C

L:1/8

R:Air

S:Chappell ? Popular Music of the Olden Time? (1859)

Z:AK/Fiddler’s Companion

K:Bb

F2|F2B2A2B2|cB AG F4|G4 F3E|DE F2B2F2|F2B2A2B2|cB AG F4|G4 F3E|

DE F2B2||c2|d2B2c2A2|B2 AG F4|G4 F2 ED|E2C2e2c2|A2 GF G2 FE|DE F2 B2||

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TO AN OLD ROSE . American, Waltz. Composed by North Dakota fiddler Joe Pancerzewski, the “Fiddling Engineer.? Flying Fish FF 70572, Frank Ferrel ? “Yankee Dreams: Wicked Good Fiddling from New England? (1991).

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TO CASHEL(L) I'M GOING [1] . AKA and see "Father Jack Walsh," ?Harry Barrett’s Favourite,? "Tatter Jack Walsh," "Kitty of Ballinamore." Irish, Double Jig. D Mixolydian. Standard tuning. AABBC. A three-part version of the tune usually known as “Tatter Jack Walsh.? Cole (1000 Fiddle Tunes), 1940; pg. 72. Ryan’s Mammoth Collection, 1883; pg. 103.

X:1

T:To Cashell I’m Going [1]

M:6/8

L:1/8

R:Jig

S:Ryan’s Mammoth Collection (1883)

Z:AK/Fiddler’s Companion

K:Dmix

(a/g/) | fef ded | (cA)B “tr”c2d | cAG FGA | Add dag | fef ded | (cA)B “tr”c2d |

cAG FGA | A(.d.d) d2 :: d | dfg afd | (df)g a2a | fgf ged | cde eag | fef ded |

(cA)B “tr”c2d | cAG FGA | A(.d.d) d2d :: dfg afd | dfg a2a | bgg aff |

(gf)g “tr”g2 (ag) | fef ded | (cA)B “tr”c2d | cAG FGA | A(.d.d) d2 ||

TO CASHEL I'M GOING [2] . Irish.

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TO DANTON ME . AKA and see “Blood Red Rose (The).? Scottish, Country Dance Tune (4/4 time) or Highland Schottische. F Major (McGibbon): G Major (Aird): D Mixolydian (Howe, Kerr, O’Farrell). Standard tuning. AAB (Kerr): AABB (Howe, McGibbon, O’Farrell): AABBCCDD (Aird). John Glen (Early Scots Melodies, 1900) finds the tune in the Atkinson manuscript of 1694, albeit under the title “This Wife of Mine.? Bruce Olson cites Logan’s The Pedlar’s Pack (1869), wherein is the note that a broadside ballad of c. 1700 called “Be Valiant Still? was to be sung to the tune of “The old carle to daunton me.? The melody appears in James Oswald’s Curious Collection of Scots Tunes for Violin, Bass Viol or German Flute (1740), dedicated to the Duke of Perth, and later in his Caledonian Pocket Companion (book 1, 1743). It also appears in William McGibbon’s Second Collection of Scots Tunes (1746), and in Bremner’s 1762 reprint of McGibbon’s collection.

***

The word ‘daunton? (and its variant, ‘danton?) is an archaic formulation meaning ‘dismay? or ‘discourage?, which appears occasionally in older British folk manuscripts. One instance of it in folksong is in the ballad “Thomas Rhymer? (Child 37, version C), in the verse (here Thomas has encountered the Fairie Queen):

***

‘Betide me weal, betide me woe,

That weird shall never daunton me;?

Syne he has kissed her rosy lips,

All underneath the Eildon Tree.

***

In 1788 Robert Burns (1759-1796) composed a song by the title “To Daunton Me,? printed in Thompson’s Scots Musical Museum (1797), which begins:

***

The blude-red rose at Yule may blaw,
The simmer lilies bloom in snaw,
The frost may freeze the deepest sea;
But an auld man shall never daunton me.
***

To daunton me, to daunton me,
And auld man shall never daunton me.

***

James Hogg also printed a song called “To daunton me? (to the tune of “To daunton me?) in his Jacobite Relics (II, pg. 89). Legman maintains that Stephen Foster’s song “I Dream of Jeanie with the Light Brown Hair? (written in honor of his wife, Jane McDowell Foster) is a reworking of “To Daunton Me,? although Fuld sees no similarity between the two. Aird (Selection), vol. II, 1782; No. 60, pg. 22. Howe (1000 Jigs and Reels), c. 1867; pg. 134. Kerr (Merry Melodies), c. 1880’s; vol. 2, No. 219 (Highland Schottische). McGibbon (Scots Tunes, book II), c. 1746; pg. 51. O’Farrell (Pocket Companion, vol. III), c. 1808; pg. 45 (appears as “To Daunton Me?).

X:1

T:To Daunton me

M:C

L:1/8

S:O’Farrell ? Pocket Companion, vol. III (c. 1808)

Z:AK/Fiddler’s Companion

K:Dmix

FA | B2 (EF) E2 AG | F2 EF D2 de | fedB dBAF | B2 (EF) E2 :: FE | D2 de d3e |

fedB A3d | B2 (ef) e3f | gfed B2 de | f2 (gf) e2 fe | dedB ABde | fedB dBAF | B2E2E2 :|

X:2

T:To Danton Me

M:C

L:1/8

S:Aird, vol. II (1782)

Z:AK/Fiddler’s Companion

K:G

B>d | e2 A>B A2 dc | B>dA>B G2 g>a | (ba)(ge) (ge)(dB) | e2 A>B A2 :|

|: B>A | G2 g>a g3a | (ba)(ge) d3g | e2 a>b a3b | (c’b)(ag) e2 g>a |

b2 d’b a2 ba | g>age (cd)g>a | (aa)(ge) (ge)(dB) | e2 AB A2 :|

|: B>c e2 AB A(gfe) | (d/e/d/c/) (B/c/B/A/) G2 (g>a) | bgab GABd |

e2 A>B A2 :: G2 (Bd) g3a | (b/a/)(g/f/) (a/g/)(f/e/) d3g | e>d(eg) a>g(ab) |

c>b? (c?/b/)(a/g/) d2 g>a | b>d’ab a>c’ba | g>agB dega |

(b/a/g) (a/g/e) (g/e/d) e/d/B/d/ | e2 A>B A2 :|

X:3

T:To Danton me

M:C

L:1/8
R:Air

N:”Slow?

S:McGibbon ? Scots Tunes, book II, pg. 51 (c. 1746)

Z:AK/Fiddler’s Companion

K:F

A>c | d2 G>A G2 (cB) | (A>c)(G>A) F2 (f>g) | (ag)(fd) (fd)”tr?(cA) | d2 G>A G2 :|

|: A>G | F2 (f>g) f3g | (ag)(fd) c3f | d2 (g>a) “tr”g3a | (ba)(gf) d2 f>g |

a2 (ba) g2 (ag) | f>gfd (cd)(f>g) | (ag)(fd) (fd)”tr?(cA) | d2 (G>A) G2 :|

X:4

T:To Daun’t On Me

S:Natalie MacMaster

D:A Compilation

M:C

L:1/8

Z:J?rgen Gier

K:Edor

G<A|B2E2 E2A<G|F>GE<F D2d<e|f>ed<B d>BA<F|B2E2 E2::F<E|\

D2d2 d2B<c|d>ed<B A3d|B2e2 e2e<f|g>fe<d B2d<e|1\

f>gf>e d>ed<B|A>BA>F A2d<e|f>ed<B d>BA<F|B2E2 E2:|2\

f>ag>f e>gf>e|d>ed<B A2 (3Ade|f>ed<B d>BA<F|B2E2 E2|]

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TO DRINK WITH THE DEVIL . AKA and see "Top of Cork Road [1]," "Father O'Flynn," "Rollicking Irishman," "Trample Our Enemies," "Yorkshire Lasses [1]."

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TO LADIES' EYES . Scottish, Country Dance Tune (2/4 time). A Major. Standard tuning. AABB. Kerr (Merry Melodies), vol. 3; No. 375, pg. 41.

X:1

T:To Ladies? Eyes

M:2/4

L:1/8

S:Kerr ? Merry Melodies, vol. 3, No. 375? (c. 1880’s)

Z:AK/Fiddler’s Companion

K:A

E|EFAB|c2 (BA)|c>BBB|c>BBc|EFAB|c2 (BA)|B>AAB|cAA:|

|:e|fefa|e2 (dc)|d>BBc|d>BBe|fefa|e2 (dc)|B>AAB|cAA:|

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TO LIMERICK WE GO (Teidmar Go Luimnec). Irish, Slip Jig or Air (9/8 time, "Gaily"). G Major. Standard tuning. AB. Sources for notated versions: concertina player Alister Anderson [Bulmer & Sharpley]; Mrs. Fitzgerald [O’Neill]. Bulmer & Sharpley (Music from Ireland), Vol. 1, 1974; No. 76. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 359, pg. 62. Todd Denman & Bill Dennehy ? “Like Magic.?

X:1

T:To Limerick We Go

B:O'Neill's "Music of Ireland", no. 359

S:Mrs. Fitzgerald

N:”Gaily?

R:Air

M:9/8

L:1/8

K:G

G/A/|BdB AGA BGG|BdB AGB A2 G/A/|BdB AGA BGG|

cBA BGE E2||D|

DEG A2 A A2 B|GED G2 G G2 E|DEG A2 A A2 B|B2 A AGE E2||

X:2

T:To Limerick We Will Go

B:Bulmer & Sharpley, Music from Ireland, Vol. 1, no. 76

S:Ali Anderson

M:9/8

L:1/8

K:G

A|BdB AGA BGG|BdB GAB c2 A|BdB AGA BGG|

cBA BGE E2:|:D|

DEG A2 A A2 B|AGE G2 G G2 D|DEG A2 A A2 B|B2 A AGE E2:|

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TO LOOK FOR MY CHILD . Irish, Slow Air (2/4 time). E Flat Major. Standard tuning. One part. O'Neill (O’Neill’s Irish Music), 1915; No. 93, pg. 52.

X:1

T:To Look for My Child

M:2/4

L:1/8

R:Air

N:”Plaintively?

S:O’Neill ? O’Neill’s Irish Music (1915)

Z:AK/Fiddler’s Companion

K:Eb

E/>F/ | GG/A/ Bc/B/ | AF/E/ DE/F/ | GA/B/ cF/G/ | (E2 E)E/F/ | G/F/G/A/ Bc/B/ | AF/E/ DE/F/ |

G/F/G/A/ B/A/F/G/ | (E2 E)E/F/ | GA BB/c/ | _eB/G/ AG/A/ | BB/c/ d/c/d/f/ | eB E>F |

G/F/G/A/ Bc/B/ | AF/E/ DE/F/ | GA BF/G/ | (E2 E)E/F/ | GG/A/ BB/c/ | dB/G/ AG/A/ |

B/=A/B/c/ df/d/ | e2 Bd/e/ | f/e/d/f/ eB | A/G/F/E/ =DE/F/ | G/F/G/A/ B/A/F/G/ | (E2E) ||

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TO MY BED I WINNA GANG . Scottish, Reel. D Major. Standard tuning. AAB. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; pg. 12.

X:1

T:To My Bed I Winna Gang

M:C|

L:1/8

R:Reel

B:Honeyman ? Strathspey, Reel and Hornpipe Tutor (1898)

Z:AK/Fiddler’s Companion

K:D

g|(f/g/a) AB (AB)dF|(ED)EF B2 Bg|(f/g/a) AB (AB)de|(faef d2d:||

e|f2 fd g2 ge|f2 fd B2 de|f2 fd g2 ge|(f/g/a) ef d2 de|

(fe)fd (gf)ge|(fe)fd (Bc)de|(fa)fd (gb)ge|(fa)ef d2d||

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TO MYROSS WOOD I CHANCED TO STRAY . Irish, Slow Air (2/4 time). D Major. Standard tuning. One part. "Myross is near Leap" (Joyce). Source for notated version: "Mr. Victor Power of Leap, Co. Cork, a good amateur violinist, with much knowledge of Irish music: about 1875" (Joyce). Joyce (Old Irish Folk Music and Songs), 1909; No. 199, pgs. 98‑99.

X:1

T:To Myross Wood I Chanced to Stray

M:2/4

L:1/8

R:Air

N:”Slow?

S:Joyce ? Old Irish Folk Music and Songs? (1909)

Z:AK/Fiddler’s Companion

K:D

A|B>cdD|F>GAB|FD E>D| D3A|deff|ed df|eA GA|d3A|de fa|f~e dd|FGAB|

A {B/c/d/e/}f/e/|dA {G/F/E/}DE|FG AB|FD ED|D3||

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TO OLD (SIR) SIMON THE KING . AKA and see "Old Sir Simon/Symon the King," "Sir Simon the King." English, Air. Published by John Gay in his Beggar's Opera (1729). It was one of the airs beloved of Squire Western in Tom Jones. The original 17^th century song is a bawdy one, though popular. The English composer Henry Purcell used a ground based on the chord progression of this tune. See note for “Old Sir Simon the King? for more. Raven (English Country Dance Tunes), 1984; pg. 69.

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TO RODNEY WE WILL GO . See "Jack the Jolly Ploughboy," "The Jolly Plowman/Ploughman [1]."

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TO SEEK FOR THE LAMBS I HAVE SENT MY CHILD . Irish, Air (4/4 time). A Major (Cowdery). Standard tuning. AB. A version of "Boyne Water," printed by Petrie in 1855. Cowdery (The Melodic Tradition of Ireland), 1990; Ex. 39, pg. 112.

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TO THE BATTLE MEN OF ERIN . AKA and see "Flowers of Edinburgh," "My Love Was Once a Bonnie Lad."

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TO THE GREENWOOD GANE IS NANCY . Northumbrian. Title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800.

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TO THE HUNDREDS OF DRURY I WRITE . English, Air. The song first appears in the ballad opera The Devil of a Duke, 1732, and in single-sheet reprints a few years later. The melody was used subsequently for other songs, including “The? Bowman Prigg's Farewell" (perhaps the same song as it commences “To the hundreds of Drury I write"), dated c. 1740, and the Irish song ?The Night before Larry Was Stretched.?

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TO THE LADIES. AKA and see ?Buttermilk Mary [3],? ?Coleman’s Favourite,? ?Fond of the Ladies,? ?The Frolicksome Dame,? ?Health to the Ladies,? "The Irish Miller," ?Irishman’s Heart to the Ladies,? ?Irishman’s Love [1],? ?The M?in?n Jig,? ?The Mountain Road [2],? ?The Mountainy Boy,? ?The Night of the Wedding,? ?O’Mahony’s Jig,? ?Over the Callows,? ?Paddy Clancy’s,? ?Pat Beirne’s Favourite,? ?The Queenstown Jig,? "Saddle the Pony [2]" (Roche), ?Sweet Biddy Daly.? English, Jig. A Major. Standard. AABB. Raven (English Country Dance Tunes), 1984; pg. 120.

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TO THE POST AND AWAY . English (?), Air (6/8 time). D Major. Standard tuning. One part. The title refers to the start of a horse race. O’Farrell (Pocket Companion, vol. III), c. 1808; pg. 50.

X:1

T:To the Post and Away

M:6/8

L:1/8

R:Air

S:O’Farrell ? Pocket Companion, vol. III (c. 1808)

Z:AK/Fiddler’s Companion

K:D

a/g/ | f2e e2d | d2d ede | fgf ede | dAF D2g | f2e e2d | d2d ede | fgf ede | d3d3 |

f2f faf | faf faf | e2e ege | ege ege | f2f faf | e2e efg | fed agf | f3e3 | e2f e2A | e2g e2A |

dfa agf | f3 e2g | fdd gee | fdd gee | fga efg | fga efg | f2e e2d | d2d ede | fgf ede | d3d2 ||

???????????

TO THE QUICK .? AKA and see ?Small Coals and Ready Money.?

TO THE WATERS AND THE WILD .? Irish, Hornpipe. G Major. Standard tuning. AABB. Composed by fiddler and piano player Josephine Keegan (b. 1935), of Mullaghbawn, south County Armagh. The title is a line from W.B. Yeats? (1895-1939) poem “The Stolen Child.? Keegan (The Keegan Tunes), 2002; pg. 64.

???????????????????????

TO THE WEAVER GIN YE GO . Scottish, Country Dance Tune (2/4 time). G Major. Standard tuning. AABB. The melody also appears in the large music manuscript collection of John Rook (Warerton, 1840-1841). Aird (Selections), vol. 2, c. 1786; Pg. 6, No. 16.

X:1

T:To the Weaver Gin Ye Go

M:2/4

L:1/8

S:Aird, vol. II

Z:AK/Fiddler’s Companion

K:G

(g/e/) | (dB B)(A/G/) | B(A A)(g/e/) | dB B>A | B3 (g/e/) |

d(B B)(A/G/) | B(A A>)B | d<B B>A | B3 :|

|: A | d>e(fg) | a>baA | defg | a3 (b/a/) | ge f(e/d/) | e>fga | bB B/c/B/A/ | B3 :|

X:2

T:To the Weaver gin ye go

M:2/4

L:1/8

S:John Rook music manuscript (Warerton, 1840)

K:G

g/e/|dB BA/G/|BA Ag/e/|dBB>A|B3 g/e/|dB BA/G/|BAA>B|d<BB>A|B3:|

|:A|d>efg|abaA|defg|a3 b/a/|ge fe/d/|e>fga|bB B/c/B/A/|B3:|

???????????????????????

TO WYLAM AWAY . AKA and see "Wylam Away," "Ginleing Geord(i)e," "Wile Him Away." Northumbrian. Title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800.

???????????????????????

TOBACA DAOR . Irish, Reel. Ireland, County Donegal. The piece is attributed to southwest Donegal fiddler John Mhosai (Mac Fhionnlaioch), born in the 1840's. Caoimhin Mac Aoidh (1994) relates that the title refers to a trip made by John on his white pony to a pub in Glencolumcille to purchase tobacco. The fiddler was sidetracked by a card game in which he lost all his money, but managed to return home having salvaged his plug of tobacco.

???????????????????????

TOBACCO'S BUT AN INDIAN WEED . AKA - "Tobacco." English, Air (4/4 time). E Flat Major (Chappell): C Major (Scott). Standard tuning. One part. The air appears in Pills to Purge Melancholy (1699), but appears to Chappell (1859) to have been founded on a poem by George Wither called "Meditations on Tobacco" which appears in The Marrow of Complements of 1654. The song long retained its popularity however, eventually being published with the addition of an inferior second part by the Reverend Ralph Erskine, a Scot, in his "Gospel Sonnets" as "Smoking Spiritualized." In this form it survived well into the 19th century. Authorship was claimed by John Blockley (who set a great many of Tennyson's lyrics), nevertheless, the antiquity of the song is proven.

***

***

It was Sir Walter Raleigh who is credited with championing the habit of tobacco smoking in the Elizabethan court. Considered by the general population for some time afterward as disrespectable, even alien and sinister, by the late 16^th and 17^th centuries it had become ensconced in the fashionable classes, who immersed themselves deeply in the habit—the height of fashion for many Dutch, English and French people. In fact, association of tobacco with desirable male qualities, such as health, power, freedom, intelligence, etc. began not with advertising campaigns but with the almost immediate public perception that tobacco was the affectation of the mercenary soldier, a man with excess money, a wandering carefree lifestyle, who was at one and the same time rugged and dandyish. By the 18^th century the upper classes of England indulged themselves regularly and the phenomenon of smoking clubs arose.? These gentlemens? clubs were a popular venue for good conversation and convivial relaxation, with a glass of porter or punch and a fine, long-burning pipeful of tobacco. As with much fashion of the day, it came in for satire and caricatiure at the hands of Hogarth and others.?? Chappell (Popular Music of the Olden Time), vol. 2, 1859; pg. 78. Scott (English Song Book), 1926; pg. 80.

X:1

T:Tobacco’s but an Indian Weed

L:1/8

M:C

S:Chappell ? Popular Music of the Olden Times? (1859)

Z:AK/Fiddler’s Companion

K:Eb

D|E3D C2G|AGFE B3B|e3d c2B2|BAGA G3G|

G2 AB cBAG|AGFE F2 ED|C2c2c2=B2|c2c2 z2z||

???????????

TOBACCO’S DEAR.? See “Dear Tobacco.?

??????????? ???????????????????????

TOBAGO BOUND . English, Reel. D Dorian. Standard tuning. AAB. A modern composition by Michael Raven. Raven (English Country Dance Tunes), 1984; pg. 207.

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TOBAR MO BHEATHA . Scottish, Strathspey. D Major. Standard tuning. AABB'. Composed by James Stewart-Robertson, the editor of The Athole Collection. Stewart-Robertson (The Athole Collection), 1884; pg. 96.

X:1

T:Tobar Mo Bheatha

M:C

L:1/8

C:James Stewart-Robertson

R:Strathspey

B:Stewart-Robertson ? The Athole Collection? (1884)

Z:AK/Fiddler’s Companion

K:D

f/e/|d>BA>F D>FA>f|d>BA>F B<E E>e|d>BA>F d>ef>e|d>BA>F A<DD:|

|:f|d>fe>f d/e/f/g/ a<f|d>fe>f e<E E>e|1 d>fe>f d/e/f/g/ a<f|d>BA>F A<DD:|2

d>ef>e d>fe>f|d>BA>F A<DD||

???????????????????????

TOBERMORY .? Scottish, Strathspey. A Major. Standard tuning (fiddle). AB. Composed by the great Scots fiddler-composer J. Scott Skinner (1843-1927). Skinner (Harp and Claymore), 1904; p. 90.

X:1

T:Tobermory

M:C

L:1/8

R:Strathspey

C:J. Scott Skinner (1843-1927)

S:Skinner ? Harp and Claymore (1904)

Z:AK/Fiddler’s Companion

K:A

e<e a>f ({f}e2) c>A | d>Bc>A B>A (G<B) | e<ea>f ({f}e2 cA | BGAF GEE2 | e<ea>f ({f}e2) c>A |

d>Bc>A BA (G<B) | (3efg a>f {f}(e2 c).A | dBed “tr”cA A || ({g}a) | A<Ac>A e>Ac>A |

({g}a>)Ac>A B>A (G<B) | A<Ac>A e>Ac>A | B>GA>F G<EE>G | A<Ac>A e>Ac>A |

a>Ac>A B>A (G<B) | (3efg (3agf (3edc f>d | (3cde (3Bcd “tr?(c>A) A2 ||

TOBIAS PEYTON . AKA and see "Planxty Toby Peyton [1]."

???????????????????????

TOBIN'S FANCY .See "Tobin's Jig."

???????????????????????

TOBIN'S FAVORITE . See "Tobin's Jig."?? ƒm

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TOBIN'S JIG (Roga Sant-Aubin). AKA ‑ "Tobin's Favorite," "Tobin's Fancy." Irish, Double Jig. D Major. Standard tuning? (fiddle). AABB. The title probably refers to one Adam Tobin, a native of Kilkenny, by way of Chicago fiddler James Kennedy, who gave the tune to O’Neill. The tune is often called “Tobin’s Favorite? these days. Jackie Small, editor of Breathnach’s CRƒm V (1999), says the titles “Pretty Young Girls for Sale? and “Girls for Sale—the Old Way? are associated with the tune. Sources for notated versions: Michael Coleman (County Sligo, Ire./New York) [Brody]; Fennig’s All Stars (N.Y.) [Spandaro]; set dance music recorded live at Na P?obair? Uilleann, mid-1980’s [Taylor]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926, who had it from Aggie Whyte? [Harker]. Brody (Fiddler’s Fakebook), 1983; p. 277. Cotter (Traditional Irish Tin Whistle Tutor), 1989; 51. Harker (300 Tunes from Mike Rafferty), 2005; No. 219, p. 67. S. Johnson (The Kitchen Musician No. 6: Jigs), 1982 (revised 1989, 2001); p. 8. Mallinson (Enduring), 1995; No. 31, p. 13 (appears as “Tobin’s Favourite?). O'Neill (Krassen), 1976; pg. 22. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 775, p. 144. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 52, p. 25 (appears as "Tobin's Favorite"). Phillips (Traditional American Fiddle Tunes), vol. 2, 1995; p. 382. Spandaro (10 Cents a Dance), 1980; p. 23. Sweet (Fifer’s Delight), 1965/1981; pg. 38. Taylor (Music for the Sets: Yellow Book), 1995; p. 25. Front Hall 05, Fennigs All Stars‑ "Saturday Night in the Provinces." GN1, Joe Thoma ‑ "Up the Track: Traditional Music from Kenmare." Kicking Mule 216, Strathspey‑ "New England Contra Dance Music." Shanachie 33002, Michael Coleman‑ "The Legend of Michael Coleman."]

X:1

T:Tobin’s Jig

M:6/8

L:1/8

R:Jig

K:D Major

DFA dcd | ecA cde | ~f3 ~g3 | ecA GFE| DFA dcd | ecA cde | faf gec | edc d2A:|

dfa agf | efg eag | ~f3 ~g3 | ecA GFE| DFA dcd | ecA cde | faf gec | edc d3:|

???????????

TOBIN'S RESOURCE (Tionsgnad San T-Aubin). Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. The title may refer to one Adam Tobin, a native of Kilkenny, by way of Chicago fiddler James Kennedy, who gave the tune to O’Neill. O'Neill (Krassen), 1976; pg. 179. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1623, p. 301.

X:1

T:Tobin’s Resource

M:C|

L:1/8

R:Hornpipe

S:O’Neill ? Music of Ireland (1903), No. 1623

Z:AK/Fiddler’s Companion

K:D

(AG) | (3FGA d>f ecAG |(3FGA d>f gecA | (3FGA d>B cdec | dcdf ecAG |

(3FGA d>f ecAG | (3FGA d>f gecA | (3FGA d>B cdec | d>f (3edc d2 :: (d>e) |

f2fff2ec | dfec d2 (Ac) | BABc dcdf | edcB ABde | f2ff fgfe | dfec d2 (Ac) |

(3Bcd gf edce | d>f (3edc d2 :|

???????????

TOBY PEYTON . AKA and see "Planxty Toby Peyton."

???????????

TOCALAIDE UA CILL-MANTAIN , NA. AKA and see "The Miners of Wicklow."

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TOCHERLESS LASS , THE. Scottish, Waltz. Tradition 2118, Jim MacLeod & His Band ‑ "Scottish Dances: Jigs, Waltzes and Reels" (1979).

???????????

TODD GRAHAM’S .? Canadian, Reel. Canada, Cape Breton. Composed by Cape Breton fiddler Glenn Graham. Smithsonian Folkways Records, SFW CD 40507, The Beaton Family of Mabou ? ?Cape Breton Fiddle and Piano Music? (2004).?

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TOD(D)LIN' HAME. AKA and see "Armstrong's Farewell," "Bacach," "An Cana Draigeann Eille," "Clinch Mountain," "The Cuckoo [5]," ?Days of ‘Lang Syne',? "Gage Fane," "Jack of Diamonds [1]," "Johnny Armstrong," "The Meeting of the Waters [1]?, "My Ain Fireside," "My Name is Dick Kelly," "Na Geadna Fiadaine," ?O Whistle and I’ll Come to You/Ye My Love/Lad,? "Old Ireland, Rejoice," "The Old Head of Denis," "The Origin of the Harp," "Robie Donua Gorach," "Rye Whiskey [1]," "The Wagoner's Lad," "The Wild Geese [1]." Irish, English, Scottish, Jig. England, Northumberland. D Major. Standard tuning. AABB. The air of "Johnnie Armstrong" has been identified with that of "Tod(d)lin? Hame" in Johnson‑Stenhouse, pg. 336, and concurred in Glen, pg. 172.? Cazden (et al, 1982) identifies it as a member of a large tune family used for numerous ballads, hymns and airs in the British Isles and North America, including "Rock Island Line," "The Old Head of Denis," and several cowboy ballads. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. Gow (1817) prints an “elegant accompaniment by the Immortal HAYDN? along with the tune in his 4^th Repository.

***

My lassie and I we lay down to sleep

With two full pints by our bed's feet

And right when we wakened we drank them dry

Now what do you think of my lassie and I

***

CHORUS:

Todlin hame, oh todlin hame

Couldna my love come todlin hame

Todlin hame, oh todlin hame

Round as a neep come todlin hame

***

Gatherer (Gatherer’s Musical Museum), 1987; pg. 17. Gow (Complete Repository), Part 4, 1817; pg. 19. Johnson, Scots Musical Museum(1793‑1841). Dun Cregan in Paradise.

X:1

T:Todlen Hame

L:1/8

M:6/8

S:Gow ? 4^th Repository

Z:AK/Fiddler’s Companion

N:”Slow?

K:A

A/>B/|c>BA F>GA|E>FA {c}B2 A/B/|c>BA F>GA|E>FA A2:|

|:A|d>ed c2c|B>c (d/c/) {c}B2 (A/B/)|c>BA F>GA|E>FA A2:|

A/B/|c>BA F>GA|E>FA B2 A/B/|c>BA F>GA|E>FA A2 A/B/|

c>BA F>GA|E>FA B2 A/B/|c>BA F>GA|E>FA A2||

TODLIN HAME [2] .? Scottish, Jig. E Minor. Standard tuning. AA’BB. Kennedy (Traditional Dance Music of Britain and Ireland: Jigs & Quicksteps, Trips & Humours), 1997; No. 183, pg. 43.

X:1

T:Todlin Hame [2]

M:6/8

L:1/8

K:E Minor

D|:Eee e2g|deg dBG|Eee efg|dBG A2E|

Eee e2g|deg dBG|Eee e2g|dBG A2G||

ABd A2G|ABd G2G|ABd e2g|dBG A2G|

ABd A2G|ABd G2G|ABd e2g|dBG A2G||

???????????????????????

TOD'S ASSEMBLY . English, Country Dance Tune (6/8 time). England, Northumberland. F Minor (Vickers): G Minor (Barnes). Standard tuning. AABB. The tune dates to c. 1748. Barnes (English Country Dance Tunes), 1986. Seattle (William Vickers), 1987, Part 2; No. 317.

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TOE REID .? Scottish, Hornpipe. Scotland, Orkney Islands. B Flat Major. Standard tuning. AA’BB?. Composed by self-taught fiddler James Johnstone (1904-1948, Mirland, Deerness parish, Orkney), in honor of a childhood friend from the neighboring farm of Braebister (Martin). The tune is often paired in a set with Johnstone’s other composition ?The Orkney Isles Hornpipe.? Source for notated version: fiddler Len Wilson (b. 1938, Stromness, Orkney) [Martin]. Martin (Traditional Scottish Fiddling), 2002; pg. 105.

TOG DO COMPANAC . AKA and see "Pick Your Partner."

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TOG DO ROGA . AKA and see "Take Your Choice."

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TOG GO REID E . AKA and see "Take it Easy."

TOG ORM MO PHƒtOB (“Give me my pipes? or “Lift me to my pipes?). AKA ? “Lament for Rory Mor MacLeod,? “Rory Mor’s Lament.? Scottish, Air (3/4 time). D Major. Standard tuning. One part. The tune is attributed to the Skye piper Patrick M?r MacCrimmon (1595-1670), perhaps the most distinguished member of the famous piping clan, as a lament for Ruairidh M?r MacLeod of Dunvegan, Skye, dating to 1626. At some later point in time Gaelic words with the title “Cumha Ruairidh Mh?ir? (Big Roderick’s Lament) were set to the tune. The first verse translates as:

***

Give me my pipe and I’ll go home,

It is sad for me as to how it happened;

Give me my pipe, I’m so broken hearted

About Big Roderick, about Big Roderick.

***

Martin (Traditional Scottish Fiddling), 2002; pg. 61. Brownrigg BRG 009, Alasdair Fraser ? “Portrait of a Scottish Fiddler? (197?. Re-released on Culburnie Records, 1996).

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TOICHIM NA SEAN-GHAODHAL . Irish, March. A Minor. Standard tuning. AB. Roche Collection, 1982, vol. 3; No. 213, pg. 81.?

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TOIRDEALBAC UCON AN MEILTEOIR . AKA and see "Terry Heigh Ho the Grinder [1]."

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TOIREAMH SUGACH , AN. AKA and see "Jack the Jolly Ploughboy," "The Jolly Plowman/Ploughman [1]."

TOISEACHD , AN. AKA and see "Ferintosh Whiskey."

TOLAN WALTZ . AKA and see "Valse a Tolan," "Pocheville."

TOLKA POLKA . Irish, Polka. A Dorian. A modern composition by Donal Lunny, which, while in standard polka rhythm sounds as if it has Balkan rhythmic influences because of shifting accents. Gael-Linn CEF 133, “Donal Lunny.? Green Linnett SIF 1169, Kevin Burke with Open House - “Hoof and Mouth.?

X:1

T:Tolka Polka

C:Donal Lunny

M:2/4

L:1/16

K:Ador

A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2E2|\

A3B c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 edc2:|2 B2A2 A2z2|:\

d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 BAGB|:\

A3B c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:|\

e3f g2f2|d2e2 efg2|f2d2 fgfe|d2c2 B2d2‑|\

dcB2 c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 A2z2:|2 B2A2 edc2||

"And on the recording, the last time through they take the rhythmic hiccup that starts on beat two of the fourth bar of the third section and drop in into the appropriate places in the first two sections, so what you get is"

|:A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2d2‑|\

dcB2 c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2::\

d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 Bcd2‑|\

dcB2 c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:|

TOLLADH AN LEATHAIR . AKA and see "Boring the Leather [2]."

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