Another 100 Greatest Films (of the 20th Century)
Summaries - Part 7
(Links to Comprehensive Film Reviews)
Selection Criteria
R (continued)
Romeo
and Juliet (1968)
Starring: Olivia Hussey, Leonard Whiting, Milo O'Shea, Michael
York, Paul Hardwicke, John McEnery, Pat Heywood, Laurence Olivier (narrator)
Director: Franco Zeffirelli
The classic and immortal Shakespearean tale of forbidden, tragic, and
star-crossed love. Adapted in this modern and realistic version by Zeffirelli
for the first time with two teenaged leads as the youthful, innocent,
strong-willed lovers Romeo (Leonard Whiting) and Juliet (Olivia Hussey).
Their warring families, the bitterly-hateful Montagues and Capulets, doom
their tender romance, with a first-time-ever scene of the nude couple
on their wedding night. In gorgeous Technicolor, shot on location in Italy
and enhanced by a memorable soundtrack from Nino Rota. Academy Award nominations:
4, including Best Picture, Best Director. Academy Awards: 2, Best Cinematography,
Best Costume Design.
Rosemary's
Baby (1968)
Starring: Mia Farrow, John Cassavetes, Ruth Gordon, Sidney Blackmer
Director: Roman Polanski
Polanski's first American film, from Ira Levin's best-seller - a convincing,
creepy, psychological, Satanist horror/thriller about a young pregnant
wife who suspects and has strange premonitions about diabolical forces
(a witches' coven) threatening her unborn baby. Young newlywed couple
Rosemary (Farrow) and aspiring, out-of-work actor/husband Guy Woodhouse
(Cassavetes) move into a gothic NYC apartment complex, with intrusive,
elderly next-door neighbors Roman (Blackmer) and nosy Minnie Castevet
(Gordon). With a fertile imagination, Rosemary gradually believes that
she hasn't been impregnated by her husband but by the Devil. Academy Award
Nominations: 2, including Best Adapted Screenplay. Academy Awards: 1,
Best Supporting Actress--Ruth Gordon.
S
Scarface:
The Shame of the Nation (1932)
Starring: Paul Muni, Ann Dvorak, George Raft
Director: Howard Hawks
A landmark, classic crime-gangster film (one of the earliest) personally
produced by Howard Hughes about a brutal, homicidal hood during Prohibition.
Although the film was made before
The Public Enemy
and
Little Caesar , it was released after
them due to censorship concerns and squabbling between the director and
producer - with an attached subtitle:
The Shame of the Nation.
Its violence delayed its release and helped contribute to the creation
of the Production Code shortly thereafter in 1934. Notorious Chicago gangster
Al Capone's nickname is the title of the film that traces the rise and
fall of Antonio (Tony) Camonte (Muni), a maniac, reptilian killer who
murders without hesitation on his way to the top, with the aid of right-hand,
coin-flipping thug Guino Rinaldo (Raft). Tony also has an ambiguous, almost
incestuous relationship with his beautiful, slinky sister Cesca (Dvorak).
Originally made with two endings, Hawks' original finale, and the Hays
Office ending. No Academy Award nominations.
Shadow
of a Doubt (1943)
Starring: Joseph Cotten, Teresa Wright, Patricia Collinge, Henry
Travers
Director: Alfred Hitchcock
Reportedly Hitchcock's own personal favorite, a chilling mystery thriller
from Thornton Wilder's co-written script, based on the real-life 1920s
serial killer - the Merry Widow - who cold-bloodedly murders wealthy widows
for their jewels. Charming Uncle Charlie (Cotten), a psychotic murderer,
returns to his small hometown in Santa Rosa, California for an extended
visit with his sister Emma Newton (Collinge) and her family, including
her mystery-buff husband Joseph (Travers) and namesake daughter Charlie
(Wright). Young Charlie has wished for change and excitement in her boring
life, and is psychically linked to her favorite uncle - and then she slowly
begins to intuitively suspect that her beloved relative is a wanted mass
murderer, through clues including a newspaper article and an engraved
ring stolen from a woman he murdered. And when Uncle Charlie comes to
recognize her suspicions... Academy Award Nominations: 1, Best Original
Story.
She
Done Him Wrong (1933)
Starring: Mae West, Cary Grant, Noah Beery, Sr.
Director: Lowell Sherman
Liberated Mae West's first starring film based on her infamous 1928 Broadway
stage play
Diamond Lil. She stars as buxom, bawdy, double-entrendre-spouting
Lady Lou, a diamond-jeweled saloon chanteuse, the 'sweetheart' of owner
Gus Jordan (Beery) in the Naughty Gay '90s Bowery region. Handsome Captain
Cummings/"Hawk" (Grant), a detective poses as a Salvation Army missionary
crusader while investigating a corrupt, white slavery and counterfeiting
ring in the saloon. Includes West's singing of "Frankie and Johnny," "I
Wonder Where My Easy Rider's Gone," and "I Like a Man What Takes His Time,"
and her most famous line of dialogue: "Why don't you come up sometime
'n see me? I'm home every evening." Academy Award Nominations: 1, Best
Picture.
The
Silence of the Lambs (1991)
Starring: Anthony Hopkins, Jodie Foster, Scott Glenn, Ted Levine,
Brooke Smith
Director: Jonathan Demme
Ted Tally's screenplay was based on Thomas Harris' 1988 best-selling novel
of the same name (an earlier thriller, Michael Mann's
Manhunter (1986),
was based on another Harris novel - titled
Red Dragon). A genuinely-frightening,
violent, psychological thriller about the intimate exchanges between a
deranged, hypnotic serial killer and a raw, vulnerable FBI trainee. Novice
agent Clarice Starling (Foster) is sent by senior agent Jack Crawford
(Glenn) to conduct an interview with an insane, psychiatrist Dr. Hannibal
"the Cannibal" Lecter (Hopkins), housed in a claustrophobic, underground
prison cell. In exchange for her haunting, deepest secrets and memories
about her childhood and the slaughter of lambs, she is supplied with clues
about the identity and methods of another serial killer Jame Gumb, dubbed
Buffalo Bill (Levine), who skins his victims and is currently holding
victim Catherine Martin (Smith) - the daughter of a US Senator. Academy
Award Nominations: 7, including Best Sound, Best Film Editing. Academy
Awards: 5, including Best Picture, Best Director, Best Actress--Jodie
Foster, Best Actor--Anthony Hopkins, Best Adapted Screenplay.
Sons
of the Desert (1933)
Starring: Stan Laurel, Oliver Hardy, Charley Chase,
Mae Busch, Dorothy Christy
Director: William A. Seiter
A classic, hilarious comedy - the funniest full-length feature from Laurel
and Hardy. The two boys Stan Laurel (Himself) and Oliver Hardy (Himself)
deviously plan to fool their wives by claiming to have gone on a prescribed
ocean voyage to Hawaii (to cure Ollie's illness), while instead attending
the national convention of their fellow Sons of the Desert lodge members
in Chicago, with mad-cap conventioneer Charley Chase (Himself). Their
plan fails miserably when the ship is reported sunk, and Mrs. Hardy (Busch)
and Mrs. Laurel (Christy) discover the truth, viewing their husbands in
the fraternal parade in a movie newsreel. In revenge, the two wives plot
to test their exposed mates. No Academy Award nominations.
The
Sound of Music (1965)
Starring: Julie Andrews, Christopher Plummer, Eleanor Parker, Peggy
Wood
Director: Robert Wise
Based on the Rodgers and Hammerstein stage musical and the true story
of the von Trapp family - a lovely film with a mixture of comedy, romance,
and suspense - and a wonderful collection of musical tunes. Restless novice
postulant Maria at the Nonnberg Abbey in Salzburg, Austria, first pictured
daydreaming on the hillside surrounded by the beautiful Alps, is persuaded
by the Reverend Mother (Wood) to take a governess position for the motherless,
singing family of stern widower Captain von Trapp (Plummer), who is engaged
to Baroness SchrÖder (Parker). The seven children include: 16 year-old
Liesl (Charmain Carr), 14 year-old Friedrich (Nicholas Hammond), 13 year-old
Louisa (Heather Menzies), 11 year-old Kurt (Duane Chase), 10 year-old
Brigitta (Angela Cartwright), almost 7 year-old Marta (Debbie Turner),
and 5 year-old Gretl (Kym Karath). The children have a well-deserved reputation
for scaring off caretakers, but Maria wins them over, and falls in love
with her employer, amidst the ominous Nazi occupation. Includes the songs:
"Maria," "The Sound of Music," "My Favorite Things," "You Are Sixteen,
Going On Seventeen," "Climb Ev'ry Mountain," "Do-Re-Mi," and "Edelweiss."
Academy Award Nominations: 10, including Best Actress--Julie Andrews,
Best Supporting Actress--Peggy Wood, Best Color Cinematography, Best Color
Art Direction/Set Decoration, Best Color Costume Design. Academy Awards:
5, including Best Picture, Best Director, Best Sound, Best Adapted Score,
Best Film Editing.
Splendor
in the Grass (1961)
Starring: Natalie Wood, Warren Beatty, Audrey Christie, Pat Hingle,
Zohra Lampert, Jan Norris
Director: Elia Kazan
A tragic, coming-of-age melodrama set in the mid-1920s in a small, rural
Kansas town, from playwright William Inge's original, award-winning script.
Star-crossed, teenaged sweethearts, poor HS senior Wilma Dean "Deanie"
Loomis (Wood) and rich Bud Stamper (Beatty in his film debut) fall deeply
and passionately in love, but are repressed by the sexual mores of the
time, their class differences, and disapproval from their parents - especially
her prudish, puritanical mother (Christie) and his rigid, domineering
father (Hingle). Deanie's pent-up sexual longings cause her to almost
go insane in a memorable bathtub scene. Repercussions cause Bud to chase
after slutty girl Juanita Howard (Norris), and eventually marry Italian
Angelina (Lampert), while Deanie is institutionalized following a suicidal
nervous breakdown. Years later, the two meet again and she resolves her
feelings about him. Academy Award Nominations: 2, including Best Actress--Natalie
Wood. Academy Awards: 1, Best Original Story and Screenplay.
Star
Wars (1977) (tie)
Starring: Harrison Ford, Mark Hamill, James Earl Jones,
Alec Guinness, Carrie Fisher, Peter Cushing
Director: George Lucas
The
first entry in George Lucas' much-heralded fantastical space trilogy
broke big technological ground as well as box-office records.
The first of a trilogy of fantasy films
by writer/director George Lucas, and one of the most financially-successful
films of all time, with amazing technological effects. A sci-fi adventure
saga "in a galaxy far, far away", quasi-Western film, about
a galactic battle between good (the rebel forces) and evil (the Imperial
Galactic Empire). The characters are proto-typical: a young farmboy
hero Luke Skywalker (Hamill) on a desert planet, a villainous, black-garbed
sinister Lord Darth Vader (voice of Jones) - an aide to the leader
of the Empire Grand Moff Tarkin (Cushing), a wise Jedi knight Obi-Wan
Kenobi (Guinness), a daring starship pilot (Ford), a captured rebel
Princess Leia Organa (Fisher), a furry Wookie and two robotic droids.
With two sequels, The Empire Strikes Back and Return of
the Jedi. Academy Award Nominations: 10, including Best Picture,
Best Supporting Actor--Alec Guinness, Best Director, and Best Screenplay.
Academy Awards: 6, including Best Sound, Best Original Score, Best
Film Editing, Best Costume Design, Best Art Direction/Set Decoration,
Best Visual Effects. A Special Achievement Award for "creation
of the alien, creature, and robot voices."
Strangers
on a Train (1951)
Starring: Farley Granger, Robert Walker, Ruth Roman, Laura Elliot,
Jonathan Hale
Director: Alfred Hitchcock
Another of Hitchcock's great suspense thrillers - co-scripted by Raymond
Chandler and based on the novel by Patricia Highsmith. During a 'chance'
meeting on a train enroute from Washington DC (a cleverly-choreographed
sequence in which the two sets of the strangers' shoes are highlighted),
rich psychopathic playboy Bruno Antony (Walker) explains his macabre,
morbid theory of the perfect murder - an exchange or swap of murders
and victims - to professional champion tennis player Guy Haines (Granger).
Bruno diabolically proposes murdering Guy's clinging, stifling wife
Miriam (Elliot) - since Guy wants to marry US Senator's daughter Anne
Morton (Roman) and enter politics - in exchange for Guy murdering Bruno's
spiteful and tyrannical father (Hale) and his acquisition of an inheritance,
without any trace of clues. Haines dismisses the preposterous idea until
Antony kills his wife Miriam by strangulation at an amusement park and
Guy is expected to fulfill his part of the bargain - with threats of
blackmail. With a few great set pieces, including the amusement park
stalking, the cocktail party scene of how to commit a murder, the tennis
match cross-cut with the sewer grating scene, and the out-of-control
merry-go-round in the finale when Guy was finally cleared of the murder.
Academy Award Nominations: 1, Best B/W Cinematography.
Sullivan's
Travels (1941)
Starring: Joel McCrea, Veronica Lake
Director: Preston Sturges
A landmark, sardonic film satire from writer/director Sturges about a
successful escapist comedy Hollywood director John L. Sullivan (McCrea)
who has tired of making light-hearted films. Sullivan is determined to
make a serious-minded, socially-responsible drama about poverty and hardship
in America titled
O Brother, Where Art Thou? To research his new
film project, he disguises himself - for his 'Gulliver's Travels' journey
through pre WWII America - as a down-and-out tramp/bum to experience cruel
adversity first-hand. After shaking off the hot pursuit of a caravan of
studio publicists, and being joined by a beautiful, out-of-work, failed
blonde actress The Girl (Lake), he serves time on a prison chain gang,
where during the showing of a Disney cartoon he gains a newfound appreciation
that the down-trodden do indeed need laughter and humor. No Academy Award
nominations.