Greatest Film Death Scenes
Title Screen
Film Title/Year and Description
Screenshots
The Professional (1994, Fr.)
(aka Leon)
In writer/director Luc Besson's provocative action
crime-thriller - it presented the development of a redeeming but
twisted father/daughter relationship between two very different individuals
- the Professional Hit-Man (Leon), and his 'adopted' orphaned daughter
(Matilda).
- in the film's sacrificial
death finale, professional NYC mob hitman Leon
(Jean Reno) was shot in the back of the head by corrupt New York cop
and drug kingpin Norman Stansfield (Gary Oldman)
- as Leon was dying, he spoke
to Stansfield who was straddling and standing above him:
- Leon: Stansfield?
Stansfield (haughtily): At your service.
Leon: This is from Matilda. (He put a grenade pin into
Stansfield's clenched fist)
- Stansfield opened his hand and slowly recognized what
it was. He ripped open Leon's vest, discovering several grenades attached
to his chest.
- he muttered "S--t" before
a massive explosion (off-screen). The pin had been pulled, and it
set off some of the grenades
Stansfield (Gary Oldman) Slowly Realizing that He
Had A Grenade Pin in His Hand, and that Leon (Jean Reno) Had Several
Grenades Attached to His Chest
Leon (Jean Reno) Mortally Wounded, But Able to Place a
Grenade Pin in Stansfield's Clenched Fist
Pulp
Fiction (1994)
In director Quentin Tarantino's
feature film (the winner of an Original Screenplay Oscar), the great
tri-story classic was a stylish, immensely-popular, violent, off-beat,
B-movie cult classic with witty dialogue and heart-stopping violence.
The film's plot told about corruption and temptation in LA's sleazy
underworld among low-life criminals, thugs, drug-dealers, hitmen,
a washed-up crooked boxer, and restaurant-robbing lovers.
- in an early scene, crime-boss
Marsellus Wallace's (Ving Rhames) wife Mia (Uma Thurman) was being
escorted by his hitman Vincent Vega (John Travolta); they had just
visited Jack Rabbit Slim's restaurant where they entered (and won)
a twist dance contest
- afterwards in the Wallace
home, Mia had a near death experience during the film's infamous
heroin overdose sequence; while Vincent was in the bathroom (talking
to himself about being loyal to his boss and not messing around with
Mia), Mia was in the living room where she discovered his stash of
heroin in his coat pocket; mistaking it for cocaine, she snorted
it and immediately overdosed.
- Vincent hurriedly drove her over to
reluctant friend Lance's (Eric Stoltz) house for help, as he entreated:
- "Don't
f--kin' die on me, Mia!"
- once
he arrived - at about 1:30 in the morning - Lance yelled: "You
are not bringing this f--ked up bitch into my house." Vega described
the emergency:
- "If she croaks on me, I
am a f--king grease spot."
- neither Lance nor Vega knew
how to deliver an adrenalin shot with a syringe, so Lance first
searched for his "little black
medical book" for instructions; when he couldn't locate his
book, he bluntly stated what needed to be done:
- "We're
giving her a shot in the heart so I guess it's gotta be f--kin'
exact."
- Vega
demanded a "big fat magic marker" and drew a red target
above Mia's heart, after the two had argued over who would administer
the shot. Lance described the procedure:
- "It's
gotta be hard enough to get through her breastplate into her heart."
- she was revived when Vega (on the count of three)
directly shot her with adrenaline from a large hypodermic syringe
plunged directly into her chest "in a stabbing motion."
- Mia
woke with gasps and coughs, with the syringe stuck there and protruding
from her heart. Lance asked: "If you're all
right, then say something" - and she replied simply:
Mia's (Uma Thurman) Frightening Heroin Overdose and Revival
Pulp
Fiction (1994)
- much later in the film (although
the film's chronology was non-linear and presented out of sequence),
hitmen Vincent Vega (John Travolta) and Jules (Samuel L. Jackson)
drove away from another job, with their informant Marvin (Phil
LaMarr) in the backseat
- they
were non-chalantly discussing how they had just miraculously escaped
being shot, when Jules decided to call it quits from his profession:
- "It
means that's it for me. From here on in, you can consider my
ass retired."
- Vincent asked Marvin: "What do you make of
all this?" He replied: "Man, I don't even have an opinion."
- Vincent
turned around, with his gun in his right hand, as he asked again:
- "Well,
you gotta have an opinion. I mean, do you think that God came
down from Heaven and stopped --- "
- suddenly, Vincent's mispointed gun fired accidentally;
it was a sick, gruesomely funny, and blood-splattering back-seat
death for Marvin; the inside of the back window was sprayed with
blood
- after Jules exclaimed: "What
the f--k's happenin'?",
Vega offered a lame explanation: "Oh, man, I shot Marvin in
the face." Jules asked: "Why the f--k'd you do that?" Vega
could only admit: "I didn't mean to do it. It was an accident," and
then he blamed it on Jules' driving, claiming he went over a bump.
He kept saying:
- "I didn't mean to shoot the son-of-a-bitch.
The gun went off. I don't know why."
- Jules was worried they would
be discovered by the police:
- "Look at this
f--kin' mess, man! We're on a city street in broad daylight here...We
gotta get this car off the road. You know, cops seem to notice s--t
like you're drivin' a car drenched in f--kin' blood."
The Bloody, Accidental Shooting of Marvin (Phil LaMarr)
in Back Seat by Vincent (John Travolta)
The
Shawshank Redemption (1994)
Writer/director Frank Darabont's drama film about prison
life became an amazing cult film favorite after its release on video.
- after fifty years in the Shawshank institution,
elderly prisoner Brooks (James Whitmore) was now to be released
to life on the outside; he became despairing about entering
the frightening real world; just before he departed
the prison at dawn, Brooks released his full-grown pet crow/raven
Jake at the library window:
- "I can't
take care of you no more, Jake. You go on now. You're free."
- the old con stepped cautiously through the main
gate of Shawshank, clutched the bar on the bus seat in front of
him as he was transported to Portland where it was even terrifying
to cross the street; the outside world presented itself as a new
'prison';
- a montage followed Brooks through his new life on
the outside:
- Brooks was placed in a half-way flop house called
the Brewer.
- Brooks was employed as a grocery-bagger at the
Foodway Market.
- Lonely, afraid, melancholy, and disoriented
in the outside world, he had difficulty sleeping.
- He worried about the fate of Jake as he fed
pigeons in the park.
- He even contemplated shooting the Foodway manager
(to force a return to Shawshank), but he was even too old for
that.
- As he packed
his few belongings into a bag, he narrated, in voiceover, that
he planned on leaving: "I don't like it here.
I'm tired of being afraid all the time. I've decided not to stay."
- he climbed up onto a chair and then onto a table
and carved a message into the wall with his pocketknife: "BROOKS
WAS HERE."
- he kicked out the table from under his weight and
hanged himself from the ceiling beam in his halfway house - his feet
dangled
"BROOKS WAS HERE" - His Suicidal Hanging
- the entire montage was revealed to be the contents of
Brooks' 'Dear Fellas' note that was read outloud by prisoner Andy Dufresne
(Tim Robbins) in the prison yard following his death
Brooks (James Whitmore) Releasing His Pet Crow/Raven
Transported Away From Prison on a Bus
Brooks' 'Dear Fellas' Letter, Communicating the Montage
Sequence of His Death
The
Shawshank Redemption (1994)
- the Portland Daily Bugle newspaper
figuratively and literally blew the bugle of vengeful judgement
on corrupt Shawshank prison warden Samuel Norton (Bob Gunton);
the day's paper was tossed down on Norton's desk as he read it
- with the scandalous headlines:
- Corruption, Murder at Shawshank - D.A. Has Ledger
- Indictments Expected.
- police sirens sounded in the distance as they approached
the Shawshank prison. Norton glanced at the needle-point - now reading
prophetically:
- "His Judgement Cometh and
that Right Soon...."
- the warden
opened the safe, finding escaped prisoner Andy Dufresne's (Tim Robbins)
black-covered Bible instead of the black ledger with evidence of
evil-doing. The inside cover was inscribed with Andy's handwriting:
- Dear Warden,
You were right.
Salvation lay within.
Andy Dufresne
- the leather-bound Bible was, coincidentally, opened
to the first page of the Book of Exodus; from there, the pages
were hollowed out in the shape of a rock-hammer to conceal his
wall-chipping tool; Andy's 'Exodus' was hastened and abetted by
the Warden's gift of a Bible
- the camera looked down on the scene as the Warden
opened his desk drawer where a handgun sat; he loaded it with bullets,
placed it under his chin, and blasted a hole through his head -
off camera; he blew his brains out after realizing Andy Dufresne's
duplicity in setting him up and exposing his crimes as an embezzler
Prison Warden Samuel Norton's (Bob Gunton) Suicide
- the glass window
behind his desk shattered into pieces that were speckled with blood,
and the gun fell to the floor
- Ellis "Red" Redding
(Morgan Freeman) provided an afterthought about the suicide:
- "I like to think the last thing that went through
his head - other than that bullet - was to wonder how the hell
Andy Dufresne ever got the best of him."
Newspaper Headlines: "Corruption, Murder at Shawshank"
Needlepoint: "His Judgement Cometh and that Right Soon..."
Andy Dufresne's (Tim Robbins) Bible - Perfect Place To
Conceal a Rock Hammer
Star
Trek: Generations (1994)
This was the first film of the
second series - and was notable as the first film in the series to
star the TV cast of Star
Trek: The Next Generation (TNG) led by Patrick Stewart as Capt.
Jean-Luc Picard (which first TV-aired in 1987 and lasted seven seasons),
and set less than a year after the end of the series.
- Captain James T.
Kirk (William Shatner) chose a self-sacrificial death; he valiantly
jumped from one bridge half to another but he plunged down into
a rocky chasm-ravine when the bridge collapsed and was mortally
wounded;
- he and Captain Jean-Luc Picard (Patrick
Stewart) had been working together to destroy a doomsday missile,
designed by crazed maniac Dr. Tolian Soran (Malcolm McDowell),
to blow up the planet Veridian III's sun and consequently kill
230 million people; Kirk fought hand-to-hand against Soran as Picard
attempted to sabotage the launch of the solar-probe
- as
Kirk lay mortally-wounded under the wreckage, he was assured by
Picard that they "made a difference"; he
half-whispered his final words to Picard:
- "Did we do it? Did we make a difference?...(The)
least I could do ... for the Captain of the Enterprise.
It was...fun. (He widened his eyes in astonishment, then breathlessly
added before dying) Oh, my...."
- after he buried his friend under a pile of rocks,
Picard was picked up by a shuttlecraft to be taken to the unsalvageable Enterprise crash
site - where he was reunited with his crew and the survivors
that were being evacuated by the USS Farragut
Kirk's Last Words to Captain Jean-Luc Picard (Patrick
Stewart): "It
was...Fun...Oh, my"
True Lies (1994)
As with many of the deaths caused by Arnold Schwarzenegger's
action heroes, this one was also memorable for its clever one-liner
as it was being performed.
- in the finale of this tremendous action-thriller,
Palestinian/Crimson Jihad terrorist leader Salim Abu Aziz (Art
Malik) lost his balance atop an airborne Harrier Jumpjet flown
by Harry Tasker (Arnold Schwarzenegger) when the plane was tilted
- the terrorist found himself sliding down the wing
and hanging, by his gun strap, from one of its AIM-9 Sidewinder
missiles below the left wing
- Tasker flicked
the "MASTER ARM" switch, looked
left and quipped to the doomed Jihad leader:
- with the terrorist attached to the missile, Harry
launched it directly into a bombed-out Miami office building and
through the other side - straight into a helicopter filled with
Aziz's bad guys, causing a massive explosion
Death of Jihad Terrorist (Art Malik), With Harry Tasker's
(Arnold Schwarzenegger) Blessing: "You're
Fired"