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New Line Theatre

From Wikipedia, the free encyclopedia
American musical theater company
New Line Theatre
FormationDecember 6, 1991 (1991年12月06日)
TypeTheatre group
PurposeAlternative Musical Theatre
Location
  • St. Louis, Missouri
Artistic director(s)
Scott Miller
Websitewww.newlinetheatre.com

New Line Theatre is an alternative musical theatre company in St. Louis, Missouri, producing challenging, adult, politically and socially relevant works of musical theatre. The company was created in 1991 and produces world premieres such as Love Kills, Johnny Appleweed, Woman with Pocketbook, She's Hideous, In the Blood, Attempting the Absurd, and The AmberKlavier; lesser known Broadway and off Broadway shows such as High Fidelity, Passing Strange, bare, The Wild Party, Floyd Collins, A New Brain, March of the Falsettos, Passion, The Robber Bridegroom, The Nervous Set, and Bat Boy ; abstract musicals such as Hair, Jacques Brel is Alive and Well and Living in Paris , and Songs for a New World ; absurdist musicals such as Reefer Madness, Attempting the Absurd, The Cradle Will Rock , and Anyone Can Whistle ; concept musicals such as Company , Assassins , Urinetown , Chicago , Sunday in the Park with George , and Cabaret ; and reinterpretations of more mainstream works, such as Evita , Man of La Mancha , Camelot , Pippin , Sweeney Todd , Grease , and Into the Woods .[1]

New Line claims to take philosophical and practical inspiration from theatre models of the 1960s, including Caffé Cino, Cafe LaMaMa ETC, Judson Poets Theatre, Joan Littlewood's People's Theatre Workshop in London, and to a lesser extent from the Living Theatre, the Open Theatre, and various theatre collectives in the US and Europe.[2]

New Line has produced the first productions after Broadway of the musicals High Fidelity, Cry-Baby , and Hands on a Hardbody ,[3] to enthusiastic reviews,[4] redeeming them after their brief New York runs, giving them new lives in regional theatre.[3] [5]

New Line Theatre has been honored by the St. Louis Theater Circle with a special award for the company's body of work over the years,[6] and feature stories in American Theatre (magazine) [3] and The Riverfront Times .[7]

Past shows

[edit ]

1991–1992

  • A Tribute to the Rock Musicals *
  • Attempting the Absurd *

1992–1993

  • Smokin' Santa *
  • A Tribute to Stephen Sondheim *

1993–1994

  • A Tribute to the Dark Side *
  • Breaking Out in Harmony *
  • Assassins **

1994–1995

1995–1996

1996–1997

1997–1998

1998–1999

1999–2000

2000–2001

2001–2002

2002–2003

2003–2004

2004–2005

2005–2006

2006–2007

2007–2008

2008–2009

2009–2010

2010–2011

2011–2012

2012–2013

2013–2014

2014–2015

2015–2016

2016–2017

2017–2018

2018–2019

2019-2020

An asterisk denotes world premiere; a double-asterisk denotes regional premiere[8]

References

[edit ]
  1. ^ Miller, Scott, ed. (2002年12月25日). "You Could Drive a Person Crazy". Writers Press. Retrieved 2008年07月20日.
  2. ^ "New Line Theatre website". New Line Theatre. 2007年06月10日. Retrieved 2008年10月30日.
  3. ^ a b c Weinert-Kendt, Rob "Those Magic Changes" American Theatre Magazine, July 2014
  4. ^ "New Line Theatre Reviews". New Line Theatre. 2014年04月01日. Retrieved 2014年04月18日.
  5. ^ "St. Louis' New Line Theatre Will Present Regional Premiere of Frank Wildhorn's Bonnie & Clyde". Playbill. 2013年12月16日. Archived from the original on 2014年04月19日. Retrieved 2014年04月18日.
  6. ^ "2014 St. Louis Theater Circle Award winners". St. Louis Post-Dispatch. 2014年03月17日. Retrieved 2014年04月18日.
  7. ^ "How Scott Miller Is Revamping the Musical – and Putting St. Louis Theatre on the Map". The Riverfront Times. 2015年08月26日. Retrieved 2016年09月17日.
  8. ^ "New Line Theatre's Past Shows" New Line Theatre website

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