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He won the prestigious Prix de Rome with his The Death of Priam in 1861. Between 1855 and 1898, he exhibited 72 portraits in the Paris Salon. Many of his paintings are single figures of beautiful women. Among the portraits of his considered the best were those of M. L. Reynaud and the Prince Imperial (1874).[3] In 1891, he became a member of the French Académie des Beaux-Arts.
Grave of Jules Lefebvre, Montmartre Cemetery, Paris.The Sorrow of Mary Magdalene
Lefebvre died in Paris on 24 February 1911 and was buried in the Montmartre Cemetery with a bas-relief depiction of his painting La Vérité on his grave.[1][2]
1872 La Cigale, National Gallery of Victoria (Exhibited Salon, Paris, 1872, no. 970; collection of Milton Latham (1827–82), San Francisco, before 1878; by whom sold, New York, 1879; collection of Daniel Catlin, St Louis, Missouri, 1879–1893; by whom gifted to the St Louis Museum of Fine Arts, 1893–1945; deaccessioned and sold, c. 1945; collection of Julian Sterling, Melbourne, by 1984–2005; from whom purchased for the Felton Bequest, 2005.)
^Waller, S. (ed.), Foreign Artists and Communities in Modern Paris, 1870–1914: Strangers in Paradise, Routledge, 2017, p. 119
^Kathleen Luhrs, American Paintings in the Metropolitan Museum of Art, 1980: "... on to Paris and studied for a year at the Académie Julian under Gustave Boulanger and Jules Lefebvre."
^Kovacs, Anna Zsófia (2015–2016). "L'Ondine de Jules Lefebvre : un nu académique français dans les collections du musée des Beaux-Arts". Bulletin du musée hongrois des Beaux-Arts. 120–121: 147–164.
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