Gennaro Federico
Appearance
From Wikipedia, the free encyclopedia
Neapolitan Librettist
You can help expand this article with text translated from the corresponding article in Italian. (November 2016) Click [show] for important translation instructions.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Gennaro Antonio Federico]]; see its history for attribution.
- You may also add the template
{{Translated|it|Gennaro Antonio Federico}}
to the talk page. - For more guidance, see Wikipedia:Translation.
Gennaro Antonio Federico (died Naples, 1744) was a Neapolitan poet and opera librettist. He is best remembered for his collaborations with G. B. Pergolesi including La serva padrona.[1]
Libretti
[edit ]- La Zita (opera buffa; set by Costantino Roberto 1731)
- Lo frate 'nnamorato (commedia musicale; set by Giovanni Battista Pergolesi 1732)
- L'Ippolita (opera buffa; set by Nicola Conti 1733)
- L'Ottavio (commedia per musica; set by Gaetano Latilla 1733 , set by Pietro Alessandro Guglielmi 1760)
- La serva padrona (intermezzo; set by Giovanni Battista Pergolesi 1733, set by Girolamo Abos 1744, set by Pietro Alessandro Guglielmi 1780, Giovanni Paisiello 1781 )
- Gl'Ingannati (commedia per musica; set by Gaetano Latilla, 1734)
- La marina de Chiaja (chelleta, revision of an earlier libretto; set by Pietro Pulli, 1734)
- Il Flaminio (commedia per musica; set by Giovanni Battista Pergolesi 1735 )
- Il Filippo (opera buffa; set by Costantino Roberto 1735 )
- I due baroni (opera buffa; set by Giuseppe Sellitto 1736 )
- La Rosaura (opera buffa; set by Domenico Sarro, 1736)
- La Teodora (opera sacra; set by Papebrochio Fungoni, 1737)
- Gismondo (commedia per musica; set by Gaetano Latilla, 1737)
- Da un disordine nasce un ordine (opera buffa; set by Vincenzo Legrenzio Ciampi, 1737)
- Il conte (dramma giocoso per musica; set by Leonardo Leo 1738 )
- Inganno per inganno (opera buffa; set by Nicola Bonifacio Logroscino, 1738)
- La locandiera (scherzo comico per musica; set by Pietro Auletta, 1738)
- Ortensio (commedia per musica; set by Giovan Gualberto Brunetti, 1739)
- Amor vuol sofferenza (commedia per musica; set by Leonardo Leo 1739, and by Nicola Bonifacio Logroscino come La finta frascatana, 1751)
- La Beatrice (opera buffa; set by Vincenzo Legrenzio Ciampi, 1740)
- L'Alidoro (commedia per musica; set by Leonardo Leo, 1740; set by Matteo Capranica come L'Aurelio, 1748)
- L'Alessandro (commedia per musica; set by Leonardo Leo, 1741)
- La Lionara (opera buffa; set by Vincenzo Legrenzio Ciampi 1742, and Nicola Bonifacio Logroscino 1743 )
- Il fantastico od Il nuovo Chisciotte (commedia per musica after Miguel de Cervantes; set by Leonardo Leo, 1743)
- Il copista burlato (commedia; set by Antonio Sacchini, 1759)
References
[edit ]- ^ Guy A. Marco Opera: A Research and Information Guide - Page 268 113557801X - 2002 Librettist Gennaro Federico used a colloquial Italian text in his earlier Lo frate 'nnamorato, but he did not write dialect in La serva padrona. Nevertheless, he was able to delineate the fairly complex character of Serpina through nuances of ...
Flag of Italy Writer icon
This biographical article about an Italian poet is a stub. You can help Wikipedia by expanding it.