Dhavalambari
Arohanam | S R1 G3 M2 P D1 N1 Ṡ |
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Avarohanam | Ṡ N1 D1 P M2 G3 R1 S |
Carnatic music |
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Tanjavur-style tambura |
Concepts |
Compositions |
Instruments |
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Dhavalambari (pronounced dhavaḻāmbari) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 49th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhavaḻāngam[1] or Dhavaḻāngi[2] [3] in Muthuswami Dikshitar school of Carnatic music.
Structure and Lakshana
[edit ]It is the 1st rāgam in the 9th chakra Brahma. The mnemonic name is Brahma-Pa. The mnemonic phrase is sa ra gu mi pa dha na.[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
(the notes used in this scale are shuddha rishabham, antara gandharam, prati madhyamam, shuddha dhaivatham, shuddha nishadham)
As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Gayakapriya , which is the 13th melakarta.
Janya rāgams
[edit ]Dhavalambari has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams for all janya rāgams associated with Dhavalambari.
Compositions
[edit ]A few compositions set to Dhavalambari are:
- Karvaya kanda by Koteeswara Iyer
- Srivani pustaka pani by Dr. M. Balamuralikrishna
- Sringaradi by Muthuswami Dikshitar
Related rāgams
[edit ]This section covers the theoretical and scientific aspect of this rāgam.
Dhavalambari's notes when shifted using Graha bhedam , yields no other melakarta rāgam. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam.
Notes
[edit ]- ^ Alternate notations:
- Hindustani: S Ṟ G M̄ P Ḏ D Ṡ
- Western: C D♭ E F♯ G A♭ Bdouble flat C
- ^ Alternate notations:
- Hindustani: Ṡ D Ḏ P M̄ G Ṟ S
- Western: C Bdouble flat A♭ G F♯ E D♭ C