Brickmakers
| Author | Selva Almada |
|---|---|
| Language | Spanish |
| Genre | Romance, fiction |
| Publisher | Mardulce |
Publication date | 2013 |
| Publication place | Argentina |
| ISBN | 978-8-439-73918-0 |
Brickmakers (Spanish: Ladrilleros) is a novel by Argentine writer Selva Almada. It was published in 2013 by Mardulce.[1] The book tells story of two male lovers from a rural region in Argentina, and the enmity that develop between their families, which are involved in brickmaking.[2]
Synopsis
[edit ]The novel begins in an amusement park where Pájaro Tamai and Marciano Miranda lie dying. They recall the story of the rivalry between their families.[2] Marciano is the son of Elvio and Estela Miranda, traditionally from a family of brick makers. Pájaro is the son of Celina and Oscar Tamai, and was born into a family which was engaged in agriculture. However, they rent a house near the Mirandas' with the plan to engage in brick making. An enmity between Oscar and Elvio regarding the theft of a dog, and continues to escalate with time by a series of unfortunate events.[3]
Marciano and Pájaro are best friends since their childhood despite the enmity between their parents, but are forced to gradually separate and each later forms separate groups of friends amongst whom rivalry develops. The conflict between Elvio and Oscar takes a turn for worse when Elvio is mysteriously murdered, leading police to investigate Oscar. However, though the police realize that Oscar had nothing to do with the murder, Oscar deeply regrets the murder and later runs away abandoning Celina and their children.[4]
One day Pajero learns that Marciano had started a new love relationship. He plans to lure him away, and decides to get more information from Marciano's younger brother, Angel, who was rumored to be homo sexual. After Pajero meets Angel, he falls in love with him. When he meets Angel again, he gets drunk and ends up having sexual relation with him. Although Pajero tries to resist the attraction he feels, he is overwhelmed by his feelings for Angel.[4] [5] Both begin a relationship, which they try to keep it a secret. However, soon the news spreads and reaches Marciano. Marciano is angered by this, and confronts Pajero with a knife. They both end up attacking each other, which leads to the tragedy with which the novel begins.[4] [6]
Author and development
[edit ]The plot for the novel was born from a real life story about two families who clashed in an amusement park in the Chaco Province which resulted in death and injuries on both sides. As both the families were engaged in brick manufacturing, Almada was particularly affected by this as some of her relatives were also brick-layers.[7] She based some of the characteristics of the protagonists' parents on her uncle, Lolo Bertone, who was a bricksmith and lived on a ranch alone. It is also dedicated to Bertone, who died while Almada was writing the novel.[8]
The book took Almada about two years to write.[9] According to the author, she mixed the language of the Chaco area with that of Buenos Aires to bring out the language spoken by the brick layers.[7] [10]
Reception
[edit ]El Cultural called Almada an "excellent narrator" and the novel as "a firm, brilliant text of great lexical richness and a lot of flight". [11] In an article for the newspaper El País, writer and journalist Cristian Alarcón Casanova asserted that Almada possessed a "deep knowledge of the logics of men" and their "struggle for phallic power".[8] Aloma Rodríguez, in a review for the magazine Letras Libres, appreciated the language used by the author, while criticizing some areas of the plot.[12] The language also drew praise by Osvaldo Quiroga, in an article written in Télam.[13]
Writer Patricio Pron gave a largely negative review although he asserted that it had "some merits". Among the aspects he criticized is the language of the work, which he described as "clumsy", specifically for the mixture of colloquial language with academic words.[14]
See also
[edit ]Reference
[edit ]- ^ Friera, Silvina (30 June 2018). "Son vidas entrampadas en sí mismas" [They Are Lives Trapped Within Themselves]. Página/12 (in Spanish). Archived from the original on 30 June 2018. Retrieved 27 November 2020.
- ^ a b "La argentina Selva Almada retrata un "Romeo y Julieta" en clave homosexual" [Argentine Selva Almada Portrays a Homosexual "Romeo and Juliet"]. La Información (in Spanish). 22 November 2014. Archived from the original on 27 November 2020. Retrieved 27 November 2020.
- ^ Provenzano, Paula. "Ladrilleros, de Almada" [Ladrilleros, by Almada]. Universidad Nacional de La Plata (in Spanish). Archived from the original on 27 November 2020. Retrieved 27 November 2020.
- ^ a b c Almada, Selva (2014). Ladrilleros [Brickmakers] (in Spanish). Lumen. ISBN 978-84-264-0048-2. OCLC 872109961. Archived from the original on 25 April 2025. Retrieved 28 November 2020.
- ^ Heinrich, Milena (5 September 2020). "Selva Almada: "Las relaciones varoniles tienen que ver con la violencia, con agruparse para violentar"" [Selva Almada: "Male relationships have to do with violence, with grouping together to commit violence"]. Télam (in Spanish). Archived from the original on 27 November 2020. Retrieved 27 November 2020.
- ^ Iriart Urruty, Andrea (October 2014). "Los ladrilleros, los perros y nosotros a la vera de un camino arrasado" [The Brickmakers, the Dogs and Us by the Side of a Devastated Road] (PDF). El Toldo de Astier (in Spanish). 5 (9). ISSN 1853-3124. Archived from the original (PDF) on 28 November 2020. Retrieved 28 November 2020.
- ^ a b Galarza, Laura (28 April 2013). "Salvaje mundo interior" [Wild Inner World]. Página 12 (in Spanish). Archived from the original on 2 May 2013. Retrieved 27 November 2020.
- ^ a b Alarcón Casanova, Cristian (22 August 2013). "Clima de moridero" [Atmosphere of Dying]. El País (in Spanish). Archived from the original on 28 November 2019. Retrieved 27 November 2020.
- ^ "Selva Almada. "El canon de las universidades sigue copado por los varones"" [Selva Almada: "The university canon is still dominated by men"]. La Nación (in Spanish). 7 March 2020. Archived from the original on 27 November 2020. Retrieved 26 November 2020.
- ^ Pomeraniec, Hinde (2 February 2015). "Selva Almada: "Yo no hago documentalismo literario con mis novelas"" [Selva Almada: "I do not do literary documentary with my novels"]. La Nación (in Spanish). Archived from the original on 27 November 2020. Retrieved 27 November 2020.
- ^ "Ladrilleros" [Bricklayers]. El Cultural (in Spanish). 6 June 2014. Archived from the original on 28 November 2020. Retrieved 27 November 2020.
- ^ Rodríguez, Aloma (12 January 2015). "Violencia y aridez" [Violence and Aridity]. Letras Libres (in Spanish). Archived from the original on 18 February 2018. Retrieved 27 November 2020.
- ^ Quiroga, Osvaldo (8 October 2013). "Selva Almada: una voz distinta en la literatura argentina" [Selva Almada: a different voice in Argentine literature]. Télam (in Spanish). Archived from the original on 11 October 2013. Retrieved 27 November 2020.
- ^ Pron, Patricio (27 March 2014). "Una cuestión de contorno" [A Question of Contour]. Eterna Cadencia (in Spanish). Archived from the original on 28 November 2020. Retrieved 27 November 2020.