Researcher Information
Associate Professor ASAI Akiko
Faculty, Affiliation
Faculty of Education, Institute of Human and Social Sciences
College and School Educational Field
Division of Regional Development Studies, Graduate School of Human and Socio-Environmental Studies
Course in Curriculum Studies, School of Teacher Education, College of Human and Social Sciences
Laboratory
Academic Background
【Academic background(Doctoral/Master's Degree)】
New York University Master Music and Performing Arts Professions Music Composition 200405 Completed
【Academic background(Bachelor's Degree)】
Tokyo University of the Arts Department of Composition 200103
【Degree】
Master of Arts
Career
Year & Month of Birth
1977/04
Academic Society
International Society for Music Education
The Japan Federation of Composers Inc.
Japan Music Expression Society
Award
Specialities
Music
Speciality Keywords
Research Themes
The contemporary vocal music in Japanese
Composition of the contemporary instrumental music
Composition of the contemporary performing arts
The influences of ethnicity on the musical language of contemporary composers
Books
- CD "The Tradition of Kshano Hideo Kikuchi" Zipangu 2021/01
- Akiko Asai, Yoshiko Uchida, Masanobu Shinoda, Daijiro Tabuchi, Mayuko Fukami,Mikayo Hojo CD『Contemporary works for accordion solo Composer Group Cue ×ばつ Tomomi Ota』 ALM Record 2011/11
- Akiko Asai, Yoshiko Uchida, Masanobu Shinoda, Daijiro Tabuchi, Mayuko Fukami,Mikayo Hojo CD『Composer Group Cue Works』 ALM RECORDS 2006/01
Papers
- Design Study of Learning Music with a goal of Aquiring Conducting Akiko ASAI Bulletin of the Faculty of Education 13 31-37 2021年03月17日
- Design Study of Learning Music with a goal of Acquiring Conducting Akiko Asai Bulletin of the Faculty of Education 13 31-37 2021/03
Conference Presentations
- Creative Music Teacher: A practical research on How the experience of performing Contemporary Music can expand acceptability of Music(conference:Asia-Pacific Symposium for Music Education Research 2023)(2023年08月09日)
Others
- Composer Group Cue Works Akiko Asai, Mikayo Hojo ALM Records, Inc. 2007//1
Arts and Fieldwork
○しろまるDisney Medley for two voices of Kotos and Jazz Orchestra(2021/09-2021/09)(place:Kanazawa)(result:The arrangement was performed by Junior ensemble of Japanese music and Junior Jazz Orchestra JAZZ-21)
○しろまるThe Entangled Stairways for solo Clarinet(2021/01-2021/01)
○しろまるCultural Resource - Contemporary Music(2012/09-2012/09)(place:New York)(result:Lecture and Performing works)
○しろまる『N-opera Macbeth』(2006/03-)
○しろまるPrelude for Cage's Melody for 4 glassharp players (2017年11月12日-2017年11月12日)
○しろまるThe premier performance of "Tsukareta Shonen no Tabi" for Viola and Reading(2016/09-2016/10)(place:Tokyo, Mie)(result:The premier performance of "Tsukareta Shonen no Tabi" for Viola and Reading)
○しろまるThe premier performance of "dis-communication 1.5" between Clarinet and Violin(2016/06-)(place:Kanazawa)(result:The premier performance of "dis-communication 1.5" between Clarinet and Violin)
○しろまるPiano performance for Duo concert(2016/04-)(place:Nonoichi-shi)(result:Piano performance for Duo concert)
○しろまるMusic Performance at the Tea ceremony "Hyaku shiki"(2016/03-)(place:Kanazawa)(result:The music performance for the tea ceremony "Hyaku Shiki")
○しろまるThe Air Sculpture by Guitar and Ondes Martenot(2016/02-)(place:Tokyo)(result:The work was premiered in the concert produced by The Japan Federation of Composers Inc.)
○しろまるComposition for the national event in Ishikawa(2015/01-2015/05)(place:Komatsu-city (Recorded in Kanazawa))(result:Composed four musical works including Orchestra and Choral music.)
Patent
Theme to the desired joint research
Grant-in-Aid for Scientific Research
Competitive research funding,Contribution
Collaborative research,Consignment study
Classes (Bachelors)
○しろまるStudies in Teaching of Music I(2020)
○しろまるFundamentals of Piano Performance(2020)
○しろまるMusic Theory II(2020)
○しろまるSeminar in Composition II(2020)
○しろまるSeminar in Composition I(2020)
○しろまるMusic Theory I(2020)
○しろまるConducting Technique(2020)
○しろまるSolfege(2020)
○しろまるArts and Self-Expression(2020)
○しろまるArts and Self-Expression(2020)
○しろまるSolfege(2019)
○しろまるArts and Self-Expression(2017)
○しろまるArts and Self-Expression(2017)
○しろまるSeminar in Composition II(2017)
○しろまるConducting Technique(2017)
○しろまるMusic Theory I(2017)
○しろまるSeminar in Composition I(2017)
○しろまるStudies in Teaching of Music I(2017)
○しろまるSolfege(2017)
○しろまるArts and Self-Expression(2017)
○しろまるArts and Self-Expression(2017)
○しろまるMusic Theory II(2017)
○しろまるArts and Self-Expression(2016)
○しろまるArts and Self-Expression(2016)
○しろまるConducting Technique(2016)
○しろまるFundamentals of Piano Performance(2016)
○しろまるMusic Theory II(2016)
○しろまるSeminar in Composition I(2016)
○しろまるSeminar in Composition II(2016)
○しろまるFundamentals of Solfege(2016)
○しろまるMusic Theory I(2016)
○しろまるStudies in Teaching of Music I(2016)
○しろまるSolfege(2016)
Classes (Graduate Schools)
○しろまるTopics in Curriculum Content of Music D(2016)
○しろまるSeminar in Curriculum Content of Music D(2016)
International Project
○しろまる2014 Ishikawa Music AdacemyIshikawa prefecture , Kanazawa cityKorea and other country(2014-2016)JapanAs an interpreter for the Piano Class
○しろまるA New York Summit: The Future of the Japanese Music Heritage: Strategies for Nurturing Japanese Traditional Instrumental Genres and New MusicColumbia UniversityU.S.A(2013-)U.S.A., JapanAs a panelist for the discussion
International Students
Lecture themes
Others (Social Activities)
○しろまるKanazawa Zonta Club(2008-)