Thanks for your reply.
The purpose of the recording is to capture my voice to deliver training materials through MP3 files via Internet downloads.
The recordings will occur in a room treated for sound absorption of echoes.
I will use a Blue Designs Yeti for the recording.
I have several years of professional training as a speaker.
I will record the signal dry and edit it in post-production.
I agree on the signal chain of equalization and limiting, with perhaps compression.
Specifically, I am looking for recommendations on the names of preferred plugins for the proposed signal chain.
Kindest Regards,
Stephen Dawson, DSL
Executive Strategy Consultant
Business & Technology
+1 (865) 804-3454
http://www.shdawson.com
Executive Strategy Consultant
Business & Technology
+1 (865) 804-3454
http://www.shdawson.com
On 10/23/25 17:28, Fons Adriaensen
wrote:
[
I am undertaking a new recording project of my spoken voice. I am sorting through the many plugin options. I am writing to solicit signal chain recommendations, pleaseHow do you think anyone could help if the only info you provide is 'my spoken voice' ?? * What is the purpose of the recording (i.e. which quality aspects matter, which don't, how is the result distributed, ...) ? * In what circumstances is the recording made (studio, office, living room, open air, ... ? * Which microphones (and other equipment) do you have available ? * Do you have any professional training as a speaker ? Assuming you have some control over the circumstances and some decent microphone, very probably you won't need any plugins at all. I would in any case make the recording that way, anything needed (maybe a bit of EQ and limiting) can be applied later anyway. If you want a professional result, don't try to be the speaker and the sound engineer/producer at the same time. There are reasons why these functions are normally separated. Ciao,
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