Piano key frequencies
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This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).[1] [2] Every octave is made of twelve steps called semitones. A jump from the lowest semitone to the highest semitone in one octave doubles the frequency (for example, the fifth A is 440 Hz and the sixth A is 880 Hz). The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463).[1] [2] For example, to get the frequency one semitone up from A4 (A♯4), multiply 440 Hz by the twelfth root of two. To go from A4 up two semitones (one whole tone) to B4, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A4 up three semitones to C5 (a minor third), multiply 440 Hz three times by the twelfth root of two (or once by the fourth root of two, approximately 1.189207). For other tuning schemes, refer to musical tuning.
This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp. To compensate for this, octaves are tuned slightly wide, stretched according to the inharmonic characteristics of each instrument.[3] This deviation from equal temperament is called the Railsback curve.
The following equation gives the frequency f (Hz) of the nth key on the idealized standard piano with the 49th key tuned to A4 at 440 Hz:
- {\displaystyle f(n)=\left({\sqrt[{12}]{2}},円\right)^{n-49}\times 440,円{\text{Hz}},円=2^{\frac {n-49}{12}}\times 440,円{\text{Hz}},円}
where n is shown in the table below.[1]
Conversely, the key number of a pitch with a frequency f (Hz) on the idealized standard piano is:
- {\displaystyle n=12,円\log _{2}\left({\frac {f}{440,円{\text{Hz}}}}\right)+49}
List
[edit ]Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys are numbered 1 to 88; extra low and high keys which only appear on extended pianos are numbered -8 to 0 and 89 to 99 respectively. A 108-key piano that extends from C0 to B8 was first built in 2018 by Stuart & Sons.[4]
| Piano key number | MIDI note number | Helmholtz name[5] | Scientific pitch name[5] | Frequency f(n) (Hz) (Equal temperament) [6] | Corresponding open strings on other instruments | Vocal Ranges | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Soprano
|
Mezzo-soprano
|
Contralto
|
Tenor
|
Baritone
|
Bass
| |||||||||||
| 99 | 119 | b′′′′′ | B8 | 7902.133 | ||||||||||||
| 98 | 118 | a♯′′′′′/b♭′′′′′ | A♯8/B♭8 | 7458.620 | ||||||||||||
| 97 | 117 | a′′′′′ | A8 | 7040.000 | ||||||||||||
| 96 | 116 | g♯′′′′′/a♭′′′′′ | G♯8/A♭8 | 6644.875 | ||||||||||||
| 95 | 115 | g′′′′′ | G8 | 6271.927 | ||||||||||||
| 94 | 114 | f♯′′′′′/g♭′′′′′ | F♯8/G♭8 | 5919.911 | ||||||||||||
| 93 | 113 | f′′′′′ | F8 | 5587.652 | ||||||||||||
| 92 | 112 | e′′′′′ | E8 | 5274.041 | ||||||||||||
| 91 | 111 | d♯′′′′′/e♭′′′′′ | D♯8/E♭8 | 4978.032 | ||||||||||||
| 90 | 110 | d′′′′′ | D8 | 4698.636 | ||||||||||||
| 89 | 109 | c♯′′′′′/d♭′′′′′ | C♯8/D♭8 | 4434.922 | ||||||||||||
| 88 | 108 | c′′′′′ 5-line octave | C8 Eighth octave | 4186.009 | ||||||||||||
| 87 | 107 | b′′′′ | B7 | 3951.066 | ||||||||||||
| 86 | 106 | a♯′′′′/b♭′′′′ | A♯7/B♭7 | 3729.310 | ||||||||||||
| 85 | 105 | a′′′′ | A7 | 3520.000 | ||||||||||||
| 84 | 104 | g♯′′′′/a♭′′′′ | G♯7/A♭7 | 3322.438 | ||||||||||||
| 83 | 103 | g′′′′ | G7 | 3135.963 | ||||||||||||
| 82 | 102 | f♯′′′′/g♭′′′′ | F♯7/G♭7 | 2959.955 | ||||||||||||
| 81 | 101 | f′′′′ | F7 | 2793.826 | ||||||||||||
| 80 | 100 | e′′′′ | E7 | 2637.020 | ||||||||||||
| 79 | 99 | d♯′′′′/e♭′′′′ | D♯7/E♭7 | 2489.016 | ||||||||||||
| 78 | 98 | d′′′′ | D7 | 2349.318 | ||||||||||||
| 77 | 97 | c♯′′′′/d♭′′′′ | C♯7/D♭7 | 2217.461 | ||||||||||||
| 76 | 96 | c′′′′ 4-line octave | C7 Double high C | 2093.005 | ||||||||||||
| 75 | 95 | b′′′ | B6 | 1975.533 | ||||||||||||
| 74 | 94 | a♯′′′/b♭′′′ | A♯6/B♭6 | 1864.655 | ||||||||||||
| 73 | 93 | a′′′ | A6 | 1760.000 | ||||||||||||
| 72 | 92 | g♯′′′/a♭′′′ | G♯6/A♭6 | 1661.219 | ||||||||||||
| 71 | 91 | g′′′ | G6 | 1567.982 | ||||||||||||
| 70 | 90 | f♯′′′/g♭′′′ | F♯6/G♭6 | 1479.978 | ||||||||||||
| 69 | 89 | f′′′ | F6 | 1396.913 | ||||||||||||
| 68 | 88 | e′′′ | E6 | 1318.510 | ||||||||||||
| 67 | 87 | d♯′′′/e♭′′′ | D♯6/E♭6 | 1244.508 | ||||||||||||
| 66 | 86 | d′′′ | D6 | 1174.659 | ||||||||||||
| 65 | 85 | c♯′′′/d♭′′′ | C♯6/D♭6 | 1108.731 | ||||||||||||
| 64 | 84 | c′′′ 3-line octave | C6 Soprano C (High C) | 1046.502 | ||||||||||||
| 63 | 83 | b′′ | B5 | 987.7666 | ||||||||||||
| 62 | 82 | a♯′′/b♭′′ | A♯5/B♭5 | 932.3275 | ||||||||||||
| 61 | 81 | a′′ | A5 | 880.0000 | ||||||||||||
| 60 | 80 | g♯′′/a♭′′ | G♯5/A♭5 | 830.6094 | ||||||||||||
| 59 | 79 | g′′ | G5 | 783.9909 | ||||||||||||
| 58 | 78 | f♯′′/g♭′′ | F♯5/G♭5 | 739.9888 | ||||||||||||
| 57 | 77 | f′′ | F5 | 698.4565 | ||||||||||||
| 56 | 76 | e′′ | E5 | 659.2551 | E | E (5 string) | ||||||||||
| 55 | 75 | d♯′′/e♭′′ | D♯5/E♭5 | 622.2540 | ||||||||||||
| 54 | 74 | d′′ | D5 | 587.3295 | ||||||||||||
| 53 | 73 | c♯′′/d♭′′ | C♯5/D♭5 | 554.3653 | ||||||||||||
| 52 | 72 | c′′ 2-line octave | C5 Tenor C | 523.2511 | ||||||||||||
| 51 | 71 | b′ | B4 | 493.8833 | High B (12 string, optional) | |||||||||||
| 50 | 70 | a♯′/b♭′ | A♯4/B♭4 | 466.1638 | ||||||||||||
| 49 | 69 | a′ | A4 A440 | 440.0000 | A | A | High A (optional) | A | ||||||||
| 48 | 68 | g♯′/a♭′ | G♯4/A♭4 | 415.3047 | High A♭ (12 single string) | |||||||||||
| 47 | 67 | g′ | G4 | 391.9954 | High G | |||||||||||
| 46 | 66 | f♯′/g♭′ | F♯4/G♭4 | 369.9944 | ||||||||||||
| 45 | 65 | f′ | F4 | 349.2282 | ||||||||||||
| 44 | 64 | e′ | E4 | 329.6276 | High E (5 string) | High E | E | |||||||||
| 43 | 63 | d♯′/e♭′ | D♯4/E♭4 | 311.1270 | High E♭ (12 single string) | |||||||||||
| 42 | 62 | d′ | D4 | 293.6648 | D | D | ||||||||||
| 41 | 61 | c♯′/d♭′ | C♯4/D♭4 | 277.1826 | ||||||||||||
| 40 | 60 | c′ 1-line octave | C4 Middle C | 261.6256 | C | |||||||||||
| 39 | 59 | b | B3 | 246.9417 | B | |||||||||||
| 38 | 58 | a♯/b♭ | A♯3/B♭3 | 233.0819 | ||||||||||||
| 37 | 57 | a | A3 | 220.0000 | A | |||||||||||
| 36 | 56 | g♯/a♭ | G♯3/A♭3 | 207.6523 | ||||||||||||
| 35 | 55 | g | G3 | 195.9977 | G | G | G | Low G | ||||||||
| 34 | 54 | f♯/g♭ | F♯3/G♭3 | 184.9972 | ||||||||||||
| 33 | 53 | f | F3 | 174.6141 | High F (7 string) | |||||||||||
| 32 | 52 | e | E3 | 164.8138 | High E (5th tuning, 5 string) | |||||||||||
| 31 | 51 | d♯/e♭ | D♯3/E♭3 | 155.5635 | ||||||||||||
| 30 | 50 | d | D3 | 146.8324 | D | D | ||||||||||
| 29 | 49 | c♯/d♭ | C♯3/D♭3 | 138.5913 | ||||||||||||
| 28 | 48 | c small octave | C3 | 130.8128 | C (5 string) | C | C (6 string) | |||||||||
| 27 | 47 | B | B2 | 123.4708 | ||||||||||||
| 26 | 46 | A♯/B♭ | A♯2/B♭2 | 116.5409 | ||||||||||||
| 25 | 45 | A | A2 | 110.0000 | A (5th tuning upright) | A | ||||||||||
| 24 | 44 | G♯/A♭ | G♯2/A♭2 | 103.8262 | ||||||||||||
| 23 | 43 | G | G2 | 97.99886 | G | G | ||||||||||
| 22 | 42 | F♯/G♭ | F♯2/G♭2 | 92.49861 | ||||||||||||
| 21 | 41 | F | F2 | 87.30706 | Low F (6 string) | Low F (6 string) | ||||||||||
| 20 | 40 | E | E2 | 82.40689 | Low E | |||||||||||
| 19 | 39 | D♯/E♭ | D♯2/E♭2 | 77.78175 | ||||||||||||
| 18 | 38 | D | D2 | 73.41619 | D | |||||||||||
| 17 | 37 | C♯/D♭ | C♯2/D♭2 | 69.29566 | ||||||||||||
| 16 | 36 | C great octave | C2 Deep C | 65.40639 | C | |||||||||||
| 15 | 35 | B͵ | B1 | 61.73541 | Low B (7 string) | |||||||||||
| 14 | 34 | A♯͵/B♭͵ | A♯1/B♭1 | 58.27047 | ||||||||||||
| 13 | 33 | A͵ | A1 | 55.00000 | A | |||||||||||
| 12 | 32 | G♯͵/A♭͵ | G♯1/A♭1 | 51.91309 | ||||||||||||
| 11 | 31 | G͵ | G1 | 48.99943 | G (5th tuning upright) | |||||||||||
| 10 | 30 | F♯͵/G♭͵ | F♯1/G♭1 | 46.24930 | Low F♯ (8 string) | |||||||||||
| 9 | 29 | F͵ | F1 | 43.65353 | Low F (6 string) | |||||||||||
| 8 | 28 | E͵ | E1 | 41.20344 | E | |||||||||||
| 7 | 27 | D♯͵/E♭͵ | D♯1/E♭1 | 38.89087 | ||||||||||||
| 6 | 26 | D͵ | D1 | 36.70810 | ||||||||||||
| 5 | 25 | C♯͵/D♭͵ | C♯1/D♭1 | 34.64783 | Low C♯ (9 string) | |||||||||||
| 4 | 24 | C͵ contra-octave | C1 Pedal C | 32.70320 | C (upright extension or 5th tuning) | |||||||||||
| 3 | 23 | B͵͵ | B0 | 30.86771 | B (5 string) | |||||||||||
| 2 | 22 | A♯͵͵/B♭͵͵ | A♯0/B♭0 | 29.13524 | ||||||||||||
| 1 | 21 | A͵͵ | A0 | 27.50000 | ||||||||||||
| 0 | 20 | G♯͵͵/A♭͵͵ | G♯0/A♭0 | 25.95654 | Low G♯ (10 string) | |||||||||||
| -1 | 19 | G͵͵ | G0 | 24.49971 | ||||||||||||
| -2 | 18 | F♯͵͵/G♭͵͵ | F♯0/G♭0 | 23.12465 | ||||||||||||
| -3 | 17 | F͵͵ | F0 | 21.82676 | ||||||||||||
| -4 | 16 | E͵͵ | E0 | 20.60172 | ||||||||||||
| -5 | 15 | D♯͵͵/E♭͵͵ | D♯0/E♭0 | 19.44544 | ||||||||||||
| -6 | 14 | D͵͵ | D0 | 18.35405 | ||||||||||||
| -7 | 13 | C♯͵͵/D♭͵͵ | C♯0/D♭0 | 17.32391 | ||||||||||||
| -8 | 12 | C͵͵ sub-contra-octave | C0 Double Pedal C | 16.35160 | ||||||||||||
See also
[edit ]References
[edit ]- ^ a b c Weisstein, Eric. "Equal Temperament -- from Eric Weisstein's Treasure Trove of Music". Eric Weisstein's Treasure Trove of Music. Archived from the original on 2019年06月14日. Retrieved 2019年12月26日.
- ^ a b Nov, Yuval. "Explaining the Equal Temperament". www.yuvalnov.org. Archived from the original on 2019年05月26日. Retrieved 2019年12月26日.
- ^ Citak, Ray. "Information on Piano Tuning". www.pianotechnician.com. Archived from the original on 2019年02月26日. Retrieved 2019年12月26日.
- ^ Wills, Oscar; King, Rosie (2018年09月15日). "Australian behind world's grandest piano". ABC News. Australia. Archived from the original on 2019年06月11日. Retrieved 2019年12月26日.
- ^ a b Goss, Clint (2019年02月18日). "Octave Notation". Flutopedia. Archived from the original on 2019年05月12日. Retrieved 2019年12月26日.
- ^ Suits, Bryan (1998). "Frequencies of Musical Notes, A4 = 440 Hz". Physics of Music — Notes. Michigan Tech University. Archived from the original on 2019年12月16日. Retrieved 2019年12月26日.