Understanding and mastering stereo techniques remains a core skill for everyone involved in recording and mixing audio. In this article series Hugh Robjohns explores stereo recording techniques, delving into psychoacoustics, microphone position, perspectives and design for the ultimate SOS guide to stereo!
This Is Stereo! PART 1
In the first part of a new short series about stereo recording techniques, we start by exploring the most important tools of all: your brain and your ears!
This Is Stereo! PART 2
Our second instalment draws on the work of Alan Blumlein, to explain how we can audition and evaluate different stereo‐miking techniques.
This Is Stereo! PART 3
This third article of our stereo mini‐series explores how to manipulate the perspective obtained from coincident mic pairs.
This Is Stereo! PART 4
We conclude our primer on coincident arrays by exploring the theory and practice of Mid‐Sides miking.
This Is Stereo! PART 5
Building on the concepts explored in previous parts of this series, it’s time to weigh up some of the pros and cons of coincident and spaced arrays.
This Is Stereo! PART 6
With an understanding of spaced and coincident stereo arrays, we can exploit the characteristics of both — using either established arrays, or by creating our own!
This Is Stereo! PART 7
We dive deeper into the theory and practice of hybrid arrays, and consider the benefits of using more than one array.
This Is Stereo! PART 8
Concluding our series on advanced stereo mic techniques, we explore binaural recording, disc‐shaped baffles and dummy heads, as well as a clever process called ‘Stereo Shuffling’.
This Is Stereo | Demo Audio Files
To illustrate the differences, strengths and weaknesses of different stereo mic arrangements I have made a series of demonstration recordings.