September 2016 Magazine Contents

Reviews: Propellerhead Reason 9. Apogee Symphony I/O MkII. Akai MPC Touch. Bose F1. PreSonus Eris E44 & E66. Audient ASP8024 Heritage Edition. Boss RC‐202 Loop Station.

Features: Recording Drums: What Difference Does The Room Make? (Cover). Jack Garratt: Producing Phase. LANDR, CloudBounce & The Future Of Mastering. Inside Track - Hamilton: An American Musical (Tim Latham & Derik Lee).

Techniques: Mix Rescue. Session Notes: Tracking Drums.

Reviews

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  Acousticsamples B5 Organ

  UVI Workstation
  Reviews
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  Akai MPC Touch

  Sampling Workstation
  Reviews
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  Apogee Symphony I/O MkII

  Audio Interface For Mac OS
  Reviews
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  Audient ASP8024-HE

  Analogue Mixing Console
  Reviews
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  Best Service Chris Hein Solo Violin

  Kontakt Instrument
  Reviews
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  Bose F1

  Compact Line Array
  Reviews
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  Boss RC-202 Loop Station

  Stereo Looping Processor
  Reviews
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  DOD Looking Glass

  FET Overdrive Pedal
  Reviews
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  Dreadbox Omikron & Lamda

  Eurorack VCO & Filter Modules
  Reviews
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  Electro-Harmonix Lester K & Lester G

  Rotary-speaker Emulators
  Reviews
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  Foote Control Systems P3EX

  Stereo Compressor
  Reviews
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  Fostex TR Series

  Dynamic Headphones
  Reviews
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  HK Audio PR:O 15D

  Active PA Speakers
  Reviews
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  Impact Soundworks Sonic Forest

  Kontakt Instrument
  Reviews
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  LEP LepLoop

  Analogue Groovebox
  Reviews
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  MartiAudio In-line Preamp Booster

  For Passive Dynamic & Ribbon Mics
  Reviews
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  Orchestral Tools Metropolis Ark 1

  Sample Library
  Reviews
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  Pedalpunk

  Balanced Line To Guitar Effects Interface
  Reviews
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  PreSonus Eris E44 & E66

  Active Nearfield Monitors
  Reviews
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  Primacoustic VoxGuard DT

  Lightweight Acoustic Screen
  Reviews
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  Propellerhead Reason 9

  Music Production Software
  Reviews
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  PSI Audio A14-M Studio

  Nearfield Active Monitors
  Reviews
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  Singular Sound BeatBuddy Mini

  Drum Machine Pedal
  Reviews
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  Sonokinetic Sotto

  Orchestral Sample Instrument
  Reviews
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  Two Notes Torpedo Reload

  DI, Re-amp, Attenuator & Power Soak
  Reviews
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  Zero-G Desert Tracks

  Multi-format
  Reviews

Techniques

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  Cubase 8.5's Channel Settings Panel

  Cubase Tips & Techniques
  Techniques
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  Inside Track - Hamilton: An American Musical

  Secrets Of The Mix Engineers: Tim Latham & Derik Lee
  Techniques
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  LANDR, CloudBounce & The Future Of Mastering

  Master Plans
  Techniques
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  Logic: Editing Cues In The Tempo List

  Logic Tips & Techniques
  Techniques
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  Max For Live Devices

  Ableton Live Tips & Techniques
  Techniques
• Techniques
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  Mix Rescue: Paul Thorne

  Our Experts Transform Your Tracks
  Techniques
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  Reason: Player Modules

  Reason Tips & Techniques
  Techniques
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  Recording Drums: What Difference Does The Room Make?

  One Drum Kit. Seven Rooms.
  Techniques
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  Seamless Mixing & Mastering In Studio One's Project Page

  Studio One Tips & Techniques
  Techniques
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  Session Notes: Tracking Drums With The Travis Waltons

  The Practical Craft of Recording
  Techniques
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  Sonar: Upsampling Plug-ins

  Sonar Tips & Techniques
  Techniques
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  Voice, Track & I/O Counts In Pro Tools

  Pro Tools Tips & Techniques
  Techniques

Sound Advice

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  Q. How do I set my DAW levels to match my hardware?

  Follow-up
  Sound Advice
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  Q. How should I set up stereo-widening delay effects?

  Sound Advice

People

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  Jack Garratt

  Producing 'Phase'
  People
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  Paul White with mics.

  Soft Options

  Leader
  People
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  Sounding Off: The Tools We Use

  Richard Norris
  People
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  The Mix Review: September 2016

  Commercial Releases Analysed
  People
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  sos vance powell thumb

  Vance Powell - Recording Rock

  Video Feature
  People

Music Business

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  Notes From The Deadline

  TV Music From The Inside
  Music Business
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  NRG Recording, Los Angeles

  Studio File
  Music Business
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  Off The Record

  Off The Record: Convergence

  Music & Recording Industry News
  Music Business