The Mid-Sides Myth
While M‐S miking does offer you some flexibility at mixdown, in terms of stereo width, it can’t perform miracles!
While M‐S miking does offer you some flexibility at mixdown, in terms of stereo width, it can’t perform miracles!
These audio files accompany the The Mid-Sides Myth article, published in SOS August 2026.
Affordable and effective, broadband absorbers are the first port of call for acoustic treatment with good reason. But sometimes you’ll hit on an acoustics challenge that requires greater precision...
There’s more to crafting perfect pop vocals than slapping on a bit of compression and Auto‐Tune!
These audio files accompany the Pop Vocal Mixing article in SOS November 2025. The song featured in these examples is 'April Blues', by the artist Moni Blue.
These audio files accompany my article titled The Drum Squash Mic Trick, published in SOS September 2025, and demonstrate the potential benefits of adding a fifth ‘squash’ mic to a basic four-mic setup on acoustic drum kits.
When opting for a more minimal approach to drum miking, a compressed omni mic beneath the snare can pay dividends...
Sound and fury, signifying nothing... or a remarkably useful mixing tool?
Back in SOS July 2011, Mike Shipley said this about the producer Mutt Lange: "With Mutt, we always have programmable equalisers where we can EQ every word..."
Is it ever appropriate to place a limiter on a routing folder for specific parts prior to them hitting the final mix bus?