Hugh Robjohns SOS Technical Editor c.2020 Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
With an understanding of spaced and coincident stereo arrays, we can exploit the characteristics of both — using either established arrays, or by creating our own!
Grace Design have brought their considerable expertise to the audio interface arena.
Paul White and Hugh Robjohns pick their hardware and software highlights from the gear they've reviewed in the last 12...
Building on the concepts explored in previous parts of this series, it’s time to weigh up some of the pros and cons of coincident and spaced arrays.
The problem of dialogue intelligibility has proven a stubborn nut to crack — but this new meter promises to make consistently clear voices easier to achieve...
Cranborne say their Brick Lane is the fastest compressor in the West — but it’s also capable of modelling the characteristics of classic opto, FET and valve units, and much more.
Paul White and Hugh Robjohns address some of the most frequently-asked questions about home studio recording and production.
We conclude our primer on coincident arrays by exploring the theory and practice of Mid‐Sides miking.
This unusual‐looking microphone is designed specifically for Decca Tree arrays.
Wireless audio takes a leap forward with this incredibly flexible system from Sound Devices.
