The Untouchables (1987)
In director Brian De Palma's epic, stylistic crime/gangster
drama of the Prohibition era - it was bolstered by writer David
Mamet's brilliant screenplay. The title of the film "The Untouchables"
- referred to a group of fearless "special agents" employed by the
Bureau of Prohibition, a law enforcement agency in the early 1930s,
created to enforce Prohibition laws and to end the criminal activities
of the lead crime boss in Chicago, Alphonse (or Al) "Scarface" Capone.
The gangster-kingpin was eventually imprisoned in 1933 for tax evasion.
The label "untouchables" (originally referring to an outcast group
in India) was popularized by Chicago Daily News writer
Charles Schwarz who called the intimidating, anti-bootlegging elite
agents "Untouchables."
One of the film's posters described the main plot with
its tagline:
"AL CAPONE He ruled Chicago with absolute power.
No one could touch him. No one could stop him.
Until Eliot Ness and a small force of men swore they'd bring him
down."
The artfully-filmed movie with strong acting performances
was loosely based on the popular ABC-TV series (from 1959-1963
for four seasons, starring Robert Stack). [Note: The pilot episodes
of the TV show were compiled and released as a theatrical film titled The
Scarface Mob (1959).]
The late 1950s TV show was based on the books and characters created
by Oscar Fraley. Fraley had worked with real-life lead federal agent
Eliot Ness to write his autobiographical memoir that was published
in 1957. Following the film, a second "The Untouchables" TV
show aired for two seasons (from 1993-1994).
The big-budget, energetic production cleverly intermixed
real-life events (and characters) - mainly 1930s Chicago gangster
Al Capone (portrayed by Robert De Niro), the head of the elite squad
of "untouchables" Eliot
Ness (Kevin Costner), and Irish beat cop James Malone (Sean Connery),
with other similar fictionalized recreations and characters, as the
crime boss was brought to justice. The film was enhanced by Ennio
Morricone's magnificent score, cinematography by Stephen H. Burum,
and wardrobe-fashion design by Giorgio Armani.
Although nominated for four Academy Awards, the sole
winner was Sean Connery's Best Supporting Actor Oscar. The other
nominations were Best Art Direction-Set Decoration, Best Costume
Design, and Best Original Score. On a budget of 25ドル million, the
film grossed 76ドル.2 million (domestic) and 106ドル.2 million (worldwide).
- after the opening title credits, the film began
with a title card superimposed over the first sequence:
- "1930. Prohibition has transformed Chicago into a City at War.
Rival gangs compete for control of the city's billion dollar
empire of illegal alcohol, enforcing their will with the hand
grenade and tommy gun. It is the time of the Ganglords.
It is the time of Al Capone."
- in a barber shop, Al Capone (Robert De Niro) - with his head wrapped in a towel,
was being questioned by a news reporter (Charles Keller Watson) about
a newspaper article that essentially declared Capone as the unofficial,
unappointed "Mayor of Chicago"; the crime lord joked and responded:
- "Well, I tell ya, you know, it's touching.
Like a lot of things in life, we laugh because it's funny,
and we laugh because it's true. Some people say,
reformers here say: 'Put that man in jail, what does he think
he is doing?' Well, what I hope I'm doing, and here's where
your English paper's got a point, is, I'm responding to the
will of the people. (laughter) People are gonna drink. You
know that, I know that. We all know that. And all I do is
act on that. And all this talk of bootlegging. What is bootlegging?
On the boat it's bootlegging, on Lake Shore Drive, it's hospitality.
I'm a businessman"
- Capone appeared flustered when the reporter insinuated
in a follow-up question that the gangster used violence to rule
his business, at the same time that Capone's barber slightly
nicked his cheek and drew blood. But Capone proceeded calmly to
explain:
- "I grew up in a tough neighborhood.
And we used to say: 'You can get further with a kind word
and a gun than you can with just a kind word.' And in that
neighborhood, it might've been true. And sometimes a reputation
follows you. There is violence in Chicago, of course, but not
by me and not by anybody I employ, and I'll tell ya why, because
it's not good business."
- a younger, less-experienced Treasury Department
agent law enforcer Eliot Ness (Kevin Costner) from Washington DC was assigned to Chicago
to end the reign of gangster terror; he was mentored by veteran,
older Irish street cop James Malone (Sean Connery), who was adamantly
opposed to rampant corruption in the police force
- during a private church conversation, Ness vowed that he would do "everything
within the law" to "get" the
notorious prohibition criminal Al Capone (Robert De Niro); the
wise old Malone challenged Ness by first asking a question
- and then he answered his own question by advising Ness to "be
prepared to go all the way":
- Malone - "You said you wanted to know how
to get Capone. Do you really want to get him? You see what I'm
saying? What are you prepared to do?....You wanna get Capone?
Here's how you get him. He pulls a knife, you pull a gun. He
sends one of yours to the hospital, you send one of his to the
morgue. That's the Chicago way! And that's how you get Capone.
Now do you want to do that? Are you ready to do that? I'm making
you a deal. Do you want this deal?"
Ness - "I have sworn to put this man away with any and all
legal means at my disposal, and I will do so."
Malone - "Well, the Lord hates a coward.
(He shook hands with Ness) Do you know what a blood oath is, Mr. Ness?...
Good, because you just took one"
Street Cop Malone (Sean Connery) Offering Advice
and a "Blood Oath" to Treasury Dept. Agent Eliot Ness (Kevin
Costner) About How to "Get" Capone
- to go after Capone, Ness and Malone recruited individuals
who were not yet corrupted by the ganglord's widespread influence:
- George Stone (Andy Garcia), an Italian-American
(nee Giuseppe Petri), a trustworthy, gunslinging rookie
- Oscar Wallace (Charles Martin Smith), a nebbish
accountant who was commissioned to investigate Capone's tax
evasion schemes
- after a successful raid of a Capone liquor warehouse,
the anti-Capone forces were dubbed "The Untouchables"
- during a board and dinner meeting held in a fancy
setting around a large circular table, Capone was asked about
his favorite "enthusiasms" that brought him joy - when
he mentioned a love for baseball, his guests applauded his choice;
as he wielded a baseball bat and circled the table,
he delivered an increasingly-menacing speech about his admiration
for the sport:
- "What draws my admiration? What is that which
gives me joy?...Baseball! A man... a man stands alone at the
plate. This is the time for what? For individual achievement.
There he stands alone. But in the field, what? Part of a team.
(Teamwork) Looks, throws, catches, hustles. Part of one
big team. Bats himself the live-long day, Babe Ruth, Ty Cobb,
and so on. (laughter) lf his team don't field, what is he?
You follow me? No one. Sunny day, the stands are full of fans.
What does he have to say? l'm goin' out there for myself.
But l get nowhere unless the team wins"
- as the group of hoods chanted: "Team, team,
team!", Capone violently and brutally bashed in the brains of one of his unsuspecting
cohorts with the bat; his victim was the manager of the liquor
warehouse; he hit him four times from behind; the man slumped
over dead onto the white tablecloth as blood drained from his head,
and the camera pulled back in an overhead shot
(l to r): George, Wallace, Captain, Ness
Counting to Three
Shooting a Dead Man's Brains Out
Malone's Trick Method to Scare a Resistant Capone
Informant Into Confessing
- after a shipment of liquor from Canada into the
US was intercepted, Ness attempted to have Capone's
captured bookkeeper George (Brad Sullivan) testify and admit to his
gangster-boss' proven, guilty involvement in payments through
entries in his ledger; Oscar Wallace, Malone, a Mountie Captain
(involved in the seizure) and Ness realized that they had the evidence
that they needed - if they could get George to squeal:
- - Oscar: "If
we can establish that any of these coded entries indicate payment
to Capone, then we can put Capone away."
- Ness (to George): "I want you to tell us which one of these
entries is Al Capone's"
- Oscar:
"A. Costa. Is that your code name for Al Capone?"
- Malone: "You're gonna do the whole thing in the joint unless
you help us here, pal, huh?"
- Ness: "I
want you to translate this ledger for us..."
- but the accountant refused to talk, and Malone
reacted by punching him in the face, out of frustration:
"We have to have that information, one way or another";
the beat cop Malone then demonstrated a ruthless and trick method
to get him to cooperate; he held up a dead man on
the porch that Ness had already shot (and pretended that he was
still alive) - and then he threatened: "I
need you to help me to translate this book!"; he placed a
gun in a dead man's mouth, and loudly counted to three to get a
confession before he blew the man's brains out
- George witnessed the horrifying event, believing
it was a cold-blooded murder; he immediately agreed to reveal everything: "I'm
gonna tell ya whatever ya want. What do ya wanna know?"; although
Malone's method worked, a Mountie Captain (Robert Swan) was disapproving:
"I do not approve of your methods"; Ness quipped back: "Yeah,
well, you're not from Chicago"
- in the immediate next scene, Capone was livid after
being informed that his entire shipment of liquor from Canada had
been impounded - he angrily pointed his finger and reprimanded
his henchman to find and kill Ness and his entire family, and burn down his house:
- "I want that son-of-a-bitch dead. I want him
dead....I want you to get this f--k where he breathes! I want
you to find this nancy-boy Eliot Ness, I want him DEAD! I want
his family DEAD! I want his house burnt to the GROUND! I wanna
go there in the middle of the night and I wanna PISS ON HIS
ASHES!'
- shortly later, it was announced that a subpoena
was issued for Alphonse Capone "for the crime of evading
and conspiring to evade Federal lncome Tax"
- following his rant, Capone's enforcer Frank Nitti
(Billy Drago) disguised himself as a policeman, and he murdered
crooked accountant George being escorted by Wallace in a police
station service elevator; Ness was further taunted with the word
"TOUCHABLE" that were scrawled in blood on the wall
- Ness directly confronted Capone who was surrounded
by his large entourage inside the Lexington Hotel (Capone's residence)
as he came down a grand stairway into the lobby; Ness reminded
Capone's bodyguard: ("My friend was killed today"), and
challenged Capone to a personal, one-on-one fist-fight:
- "Come on out here, Capone. You wanna fight? You wanna fight, you and me, right
here? That's it, come on! What's the matter? You afraid to come
out from behind your men? Are you afraid to stand up for yourself?"
- Malone arrived and intervened - and prevented a
major gun-battle in the lobby when everyone drew their guns; he
grabbed Ness and urged him to find a wiser way to fight as he backed
the two of them out of the hotel: "It's me. Not this way." Capone
continued to deprecate Ness' case against him with bravado as they
exited:
- "You f--k, you got nuthin'! You're nuthin' but
a lot of talk and a badge. You're here because
you got nuthin'. You got nuthin' in court, you don't got the bookkeeper, you've
got nuthing! Nuthing! And if you were a man, you would have
done it now. You don't got a thing, you punk"
- after the deaths of George and Wallace, Malone
realized that Police Chief Mike Dorsett (Richard Bradford) was
on Capone's payroll and had betrayed them; the case against Capone
was weakening (with their deaths), and the DA was threatening
to drop the case without a "witness" and without another
of Capone's bookkeepers Walter Payne (Jack Kehoe) present to testify;
a subpoena was issued for Payne, who made plans to escape town
- Malone pressured the corrupt Police Chief Dorsett
to reveal where Payne was hiding by threatening to expose him:
("l'm gonna rat you out for all the s--t l know that you've done
in your life! l'm gonna turn you over!"); Dorsett was unphased:
"This is a dead man talking to me, Jimmy...You're dead! (They fought)
Who the hell do you think you are? I'll have your ass hanging from
a flagpole in the morning!"; Malone acquired the upper-hand, by
groining him and holding him at gunpoint: "Let's cut the wolfing,
pal! You tell me, or you're going to the hospital or the f--king
morgue!"; Dorsett divulged the detailed plan to get Payne out of town by train
- shortly later, one of
Capone's Italian knife-wielding thugs entered into Malone's house
through a bathroom window (seen from the thug's POV as he stalked
Malone through the hallways); Malone confronted the intruder: ("Isn't
that just like a wop? Brings a knife to a gunfight") and held
him at bay with a shotgun as they exited the back-door, where Malone
had unfortunately been deliberately lured; he was ambushed by Nitti
repeatedly firing an automatic tommy gun at him from the dark shadows;
before Malone died, Ness and Stone were notified about Payne's
departure on a train to Miami on the Miami Flyer - (it was confirmed
with Malone:
"The bookkeeper, he's on this train?")
Runaway Baby Carriage in Union Station
(Chicago)
- the signature sequence in the film was a climactic,
fierce shoot-out scene in Chicago's Union Station - an homage or
tribute to the Odessa Steps sequence in The
Battleship Potemkin (1925) ; the T-men stood guard inside
the station, awaiting the arrival of Payne and his protective escorts;
Ness noticed a mother struggling with suitcases and a baby carriage
(with a baby inside) as she climbed to the top of a steep flight
of stairs; he aided the distressed mother just as Payne
was entering with Capone's men at about 12 midnight (acc. to a
large clock); Ness inadvertently nudged the carriage onto the stairs
and caused it to slowly pick up speed and then plummet down the
stairs, as the gunfight erupted; the mother cried out ("My
baby!"),
but Ness could only watch and continue firing on gang members as
the carriage careened downward; Ness followed the carriage downward
and continued to defend himself but ran out of bullets; Stone deftly
slid into the scene, stopped the runaway carrier, and threw a loaded
gun toward Ness, who finished off the rest of his attackers; only
one of Capone's men (and bookkeeper Payne) survived the carnage
- the remaining thug refused to turn over
Payne, using him as his hostage: ("The bookkeeper and
me are drivin' away. See? Or else he dies. He dies, and you ain't
got nothin'");
Payne pleaded for his life: ("He's crazy! Don't let him do
this, l'll tell you what you want to know!"); Stone shot the
mobster in the mouth, and Payne was apprehended
- during the subsequent trial of Capone, Ness realized
that Capone was acting unusually peaceful and calm, although Payne
was testifying against him: ("ln a three-year period, l personally
disbursed monies to Mr. Capone in excess of one and a third million
dollars"); and then Ness noticed that Capone's white-suited
enforcer Nitti in the courtroom was packing a pistol: (Ness quizzically
asked himself: "We're
nailing the lid on his coffin, and he's smiling"); although
Nitti was confronted by the Bailiff about carrying a weapon, he
produced proof that the Chicago Mayor William Hale Thompson had
issued him a permit to carry; Nitti had emptied his pockets during
a search, and Ness intuited that Nitti was Malone's killer - he
had in his possession a matchbook with Malone's scrawled address
- after Nitti shot the Bailiff, a chase ensued between
Ness and Nitti to the courthouse roof, where the gangster was forced
to surrender to Ness; he reminded the killer that he would be
punished for murdering Malone: ("They're gonna burn you, buddy....
Yeah. l'm gonna come see you burn, you son-of-a-bitch, 'cause you
killed my friend!");
Nitti disrespectfully mentioned how Malone had died: "Your
friend died screamin' like a stuck Irish pig," and gloated
about how he would 'beat the rap' and wouldn't be convicted of
the murders (of either Malone or Wallace); the vengeful Ness shouted
at the screaming Nitti as he pushed him off the roof and watched
him plummet to his death: "Did he sound anything like that?";
Nitti crashed through the roof of a car parked on the street
- back in the courtroom, Stone showed Ness a list
taken from Nitti's pocket, providing evidence of bribed jurors;
although the Judge was about to do nothing, Ness was able to successfully
convince the Judge to swap juries: ("I told him his name
was in the ledger, too" - actually a false claim), and have
Capone's case heard by another group of jurists called for a divorce
case; Capone's lawyer realized defeat and entered a 'guilty' plea
to tax evasion, although Capone objected by punching his own attorney;
as Ness left the courtroom, he approached toward Capone to remind
him: "Never stop fighting till the fight is done...Here endeth
the lesson"
An Astonished Capone Objecting To His Lawyer's Switched Plea to "Guilty"
Ness' Last Words in the Courtroom to Capone: "Never stop fighting till the fight
is done...Here endeth the lesson"
- the case against Capone led to a sentence of 11 years
in prison; as Ness was packing up and departing
from the police station to go home, he gave Malone's St. Jude's
medal to Stone: ("He'd have wanted a cop to have it"); in
the film's last amusing line of dialogue after Ness was asked
by a reporter: "They say they're going to repeal Prohibition.
What will you do then?" - Ness' reply: "I think I'll have a drink"
Title Card Prologue
Film's Opening: Capone Being Questioned by a Reporter in a Barber Shop
Capone: 'You can get further with a kind word and a gun than you can with just a kind word.'
Capone's Love of 'Baseball' Speech During a Dinner Event
Capone's Execution of an Unsuspecting Cohort With Blows From a Baseball Bat
Capone Was Angered at Ness for Intercepting His Liquor Shipment From
Canada: ("I
want that son-of-a-bitch dead. I want him dead")
Ness Bravely Challenging Capone to a Fistfight in the Lobby of the Lexington
Hotel, Capone's Residence
Malone Pulling Ness Away
Capone to Ness: "You got nuthin'!"
Menacing "Wop" in the Hallway of Malone's Home Threatening
with a Knife
Malone to Thug: "Isn't that just like a wop? Brings a knife to a gunfight"
Malone Mercilessly Shot with a Tommy Gun by Nitti in the Shadows
Lethally-Wounded Malone Dragging His Bloodied Body Back Inside
Chicago Train Station: Ness with Distressed Mother - At Top of Stairs,
Firing at Capone's Thugs
Ness Accidentally Setting in Motion the Baby Carriage Down the Stairs
On Courthouse Rooftop, Ness Promising to See Nitti Executed For the
Crimes of Murdering Malone and Wallace
Nitti 'Screaming Like a Pig' As He Fell to His Death After Being Pushed
From the Rooftop