The Uninvited (1944)
In director Lewis Allen's (and Paramount Pictures')
mysterious and atmospheric 'old dark house' ghost story, it was his
feature film debut. The spooky, eerie, unusual, and suspenseful ghost
story was advertised with the tagline, comparing it to the gothic
Hitchcock tale:
- "From the Most Popular
Mystery Romance since "Rebecca "!
It was one of the very first of Hollywood's ghost-story
horror films that wasn't a comedy, and actually featured real supernatural
ghosts. The tale was based on Irish writer Dorothy Macardle's 1941
novel "The Easy Freehold" (aka Uneasy Freehold), with a script by Dodie Smith and Frank Partos.
This compelling film was followed by the murder mystery sequel, The
Unseen (1945).
The film's mystery was essentially about the causes
of an unhappy childhood, a battle between two ghosts for the control
of a disturbed daughter, and the seeking of an answer to the crucial
question - why and how had a mother (now a haunting, 'uninvited'
ghost) died in the past - was it an accident, a suicide, or
a murder?
- the film opened in the spring of 1937, with a voice-over
introductory prologue narration (by John Kieran):
- "They call them 'the haunted shores' - these
stretches of Devonshire and Cornwall and Ireland, which rear
up against the westward ocean. Mists gather here, and sea fog,
and eerie stories. That's not because there are more ghosts
here than in other places, mind you. It's just that people
who live hereabouts are strangely aware of them. You see, day
and night, year in, year out, they listen to the pound and
stir of the waves. There's life and death in that restless
sound, and eternity too. If you listen to it long enough,
all your senses are sharpened. You come by strange instincts.
You get to recognize a peculiar cold which is the first
warning. A cold which is no mere matter of degrees Fahrenheit,
but a draining of warmth from the vital centers of the living.
Local people tell me they would have felt it, even outside
that locked door. We didn't. They can't understand why we didn't
know what it meant when our dog wouldn't go up those stairs.
Animals see the blasted things, it appears. Well, my sister
Pamela and I knew nothing about such matters, not then, we
didn't. We had the disadvantage of being Londoners, just
down for a fortnight's rest"
- on a two-week holiday from London, newspaper music
critic and composer Roderick ("Rick")
(Ray Milland) and his sister Pamela Fitzgerald (Ruth Hussey) were
hiking on the cliffs and came upon a "marvelous
old house!" - a cliff-side Gothic structure on the
southwestern English Cornish seacoast in Devonshire;
after their pet dog Bobby entered through a slightly-opened window
to chase a squirrel, the two entered the empty, abandoned manor just
outside the (fictional) town of Biddlecombe; Pamela suggested:
"Let's pretend we're buying it"; they found that one of the upper
rooms (a painter's studio) was locked, due to "family skeletons,
probably," Rick mused; Pamela impulsively proposed: "We're really
going to buy this house," and that they would move from their small
London flat to the seaside; the two imagined what they would do - live there permanently as their
main residence instead of using it as a second home on weekends
Pamela (Ruth Hussey) and Rick (Ray Milland) - Exploring
the Gothic House
- considering themselves "mildly interested" in the
property known as Windward House, they visited the Biddlecombe home of
Cmdr. Beech (Donald Crisp), who was selling the home; the commander
wasn't there, but they met 20 year-old Stella Meredith (Gail Russell), his maternal grand-daughter, who
claimed that the house wasn't for sale; however, they soon learned
directly from the Commander that it was being offered
for an unusually low price; Stella was against the sale of her mother's house to anyone, despite it being where
her mother died (when she was only three)
Stella Meredith (Gail Russell), the Commander's 20 Year-Old Maternal Grand-Daughter
Commander Beech (Donald Crisp), Stella's Grand-Father
The Commander's Troubled Grand-Daughter Stella,
Upset That the House Was Sold Off
- acc. to the Commander, Stella had lived in the
house until 3 years of age; Beech described how 20 years earlier
when the manor was being renovated, he had given the house to his
daughter Mary Meredith (Stella's mother) as a wedding gift
- the Commander accepted the Fitzgeralds' low offer
of 1,200ドル pounds to purchase the property; they learned from him (and later from other
locals) that the house had an unsavory reputation of possibly being
"haunted" - spread by "ugly stories"; while the
house was being prepared (cleaned and painted), Pamela would remain
in town while Rick returned to London to arrange to have their furniture
moved; although they had some hesitations about the house and its "ghost
business" after entering the locked artist's studio-room, the Fitzgeralds remained
expectant, and told themselves that they couldn't be scared or disturbed;
however, they were startled that their dog Bobby refused to venture upstairs
- Rick learned a little more information about the
manor's past history from the tobacconist proprietor
(Will Hardy) of a shop in town (while buying postcards of
the Windward Manor); the Commander's only daughter Mary Meredith had died there (Stella
was 3 years old at the time), when she mysteriously fell off the
cliff's edge; whether it was an accident, murder, or suicide was unclear
- outside the shop, Stella appeared, and apologized
for her behavior the previous day; she claimed her deceased mother
Mary had made her apologize, not her grand-father; she often thought
of her dead mother and spoke to her through a portrait - painted
by her artistic father Llewellyn; Rick began to show romantic
interest in Stella - he invited her to join him for an afternoon's
sail on a rented boat; when he became seasick and she wiped his
face, he noticed that her handkerchief had the scent of mimosa
on it; Stella explained that it was her mother's favorite perfume
- three weeks later, Rick returned with
their maid Lizzie Flynn (Barbara Everest) and they officially moved
in together with their two pets, Bobby and Lizzie's cat Whiskey,
although Bobby had wandered off; Whiskey also refused to venture
to the second floor
- Rick learned that Pamela hadn't seen Stella
since he had left; although she had been invited over for tea, she
was forbidden to visit by her grand-father, due to unpleasant past
memories of his own dead daughter; he gave the excuse that Stella
"wasn't strong enough to accept invitations"
- during their first night,
the Fitzgeralds experienced strange phenomena and disturbances
in the haunted house, especially in the upstairs: flickering candles, unexplainable
cold spots, and the sounds of a woman crying;
Pamela admitted she had heard the crying before; Rick was certain
it was explainable: "This business can be scientifically explained"
and stated: "I'm not the least rattled" - although he turned scared
when a door slammed shut by itself
- the next day, Rick discussed the house's uninvited
"haunting" and crying incident with the Commander, speculating
that it was possibly coming from the ghost
of the deceased Mary; partly insulted by the idea, the Commander
firmly stated that the noises had only "perfectly natural causes";
however, he then stated his reason to forbid the very 'delicate'
Stella from being invited to the Fitzgeralds: ("She's not strong
enough to make new friends"); and emphatically added:
- "Stella is not going inside that house!"
- he feared that the house might harm her (inferring that he actually did think
the place was haunted!); he had become convinced that Stella was
in danger if she ever entered the house, even though Stella
was often impulsively drawn to the house; he insisted that she be
obedient to his wishes - without further discussion:
- "I do not consider it suitable for you to
visit Windward House....I can't discuss the matter"
- Stella rebelliously refused to obey him: "I shall
go to Windward whenever I please"
- worried about Stella's impertinence, the Commander
conferred with the town's trained nurse Miss Holloway (Cornelia Otis Skinner), the
manager of the Mary Meredith Retreat, a rest home (or sanitarium)
for mentally disturbed female patients; she had been one of Mary's
close friends, and had a connection to the
past events of 17 years earlier; she seemed to have had a fanatical
devotion to Mary (the film's lesbian sub-text)
- the Commander expressed his concerns:
- "I believe a house can be filled with malignity.
Malignity directed against a certain child"
- Rick invited Stella for dinner at Windward House
the same evening - without her father's knowledge; Stella had memories
of her first three years of life in the home's nursery; she was
shown the artist's studio room, where she explained that her artistic
father Llewellyn often painted there - both portraits of her mother
Mary, and a portrait of "a foreign girl" - she happened to mention
doubts about her father: ("I suspect Father was a bit of a
bad hat") [Note: Later, it was confirmed that her father was a
womanizer, and was painting a second model, a Spanish gypsy
named Carmel Quesada.]
- in one of the film's eeriest sequences, as it
was getting dark in the studio room, Rick entertained Stella on
the piano with a serenade he had written titled: "To Stella, By
Starlight"; as he played, the tune became melancholy, the room
darkened, and the candelabra on the piano dimmed; the tune changed
Stella's mood and she trembled and blurted out:
- "I was wicked. How could I ever have
laughed in her house?...But she was so young, and she died so cruelly."
Stella Serenaded By Rick Playing the Piano
in the Studio
The Room Darkened and The Candelabra Dimmed
Stella Spooked in the Room by the Spirit of Her Mother
- semi-possessed, Stella fled from the house and
raced towards the cliff's-edge where her mother Mary had died,
rescued at the last minute by Rick; strangely, Stella had no idea
she was endangering herself: ("I hadn't any sense of danger at
all"); was her mother targeting her, frightening her and compelling
her to also die at the cliffside?
- as they returned to the house, they heard Lizzie
screaming out of her wits about having seen a female-shaped mist
("a ghost of a woman") at the door of the painter's studio; as
Lizzie was being attended to, moments later, Stella again entered
the ocean-view artist's studio where Rick found her unconscious
on the floor; after she gained consciousness, Stella reported that
she had turned chilly and fearful in the studio; the Fitzgeralds
consulted with a local doctor, Dr. Scott (Alan Napier) who arrived
to examine her; after she was sleeping peacefully, he told the
Fitzgeralds that he was taking care of their dog Bobby - who was
"the first to see the ghost" in the house
- through Dr. Scott, they learned more about the
rumored scandalous history of the home, and about how Mary had
possibly been murdered by her husband's model, a Spanish gypsy named
Carmel; in the twisting plot, it was learned that Stella's artistic, womanizing
father Llewellyn, although married to Mary, was in a loveless relationship
- he was having an extra-marital affair with Carmel, and often painted
Carmel's portrait in the painter's studio
- according to Dr. Scott, a week after Mary fell to her death to save Carmel
from suicide (after Llewelynn had "tired of her"), ironically,
Carmel also died in the house; it was also hinted that Mary's death
could possibly have been murder; however, since then, Mr. Meredith
took the secrets of the case with him to
his grave (he died three years previously)
- the threesome group stayed up through the night
until dawn, to listen for Mary's wailing, but there were other
further signs of haunting, including the smell of mimosas (associated
with Mary), and the momentary appearance of a "night-light"; they
also noticed Stella had awakened and disappeared; she was found
looking out the window, sensing the appearance of her ghostly
mother Mary; she also mentioned "something else" - a loving presence;
as Stella was to be escorted home, Rick told her that she couldn't return to the house; shortly
later, Rick and Pamela suspected that there might be two ghosts
in the house haunting Stella
- Rick visited Stella and proposed that she must never
visit Windward again; he would take her away to London and rent
an apartment for the two of them (with "no unseen, uninvited guests"),
and Windward would be torn down; Stella begged him to not tear
down the house (her mother's place), and instead permit her to
return:
- "You talk about destroying that house. You'd
be tearing me apart....You shan't make me forget her!"
- to discover the answer to the mystery of what ghost
was present and suffering in the house, and to set Stella's mind
at rest, Pamela proposed a seance, to convince Stella that the
spirit of her dead mother (Lynda Grey as ghost) didn't want her
in the house; the seance was prepared inside Windward with
a wine glass - it was used to send
messages and receive answers (YES or NO, or spelled out words with
a set of anagram letters); the initial messages received by the
ghostly Mary urged Stella to remain in contact with her at Windward;
a message came through to explain Mary's presence - it spelled
out: I - G - U - A - R - D - (to guard Stella from danger) -
C - A - R - M - E - L
- Stella entered a trance and began
speaking in Spanish - speaking with the voice of her mother;
the room also became infused with mimosa followed by intense cold,
the dimming of the candles, and the formation of a spectral shape;
the Commander barged into the house by breaking a window, to rescue
and take Stella away and end the session; Rick was now motivated
more than ever to find a cure for Stella:
- "Stella will never be well until this house
is cured. Somehow we're going to cure it."
- the Commander basically dismissed Dr. Scott as Stella's
physician, and called upon Miss Holloway to treat her; before Stella
was taken away to the sanitarium, the trained nurse Miss Holloway
arrived to speak to the Commander in his home
- she mentioned her close, unusual relationship to
the Commander's daughter Mary Meredith, portrayed in a portrait
dominating the room; the Commander mentioned how Stella had developed
a "childish fear" of Miss Holloway; the stern-faced manager of a
hospital/retreat center then claimed she could have taken over
Stella's mothering and cured her years earlier; the
intimidating and villainous Miss Holloway had been urging the Commander
to allow her to take charge of Stella in the retreat home/hospital
for years:
- "I could've cured it years ago if you'd let
me have her, as Mary would have wished me to...Mary was a goddess.
Her skin was radiant, and that bright, bright hair....The nights
we sat talking in front of that fireplace, planning our whole
lives. It wasn't flirtations and dresses we talked about. We
were no silly, giggling girls. We intended to conquer life."
Stella Recovering From the Seance in Her Grand-father's Home
Stella's New Caregiver - Miss Holloway Was Placed
in Charge of Her by the Cmdr.
Miss Holloway Sought Guidance From a Portrait of
Stella's Mother - Mary Meredith, in the Cmdr.'s Home
- after the Commander left the room, Miss Holloway
addressed Mary's portrait, promising to keep Windward's secrets
to herself:
- "So they're searching into the past. They shan't
ever find out, my darling. I promise you."
- the next day, the Fitzgerald's maid Lizzie related
what she had heard in town - both a "trained nurse" (Miss
Holloway) and a "terrified child" (Stella) were at the cliffside
when Mary Meredith fell to her death
- without knowing that Stella was in Miss Holloway's
charge and care, Rick and Pamela went to seek answers from Miss Holloway
at the hospital, who knew of Windward's deadly past history; she
extolled Mary as the "finest human being," but described the Spanish
gypsy Carmel as exhibiting "intensity of evil...crafty, cruel";
to end Mr. Meredith's affair with Carmel, Meredith decided to take
her to Paris to find work and lodging and leave her there; then,
the Merediths returned to London with "their baby" (young toddler
Stella)
- however, acc. to Miss Holloway,
Carmel returned - "She still wanted Mary's husband";
after Carmel was ordered to leave Windward by Mr. Meredith (actually
Mary had been the one), she considered killing both Mary and
her husband, but then:
- "A better plan flashed into
her wicked little brain. She went into the nursery, picked up
their baby, and raced to the cliff....Mary was after her
in a second, Meredith and I close behind. Carmel reached the
cliff by the dead tree. For a moment I saw them struggling,
then Carmel raised her arm and struck Mary down...Meredith went
down the cliff. Mary was dead when he reached her"
- Carmel ran off into a storm, but returned the next
day; under Miss Holloway's care: ("I fought for Carmel's life day
and night, hating her all the time!"), Carmel died of pneumonia
- after the Fitzgeralds left the facility, Miss Holloway
visited with her patient Stella, who felt that she didn't deserve
to be there; she felt imprisoned and treated as if she was insane,
when she was perfectly alright: ("My door's kept locked, and there's
a queer look in their eyes"); Stella asked: "Why do you hate me,
Miss Holloway?"
- as Pam and Rick drove off, Pam denounced the retreat
center as a "plain, old-fashioned lunatic asylum"; they both agreed
that Miss Holloway had attempted to lie to them that it was Mr.
Meredith who had ordered Carmel to leave; they asked themselves
why Miss Holloway idolized Mary so much:
- "Why should Miss Holloway want to turn her into a plaster saint?"
- afterwards, the two joined with Dr. Scott as he
searched through his predecessor Dr. Rudd's old journals; they
learned that Miss Holloway had deliberately allowed Carmel to die
(in a freezing cold room) at Windward due to criminal negligence,
to seek revenge for Mary's death; Dr. Scott was called to the Commander's
home - he was suffering from a serious, heart-related "episode"
- in the film's conclusion set inside Windward, the
house appeared to be filled with "wickedness"; the pages of Dr.
Rudd's journal began to turn by themselves, and the smell of mimosas
reappeared; Rick and Pam feared that Stella was in danger in Miss
Holloway's sanitarium and planned to rescue her and extract her;
however, at the same time, the crazed and irresponsible Miss Holloway
released Stella and sent her back to Windward and the Fitzgeralds
- hoping for disastrous results:
- "To the cliff, and the rocks
below the cliff...That's where Mary went. That's where she died."
- clearly, Miss Holloway had lost her mind; she spoke
to Mary's spirit, embodied in the portrait in her office:
- "I've done what she wanted at last. Haven't
I, Mary? It's all straight now. There are no frayed edges.
No loose ends. All straight. All smooth."
- Stella arrived at Windward and let herself in the
unlocked front door; Cmdr. Beech had already been lured to Windward
by one of Miss Holloway's associates; Miss Holloway was predicting
that both of them would perish together in the haunted house; Stella
found her ailing grandfather in the upstairs room; he worried for
her safety:
- "The danger is for you. Please get out of this
house now...Be afraid, for heaven's sake. When you were a little
child, after her death, the evils of this house reached out
for you. I took you away then. If I could only take you now"
- suddenly, the Commander suffered
a lethal heart attack after the shock of seeing the ghost of Mary
- as the Fitzgeralds and Dr. Scott drove up the house,
they heard screaming as Stella fled out the door and raced toward
the cliffside; fortunately, they were again able to save
Stella from throwing herself off the cliff
Stella Saved From Suicidally Falling Off the Cliff
- the secret to the mystery was revealed when Dr.
Scott read more of Dr. Rudd's journal; Carmel was revealed to be
Stella's actual birth mother; the pregnant Carmel was sent to
Paris while the pregnancy was kept quiet, and she was to remain
there permanently, while the Merediths presumably planned to adopt
the newly-born child back in England; the saintly Mary was unnaturally
fearful about having children, and had objected to motherhood herself
(probably due to the influence of Miss Holloway); however, Carmel
couldn't remain away from her adopted baby-child and returned to
England to be with the Merediths
- at this point, Stella realized that she was Carmel's
child - Stella was relieved to now know the truth about her real
mother:
- "Always there's been something fighting
in me, something that couldn't be calm and cold like Mary.
I can be myself now"
- Pam responded to Stella: "That's what she's
waited all these years to tell you"; Stella spoke to her 'mother's'
ghost (Carmel), and reconciled with her mother and her troublesome
past:
"Oh, Mother, now I know. She's happy now. The scent's gone.
She won't cry anymore. She's gone forever" - as she heard
Carmel's laughter (instead of tears), and the mimosa-scent disappeared
- it was clear that there were two ghosts that had
reappeared to haunt Windward:
- Carmel's ghost (Betty Farrington as ghost voice),
mimosa-scented
- Mary's ghost, angry and malevolent with "icy
rage"
- Rick figured out the mystery:
Mary had threatened Carmel to clear out and leave her baby behind,
but Mr. Meredith wouldn't allow it; to spite both of them, Mary
tried to kill baby Stella at the cliffside, but Mary was the
one to topple over the edge; the ghost of Carmel had been there to
protect and warn her daughter Stella and shield her from harm, and
the other one was of Mary who was there to seek vengeance
- the power of the ghost of Mary, who appeared on
the staircase, was neutralized when Rick confronted her, and threw
a candelabra at the spectral figure:
- "I should think you'll be on your way now,
Mary Meredith. We've had enough. We're not frightened of you anymore.
From now on, this house is for the living."
- Mary's haunting ghost disappeared (and with the
threat gone, Carmel had also vanished); a shaken but relieved Rick
gave Stella the humorous closing line regarding Mary:
- "Well, I've had a narrow escape.
She might have been my mother-in-law"
"The Haunted Shores" - The Cliffs and Waves in Devonshire,
England
The Old Gothic Manor, Windward House, For Sale on the Cliffside
Rick Sail-Boating With Stella - Beginnings of Romance
Maid Lizzie's Pet Whiskey (Cat) Refusing To Climb the Stairs to 2nd Floor
(l to r): Rick, Maid Lizzie, Pamela - Flickering Candles in the Drafty
House
In the Middle of the Night, Rick and Pamela Feared the House Was Haunted
Miss Holloway (Cornelia Otis Skinner) - Manager and Trained Nurse of
a Retreat Center For Troubled Females, One of Mary's Closest Friends
Stella in Her Father's Art-Studio in the House - Admitting to Rick That
Llewelynn Was a Womanizer ("Bad Hat")
Stella Racing From the Studio to the Cliff's Edge
Rick Saving Stella From Suicidally Killing Herself
Stella Led Back to the House
Moments Later, Stella Found Unconscious On the Floor of the Studio
Dr. Scott (Alan Napier) Explaining the House's Scandalous History to Rick and Pamela
The Seance to Communicate With the Spirit of Stella's Dead Mother
A Message Received From Mary -She Was There to Protect and "GUARD" Stella
from "CARMEL"
Stella in a Trance Speaking Spanish
Dr. Scott and Rick Worried About Stella's Sanity During the Seance
The Spectral Shape Forming At the End of the Seance
In Her Office, Miss Holloway Describing Her Account of the Murderous
Incident at Windward's Cliffside - Still Under Mary's Influence
Miss Holloway - Clearly Out of Her Mind, After Releasing Stella (And
Hoping That She'd Kill Herself)
The Commander and Stella Both Threatened by the Ghost of Mary In the
Haunted Windward House
Mary's Ghost Causing the Commander's Fatal Heart Attack
Film's Ending: Mary's Ghostly Phantom at the Top of the Stairs
in the House - Banished Forever by Rick!
Rick to Stella: "She Might Have Been My Mother-in-Law"