Terminator
2: Judgment Day (1991)
In director James Cameron's action-oriented sequel
- this was the follow-up film to his original
hit film
The Terminator (1984) :
- in a classic film entrance sequence via time-travel,
electrical arcs of blue-white light snapped and sparked behind
two parked tractor-trailers in an all-night truck stop; a global
or spherical time-machine delivered the figure of a naked man,
a Terminator (Arnold Schwarzenegger) - a replica of the Terminator
model T-800 from the original film - with a muscle-bound frame
and a perfect physique; he scanned his surroundings
without any emotion, and his computerized brain registered the
results of a digitized, electronic scan of the Harley-Davidson
motorcycles parked outside a bikers' hangout called The Corral
The Arrival of the T-800 Terminator (Arnold Schwarzenegger)
- in an
amusing scene, he calmly strolled stark-naked into the country-western
cafe to do further scans and make a MATCH for clothing, requesting
calmly from the bearded pool player: "I
need your clothes, your boots, and your motorcycle" before
assaulting him and other resistant bikers. He engaged in a brief
bar fight to obtain his needs
- in the next
scene, a direct cut, the Terminator was already outside - from a
boots-eye view. To the tune of George Thorogood's "Bad to the
Bone," the
camera panned up showing him fully dressed after 'borrowing' leather
clothes from a bruised biker; he snatched a
shotgun and sunglasses from another biker before cruising away
- there was a second, similar back-to-back entrance
of the T-800's android rival,
a second Terminator time traveler; it was a newer T-1000
model (Robert Patrick) sent from the future; a blue-white glare
and more crackling electrical arcs appeared in the air; a second, menacing,
lean naked cyborg appeared, and soon after attacked an investigating
policeman; h e then changed into the man's uniform
and sat in his squad car, searching on the computer for the object
of his mission - John Connor (Edward Furlong), living with his foster
parents in Reseda, California
- shortly later, in a suspenseful chase scene in the
LA storm drain channel, a mini-bike, a semi-tractor-trailer
big-rig cab and a Harley Davidson motorcycle raced against each other
- the film's innovative special effects were best demonstrated
by the single-minded T-1000 - a technologically
advanced cyborg made of "morphing"
liquid metal; he morphed into a black and white tiled floor)
during the exciting scene of the rescue of young John Connor's mother Sarah Connor (Linda Hamilton) from a mental institution
- the Terminator continually revealed his humorous
ability to pick up slang words and to feel some emotion:
- "Hasta
la vista, baby"
- "Chill
out, dickwad"
- "No problemo"
- Sarah continually had visions of an apocalyptic
"judgment day" that would occur in late August 1997 (in the
future); she experienced the fiery effects of a nuclear holocaust on
a children's playground, when white light ignited everything like match
heads as she saw her dream self burst into flames and her skin burned
away; her own figure exploded down to skeletal remains
Sarah's (Linda Hamilton) Vision and Depiction of Cataclysmic
Nuclear Apocalypse in Los Angeles
- in the laboratory showdown-standoff at Cyberdyne,
the Terminator held off hundreds of police officers while Dyson
met a heroic death by destroying the artifacts from the future
- the film included multiple battles between
the two killer cyborgs
- in the finale at the steel foundry, the T-1000
was blasted into melted liquid droplets as a liquid nitrogen truck
crashed and exploded; soon enough though, the T-1000 reconstituted
itself (in an astounding special F/X sequence) from the shattered
droplets; it stood up and emerged from the flaming wreckage
- soon after, the seemingly-indestructible opponent
android - T-1000 Terminator, finally was eliminated; the T-800 launched
a grenade
into the belly of the creature. It exploded and ripped
a gaping hole in the android, causing it to let out inhuman, screeching,
inside-out screams; losing its balance, it toppled over into the
molten steel vat where it flopped around in its death throes, transforming
itself into various mutations - Janelle (Jenette Goldstein) with
her blade arm, the hospital security guard, and the chrome motorcycle
cop; u nable to re-form itself in the extreme
temperature of the liquid steel, it finally dissipated and dissolved
into the fiery vat
- after defeating the shape-shifting, metallic T-1000
android, the lovable anti-hero - the Terminator
T-800 model decided to destroy his own
CPU: "There's one more chip. And it must be destroyed
also"; he explained to Sarah Connor: "I
cannot self-terminate. You must lower me into the steel";
he said goodbye to tearful surrogate son John Connor: "I
have to go away...I must go away, John...I'm sorry...It has to end
here...I know now why you cry, but it's something I can never do"; they
hugged each other, and the Terminator shook Sarah's hand and then
he stepped out onto the chainfall and told both of them: "Goodbye"; slowly,
the Terminator machine nobly and suicidally descended and sank into
the steaming hot molten steel for the good of humankind; his metal
hand was the last thing to disappear - it formed a "thumbs up" in
the final seconds; the Terminator's TermoVision
showed glitched read-outs and then collapsed to a bright red, solid
line that turned off like a television set - it signaled his technological
death
The T-800's Self-Sacrificing Death Scene with John
Connor
The T-800 Terminator (Arnold Schwarzenegger) Entering
a Bar and Borrowing Leather Jacket Motorcycle Apparel
The T-1000's (Robert Patrick) Arrival
The LA Storm Drain Channel Chase Sequence
The T-1000 (Robert Patrick) Morphing From the Floor
The Revival of the T-1000 After Being Blasted Into Droplets
Death of T-1000 in a Vat of Molten Steel in the Foundry