A Nightmare on Elm Street (1984)

A Nightmare on Elm Street (1984)

In writer/director Wes Craven's horrific teen slasher film, it told about a demonic, vengeance-crazed and sadistic dream-world character with a wicked sense of humor who terrorized teens in the small (fictional) suburban town of Springwood, OH (on Elm Street) while they slept. The fearsome, sexually-deviant, child murderer in the series of Nightmare Franchise Films who was causing "nightmares" was horribly scarred, disfigured and burn-faced Freddy Krueger (Robert Englund). He wore a striped, blood red/green sweater, with a brown fedora hat and had a metal or razor fingered-bladed-clawed or gloved right-hand.

[Note: Later in the film, it was revealed that years earlier, local child killer Freddy was the victim of vigilante justice, when angry parents in the community of Springwood, OH (after the killer was released from custody because of a minor legal technicality) burned the child murderer to death in a basement furnace or boiler room. The premise was that years later, the children of his persecutors (responsible for Krueger's death) -- grown-up teens Nancy, Tina, Rod, and Glen (Heather Langenkamp, Amanda Wyss, Nick Corri, and Johnny Depp) who were living on Elm Street, would experience the terrorizing nightmare of Freddy's returning presence if they fell asleep. Freddy would emerge from Hell to haunt them during their sleep.]

This 91 minute slasher film came late in the year 1984, after both other competing franchises Halloween and Friday the 13th had already been launched. This one featured a "dream world" hideously-grotesque child killer, very different from the hulking, mask-wearing Jason Voorhees (and his mother!), and the lunatic homicidal escapee Michael Myers. The body count in this film, all due to Krueger, was 4, during dream sequences.

Director Wes Craven - who had previously made two ultra-violent horror-revenge films -- the low-budget rape-revenge shocker The Last House on the Left (1972) (a re-tooling of Ingmar Bergman's The Virgin Spring (1960)) and The Hills Have Eyes (1977) made a name for himself with this more mainstream horror film. Craven's film was rejected by all the major studios - and ultimately became one of the earliest films of neophyte New Line Cinema, which went on to major studio status later in the decade. New Line became known as "The House That Freddy Built." With a production budget of 1ドル.8 million, this first film in the series did very well, with box-office gross receipts of 25ドル.6 million (domestic).

The films in the Nightmare on Elm Street series (through 2010) included nine films (one was a hybrid). Craven returned to direct the sequel Wes Craven's New Nightmare (1994), the 7th film in the series, with original star Heather Langenkamp, Craven himself, and Robert Englund all playing themselves. The series of nine A Nightmare on Elm Street films (from 1984-2010) films grossed 370ドル.5 million (domestic).

• during the film's title credits, disembodied hands of an anonymous individual were seen in a boiler room assembling a right-handed leather work-glove with sharp thin blades for fingers, using various crude metal-working tools and a welder; the figure placed his hand into the deadly claw-hand with four razor/talons for fingers - and then slashed through a canvas
• the unknown man entered into the nightmarish dream of 15 year-old Christina "Tina" Gray (Amanda Wyss) who was wearing a thin nightgown:
  • Tina was pursued down a dark concrete hallway with steam pipes emitting vapor and dripping water, and into an immense, echoing boiler room with pipes and catwalks; someone called out her name, "Tina" and cackled at her, as she was terrorized; the brown fedora-wearing individual with the bladed hand (seen in a shadowy silhouette) tore through some canvas near her and lunged at her, as she ran to an open furnace fire and screamed and was grabbed from behind

• suddenly, Tina woke upright in bed, realizing she had just experienced a nightmare; Tina's single mother (Donna Woodrum) entered her bedroom and asked if she was alright, and was told: "Just a dream, Ma," but her mother noticed that there were four vertical, scalpel-like lacerations (made from the man's gloved hand) in the front of Tina's nightgown near her chest: "You gotta cut your fingernails. You gotta stop that kind of dreaming. One or the other"; Tina grabbed the crucifix hanging above her bed and pressed it to herself
• in the next soft-focus segment, girls in white dresses were skipping rope and singing a haunting children's song:
  • "One, two, Freddy's coming for you, Three, four, Better lock your door, Five, Six, Grab your crucifix..."

• the next day at school, Tina arrived at school with her three high school friends: Nancy Thompson (Heather Langenkamp) - her letter-jacketed best friend, Glen Lantz (Johnny Depp) (in his feature film debut movie role) - Nancy's cute boyfriend, and Rod Lane (Nick Corri) - Tina's horny delinquent, musician boyfriend; Tina told them about her "worst nightmare"; Nancy admitted to having a bad dream also, and tried to reassure Tina: "Everyone has a bad dream once in a while. It's no biggy"; Glen hinted that when he had nightmares, he would tell himself that it was a bad dream and then he would wake right up
• that evening, Nancy and Glen had decided to stay over at Tina's house to keep her company, while her mother was out of town in Las Vegas for a few days with her boyfriend (Paul Grenier); Glen had fooled his mother into believing that he was staying at his cousin's house near the airport (by playing a sound-effects tape); Tina told how she kept "seeing that guy's weird face and hearing those fingernails"; Nancy was astonished - it was identical to her dream about a guy in a dirty red and green sweater with hand-made "finger-knives... made a horrible sound" Tina was startled: "You dreamed about the same creep I did." Glen interjected: "That's impossible"
• to scare his friends, Tina's boyfriend Rod made unusual scraping noises in the backyard ("There's something out there"), and then pounced out from hiding at Glen, bringing him to the ground; he had come "to make up" with Tina after another one of their minor squabbles; he had invited himself over to crash their "sleepover date"; he had used a small three-pronged garden hoe to scrape the side of the house, producing the screeching noise
• sensing that Tina's mother wasn't home, Rod told Nancy and Glen: "Me and Tina got stuff to discuss" - implying that they would go upstairs to have sex in her mother's bed; Tina asked for her friends to stay with her, although they would remain downstairs; Nancy told Glen when he began kissing her that they wouldn't have sex like the other couple: "Not now. We're here for Tina now, not ourselves"
• later than night at 2am, Glen was painfully forced to listen to the orgasmic love-making moaning and screaming of the couple upstairs, mumbling to himself: "Morality sucks," as he slept on the couch; post-coitus, slutty Tina told Rod (cleverly named): "I knew there was something about you I liked...Jungleman fix Jane...No more fights"; but Rod strangely admitted to having nightmares too: ("No more nightmares for either one of us")
• during the remainder of the night, odd occurrences happened; in Tina's bedroom where Nancy slept by herself, the wall above her bulged out like a stretched piece of elastic or plastic in the shape of a human face and pair of hands pressed against the surface from inside the wall; however, the face retracted and when she felt the wall, it had already been restored to normal
• meanwhile, as Tina slept next to Rod in her mother's bedroom, she experienced another horrific nightmare:
  • in the dream, she was awakened by the sound of a pebble repeatedly hitting the window pane, one of which cracked the glass; after hearing her name called, she asked: "Who do you think you are, whoever you are?"; Tina ventured out into the backyard, where she was summoned by a phantom voice and lured to a back alleyway - similar to the one in her nightmare; a metal garbage can lid rolled noisily in front of her, and she saw the shadowy silhouette of a laughing, sweatered, fedora-wearing man with elongated arms and a disfigured face; it was Freddy's first startling silhouetted appearance; he unnaturally spread his elongated arms wide to about 10 feet on both sides to scrape his right-hand fingernails -- razor-bladed -- on the alley wall, causing sparks; when she said: "Please, God," the stalker responded: "This is God!" while holding up his phallic-like steel-tipped hand
  • Tina ran screaming from the attacker as he pursued her -- impossibly leaping out in front of her; Tina fled back to her own backyard, where the figure emerged from behind a small tree, and told her: "Watch this" - he lopped off (or castrated) two of his left hand's fingers with his deadly right-hand taloned glove, causing yellow blood to spurt from the stumps in a symbolic sexual image; the disfigured man then lunged at her on her back porch, where she grabbed his hideously-scarred face, although it only slid off, revealing another deeper layer of bloody skull flesh and skeletal bone
• Rod awakened from the screams and the struggle going on under their bed-covers, as she grappled with her phantom-invisible attacker; Rod pulled off the blanket and sheet, but could only see Tina flailing about; he watched as her bare torso was bloodily slashed open with four long gashes from an invisible source - obviously the bladed glove; she was picked up into the air, thrown upside down against the wall, and dragged up to the ceiling feet-first - with blood smeared along her path, as she was slashed further and blood splattered around the room [Note: This scene paid homage to the revolving set in Royal Wedding (1951), with Fred Astaire.]

• in the middle of the ceiling, her body was suddenly released, and Tina flopped onto the bloodied bed and floor below - dead; her terrified screams and Rod's loud threat: "Who did this? I'll kill you!" woke up Nancy and Glen, who broke through the locked bedroom door and saw the grisly murder scene; confused and horrified, Rod had apparently jumped through the window and fled to escape, prompting Heather and Glen to think he had massacred her
• the murder was reported to police - and although a razor was suspected as a weapon, nothing was found at the scene; the victim's boyfriend Rod Lane was the prime suspect in the homicide, due to his prior history of arrests for brawling and drugs

• in his office, Lt. Donald Thompson (John Saxon) questioned his own daughter Nancy, who was living with his perpetually-drunk ex-wife Marge Thompson (Ronee Blakley); although "lunatic" Rod was the obvious murder suspect for having frequent fights with Tina, Thompson was angered by Nancy's behavior:
  • "But I'd sure would like to know what the hell you were doing shacking up with three other kids in the middle of the night -- especially a lunatic delinquent like Lane"
• Nancy affirmed that Lane wasn't the killer: "Their fights weren't that serious"; she then told how the murder was foretold by Tina: "She dreamed this was gonna happen...She had a nightmare that someone was trying to kill her. That's why we were there, Mom. She just didn't want to sleep alone"
• Nancy insisted on attending school the next morning, after a fitful night of sleep; as she walked to school (and noticed a man watching her - part of Lt. Thompson's stake-out), Rod grabbed her from behind, clamped his bloody hand over her mouth, and dragged her into some bushes; he wasn't there to hurt her, only to affirm his innocence: "I never touched her...There was somebody else there"; before he could explain further, Lt. Thompson held a gun on the young fugitive and arrested him, although Rod fled (barefooted), but was soon apprehended down the street; he yelled out: "I didn't kill her, Nancy"; she was offended that her father had used her to capture her friend, and walked off
• in Nancy's English class, the teacher (Lin Shaye) was lecturing about Shakespeare's Hamlet and another student read aloud from Julius Caesar in front of the class, while an exhausted Nancy nodded off - and the next sequence was her hallucinatory daydream - she was the next one to be terrorized:
  • Nancy imagined Tina speaking to her from inside a bloodied, zipped-up plastic body bag (looking like a condom) in the hallway just outside the classroom; then , Nancy saw a large pool of blood on the floor, and found Tina lying there in the body bag with a bloody, slimy smear marking where she had been dragged; the bag was suddenly and invisibly dragged away into an adjacent corridor, and as Nancy followed and ran around the hallway corner, she collided with a female student hall-guard (Leslie Hoffman); when scolded for not having a pass, Nancy replied: "Screw your pass!"
  • as Nancy ran past, the student hall-guard changed into the killer brandishing his razor-gloved hand, warning with a male voice: "Hey Nancy, no running in the hallway"; she continued down into the school basement, where Tina's red/green sweatered, hatted killer with a burned-melted face confronted her; when she asked: "Who are you?", he cut open his own chest with the blades - and yellow fluid with maggoty worms poured out; he also scraped his knives across some metal piping to scare her.
  • the killer chased after her and trapped her against a wall, and as she screamed: "It's only a dream!", he taunted back and beckoned: "Come to Freddy!" and wiggled his demonic tongue at her; as he reached out with the bladed gloved hand to kill her, she scalded her left forearm on a steam pipe
• Nancy awoke from her daydream - screaming in her English classroom; the disruption embarrassed the shaken Nancy in front of the other students, and she left to go straight home; she soon noticed a fresh and round, red burn mark on her arm; on her way home, she visited Rod in his jail cell, where he partially described the invisible killer who wrestled with Tina under the bedcovers, and cut her simultaneously with four razor blades as he watched: "It was as if there were four razors cutting at the same time, but invisible ones"; and then Rod mentioned that he could have saved Tina if he moved faster, but he thought he was in his own nightmare: "I thought it was just another nightmare, like the one I had the night before. There was this guy - he had knives for fingers"; this fearfully confirmed for Nancy that they had been haunted by the same figure and nightmare - and that Rod was innocent

• that night in Nancy's home, at the start of the film's most memorable and celebrated scene, Nancy was innocently singing the skipping rope song while taking a luxurious hot bubble bath; she became drowsy and fell asleep:
  • with her legs open, she was terrorized by the killer's clawed hand appearing and moving towards her crotch area; she was violently jerked, dragged and pulled under the water beneath the surface of the tub -- into a bottomless well or abyss below
  • in a panic, she flailed, gasped, choked and struggled back towards the surface, managing to break through with her hands by grasping the tub's edge; Nancy's mother heard her screams and came to the rescue by picking the door lock - and awakening her from a deadly fate, although Nancy claimed she had only slipped getting out of the tub
• before going to bed, sleep-fearing Nancy took some fast-acting StayAwake pills, and also watched TV (The Evil Dead (1981) ), when she was startled by Glen at her second-floor window; invited in, he was told all about her experiences of the day (her freakout and burn in English class), causing her to noticeably age; she looked in a mirror in vain disgust: "Oh, God, I look 20 years old"
• she asked Glen questions about dreams foretelling the future, or his belief in the Boogeyman, and then asked him for a favor to help her in an experiment; she told him: "I'm gonna go and look for somebody," while he would function as her alert guard
• the light was turned off and the picture faded to black -- the start of her dream - presumably?
  • Nancy left her home barefooted, in her nightclothes, checking once to make sure that Glen was watching out of sight behind a tree; she proceeded to the police station where she watched through a barred basement window as the scarred killer approached Rod's cell where he was sleeping on a cot; she turned and yelled for Glen, but there was no answer; she pounded on the window to alert Rod when the killer passed right through the bars of the cell; although the killer vanished, she turned and saw an apparition behind her -- it was Tina in the plastic body bag, with a large creepy insect crawling out of her mouth, and coiled eels oozing around her feet; Nancy kept yelling: "Glen, wake up! Are you there?"; the killer answered her: "I'm here," and lunged at her, and chased her back to her home
  • on her stairway, she couldn't easily climb because the steps had turned into a sticky, gluey, quicksand-like substance that held her back; behind her, the killer (wearing a Tina mask) broke through the tiny front door window, and in Tina's voice pleaded: "Nancy, help me, please! Save me from Freddy!"
  • back in her bedroom, Nancy saw Glen sleeping in an armchair next to her bed; he had fallen asleep while keeping watch to prevent her from having another nightmare; she insisted to herself: "This is just a dream. He isn't real," but the killer crashed through her mirror in a shower of splintered glass and pinned her to the bed; after wrestling with him, as he slashed at her, pillow feathers were sent flying; when the blades were about to rip open her face, her alarm clock that had been thrown to the floor loudly sounded -- and she and Glen were both awakened
• after her nightmarish experience, Nancy was furious at Glen for falling asleep in the chair next to her bed and not alerting her: "I just asked you to do one thing. Just stay awake and watch me -- Just wake me up if it looked like I was having a bad dream. And what did you do? You s--t! You fell asleep"
• after a short interruption by Nancy's mother worrying about her, Nancy and Glen rushed over to the police station (it was now 3 am); she was fearful from her premonition that Rod was going to be the killer's next victim, and she asked her father to check on him: "I just want to see if he's OK"; before they were allowed in, the nightmare that Rod was experiencing became real:
  • Rod's bedsheet snaked toward his throat and made a noose around his neck; the sheet was twisted and jerked tightly around his throat, as he was pulled off his cot, dragged backwards and hauled upright; he was strung up in the cell - and murdered; he hung from the bars of the window with a snapped neck when the sheet was powerfully wrenched
• the officers assumed that Rod's death was a self-inflicted suicide; after his gravesite funeral/memorial service, Nancy told her father: "The killer's still loose, you know"; he skeptically replied: "You saying somebody else killed Tina? Who?"; she described the phantom killer who used dreams to kill people:
  • "I don't know who he is. But he's burned, and he wears a weird hat, and a red and green sweater, really dirty, and he uses these knives like giant fingernails"
• after her vivid description of the killer, Lt. Thompson and Marge shared an unspoken, knowing look with each other
• Marge sought help for Nancy at a sleep clinic, the Katja Institute for the Study of Sleep Disorders; Nancy's sleep patterns were monitored with sensors and other instruments via a one-way mirror into her sleep chamber; Marge noted to the doctor that Nancy started experiencing disturbing nightmares after Tina's murder: "Now she thinks her dreams are real"; the doctor explained the substance of dreams: "Mysteries. Incredible body hocus-pocus. The truth is, we still don't know what they are or where they come from"
• during her monitored sleep study, Nancy drifted into deep sleep, with rapid eye movements (REMs) indicating that she was dreaming:
  • suddenly, the graphing needles indicated jarring and jagged movements, as Nancy's body contorted spasmically on the bed and she screamed in terror
• once awakened from her intense dream, Marge noticed a wide lock of gray-streaked hair on Nancy's head, and there was a deep and bloody gash on her left arm; beneath her covers was the killer's filthy Fedora, and when asked where it came from, Nancy replied: "I brought something out from my dream...I grabbed it off his head"; her mother stared back in horror
• in their kitchen the next day, Nancy (who hadn't slept all night) overheard her mother on the phone talking about the fedora - and then when questioned, her mother claimed she had thrown the "filthy thing" away: "I don't know where you really found it or what you're trying to prove"; Nancy still asserted that Rod didn't kill Tina and that he didn't hang himself; she asserted that someone was seeking revenge from beyond the grave to murder them: "It's this guy, he's after us in our dreams"
• to prove her claims to her denying mother, Nancy opened a kitchen drawer where her mother had stashed the fedora - and then claimed it was real and had a name written in it -- Fred Krueger; she demanded to know about the man and if her mother knew about him, although her persistently-lying mother only wanted Nancy to get some sleep to feel better; Finally, Marge divulged: "Fred Krueger can't come after you, Nancy -- he's dead!"; Nancy was furious with her betraying mother ("You knew about him all this time?") and smashed her bottle of gin on the floor; as Nancy left the house, Marge called after her: "Nancy, it's just a nightmare"
• while Nancy strolled through town with Glen, he told her that he had been studying about the Balinese way of dreaming, and how a dreamer could enter the magical dream world and acquire a song or poem: "They get all their art and literature from dreams. Just wake up and write it down. Dreamskills"; Nancy asked what happened if they met a monster in their dreams; Glen responded: "They turn their back on it. Take away its energy, and it disappears"; but he cautioned that if they didn't, the dreamer wouldn't wake up to tell what happened; Glen was surprised to see the survival techniques book that Nancy was reading - "BOOBY TRAPS & Improvised Anti-Personal Devices"
• when Nancy returned to her home that evening to 1428 Elm Street, every window and door was covered with newly-installed bars, and a wooden trellis was covered with prickly roses; her mother explained that it was for "security," and led Nancy to the cellar to further elucidate the truth about Fred Krueger - a terrorizing child killer:
  • "He was a filthy child murderer who killed at least twenty kids in the neighborhood, kids we all knew...It drove us crazy when we didn't know who it was -- but it was even worse after they caught him"
• Marge reached into the furnace behind her and removed a dirty sack, before continuing with her story about how Krueger was released on a legal technicality, but tracked down by parental vigilantism:
  • "All the lawyers got fat and the judge got famous, but somebody forgot to sign a search warrant in the right place and Krueger was free just like that....A bunch of us parents tracked him down after they let him out. We found him in an old abandoned boiler room where he used to take his kids...Took gasoline, poured it all around the place, and made a trail of it out the door. Then lit the whole thing up and watched it burn. But he can't get you now. He's dead, honey, because Mommy killed him"
• Marge unwrapped the dirty bundle, displaying Fred's glove and rusted blade knives that she had saved, and then she assured Nancy that she could now sleep, although she had avoided sleep for seven days
• Nancy phoned Glen, who lived across the street, to warn him about the demonic dream killer, predicting that they might be the next victims; she explained how the killer was taking revenge on the children - descendants of those in a lynch mob who had murdered him years earlier; she told him about her next plan: "Just give me some help nailing the guy when I bring him out...(of) my dream"; Glen expressed his love for Nancy although he thought she was "nutty as a fruitcake"; her simplistic idea was to grab the guy in her dream, and then have Glen wake her up during the struggle: "We both come out, you whack the f--ker, and we got him" - and then they could bash him with a baseball bat
• Nancy suggested meeting Glen on her porch at midnight to carry out her plan, and then sternly warned him to not fall asleep; that evening about 11:42 pm, Glen had dozed off (while listening to his headphones and watching TV), but was awakened by his concerned mother Mrs. Lantz (Sandy Lipton)
• although Nancy was also fighting off sleep at about 11:45 pm and her mother comforted her and urged her to sleep while vowing that "the nightmare's over," Nancy was uncertain; she was attempting to stay awake by taking more pills and drinking coffee (from a hidden coffee brewer in her room); a few minutes later at 11:50 pm, Nancy phoned Glen to keep him from falling asleep, but his over-protective parents (who had been keeping guard on their outdoor porch and suspected that she was a 'lunatic') answered the phone and forbid her to talk to their son, and then Mr. Lantz (Ed Call) took the phone off the hook
• in frustration because she couldn't reach Glen (who was dozing off on his bed), Nancy ripped her phone cord from the wall; then, during a mini-dream, she received a taunting phone call - although her phone was disconnected - from Krueger:
  • the killer transformed the mouthpiece of Nancy's phone into his own mouth, darting his long tongue out into the startled Nancy's mouth, as he triumphantly told her: "I'm your boyfriend, now!" - a premonition of her boyfriend Glen's retributive death
• Nancy stomped on the phone and then raced downstairs, fearing that Glen was about to die; she was prevented from leaving the house because her mother had locked all the doors and windows from the inside; her drunken mother was lying on the sofa and telling her: "Locked, locked, locked!"

• at midnight, Glen drifted off to sleep sprawled back fully-clothed on his bed with a blaring portable TV on his lap:
  • Freddy's clawed hand burst through a hole in the bed under him, and hungrily sucked, swallowed and pulled him through the bed cover down into the hole (along with the TV, stereo, bed covers, pillow, sheet, and headphones, etc.); in the liquifying death scene, Glen was reduced to a bloody geyser or column of his shredded remains that exploded (or was vomited) out of the vaginal-like hole and gushed toward the ceiling, drenching the room in his blood, and then dripping into the downstairs living room
• Glen's murder was reported to police, and Nancy sensed that Glen was gone when she heard the sirens; looking out of her window, she saw the flashing red lights of police cars and emergency vehicles across the street; she phoned her police-officer father at the scene and offered a proposition to him about capturing the killer - Fred Krueger:
  • "I'm gonna go and get the guy who did it. And I want you to be there to arrest him when I bring him out, OK?...Fred Krueger did it, Daddy. And only I can get him. It's my nightmare he comes to. Just come here and break the door down in exactly twenty minutes."
• Nancy had her father agree to break down her door at 12:30 am, allowing her enough time to fall asleep and find him; her father patronized her for the sake of calming his disturbed daughter, so that she would fall asleep; to be fully prepared to capture Freddy, the resourceful Nancy set up booby traps in her house:
  1. she filed a small hole in a lightbulb, wrapped wire around two thumb-tacks stuck inside the pinchers of a wooden clothespin, and then inserted a life-saver candy in the clothespin; then, she unspooled the wire across the downstairs living room floor to function as a trip-wire; she poured gunpowder into the small opening in the lightbulb and then screwed the lightbulb back into a floor lamp; if the wire was triggered as she expected, it would light up the bulb - and cause an explosion
  2. she installed a sliding bolt on the outside of her bedroom door, and propped up a heavy sledgehammer connected to another triggering mechanism outside her door
• Nancy said goodnight to her drunken mother (who vowed she had only wanted to "protect" her daughter by not telling her), and then prepared to fall asleep in her bedroom; she closed her eyes - and the screen went black (her dream state):
  • she descended her stairs and went into the cellar; she noticed that the bladed glove was no longer in the dirty sack bundle hidden in the furnace
  • she found another door that hadn't existed before, and climbed down its long staircase, deeper and deeper down a spiraling staircase toward Freddy's boiler room (with catwalks, ladders and steaming pipes with dripping water), where she heard Freddy's maniacal laugh: "I'm gonna get you!" Freddy was nowhere to be seen, but she found Glen's bloodied headphones
  • she cried out: "Come out and show yourself, you bastard!" - and he lunged at her; she ran, jumped in a free-falling swan dive, and fell into her own front-yard, again shouting, "Where are you, Krueger?" as her timer on her watch showed only 10 seconds until wake-up time
• Nancy's scheme succeeded when Freddy appeared in the real-world in the rose-trellis on the front yard, and she tackled him with a bear-hug to hold onto him; she awoke in her bedroom with her alarm sounding, wondering to herself: "I'm crazy after all..." - but then Freddy attacked her from behind; she fought him off, ran out into the hallway and locked her bedroom door from the outside, where she rigged one of her booby traps (her bedroom door bolt and the sledgehammer) - to delay and fend off Freddy; she called across the street from a second floor window to the cop posted to watch her house: "I've got him trapped. Help!", but the clueless officer responded simply that everything was under control
• she ran downstairs, and vainly continued to call for help across the street; she lured Krueger into the living room, where her second booby trap was activated; Freddy tripped the wire and the light exploded, sending him sprawling, as she continued to desperately call across the street through a downstairs window to help capture Freddy
• she fled into the cellar again, threw a jug of gasoline onto Freddy, and set him on fire; finally, she was able to alert her father, Lt. Thompson and other officers to cross the street, break through the front door, and assist; Nancy found Freddy's fiery footprints or footburns leading up the stairs to her mother's second floor bedroom, where the flaming Freddy had pinned Marge to the bed and was strangling her; to fight the flames and smother them, a blanket was tossed over them, but when removed, Freddy had disappeared, and nothing was left but Marge's blackened, half-skeletal corpse - it sank into the fluid-like mattress and vanished
• in a state of shock, Nancy spoke to her father: "Now do you believe me?"; she suggested that her father go downstairs while she was left alone in the bedroom; Freddy rose up from under the bedsheet and loomed over her - imprinting his face on the stretched sheet - and then burst out with his gloved hand; but she turned her back on him, unphased by his threat to kill her by explaining that he wasn't real; she calmly stated:
  • "I know you're there, Freddy...I know you too well now, Freddy...It's too late, Krueger. I know the secret now. This is just a dream. You're not alive. This whole thing is just a dream. (She turned toward him and spoke firmly) I want my mother and friends again. I take back every bit of energy I gave you. You're nothing. You're s--t"
• Nancy turned to leave the bedroom as he lunged at her to stab her, but her resolute lack of fear caused him to vanish and fade away; as she exited her mother's bedroom after vanquishing the demonic dream killer, she found herself outside her front door in the bright but diffuse morning fog

• in the film's ambiguous, tacked-on, twist-ending epilogue, it appeared that everything that had occurred earlier was a dream (now followed by another dream??); all of the teens were now alive; her cheery mother saw her off to school and vowed to stop drinking; Nancy (without any arm bruises) was picked up by her friends (Glen, Rod, and Tina), no longer deceased, in Glen's convertible in front of her house
• as the car roof tightly clamped shut over their heads, it revealed itself as red/green striped (the colors of Freddy's sweater); uncontrollably, the windows rolled up and the car drove off, with the frightened and kidnapped teens trapped inside
• oblivious to their entrapment, Marge waved goodbye, as the camera panned to the right where a group of white-dressed young girls were jumping rope and singing the Freddy rhyme; suddenly, Freddy's right arm smashed through the front door's small window and grabbed Marge - and pulled her entire body through the opening