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Forbidden Planet (1956)



Written by Tim Dirks

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Forbidden Planet (1956)

In director Fred Wilcox' influential, classic science-fiction space adventure with an all-electronic score, it was the first science-fiction film in color and CinemaScope. The landmark film was also a loose adaptation or reworking of Shakespeare's early 1600s play The Tempest, and inspired the look of many future films and works, notably providing a blueprint or template for TV's Star Trek by Gene Roddenberry (and Lost in Space), and influencing the Star Wars films by their creator George Lucas.

The plot depicted a space journey (of 378 days) in the year 2200 A.D. by astronauts on a flying saucer-shaped United Planets space cruiser C-57D to a distant planet-star named Altair-IV with green skies, sixteen light years from Earth. They intended to investigate the mysterious fate of a colony planted about 20 years before.

The lavish, dazzling and colorful film joined a number of other highly important films in the genre, including alien invasion films such as The Thing (From Another World) (1950), The Day the Earth Stood Still (1951), The War of the Worlds (1953), Them! (1954), and Invasion of the Body Snatchers (1956) .

Many reviewers have noted how the film was one of the first sci-fi films to work in subtle sexual innuendos and a Freudian subtext (with its three-part psyche composed of the ego, superego, and in the film the invisible animalistic Monster of the primordial Id) - a development that was the rage in the 1950s. It has often been psychoanalyzed as a dramatization of repressed sexual desires.

This film was the first sci-fi film of the prestigious MGM studios since The Mysterious Island (1929). Although the studio-bound film, exhibited in widescreen CinemaScope and Technicolor, was originally to be a cheaply-made B-film, the ambitious effort quickly ballooned its budget up to almost 2ドル million. Critics and audiences loved the film at the time, but it was only a modest financial success, and barely managed to break even. Its budget of 1ドル.9 million was minimally offset by its gross revenue of 2ドル.76 million. This film was obviously influenced by George Stevens' classic western Shane (1953), and in turn influenced Logan (2017), a spin-off from the X-Men series.

Robby the Robot

Dr. Edward Morbius (Walter Pidgeon)

(l to r): Adams, Ostrow, Farman

Robby Refusing to Fire
Morbius' 19 Year-Old Daughter Altaira

"What's a bathing suit?"

Nude? (not really) What was she wearing?

Kissing Comm. Adams

Adams' Laser-Blasting Altaira's Growling Tiger

Head-Set Device Attached to Krell's IQ Machine
Visualization of a Hologram of Altaira

Adam's Confrontation with Morbius, Who Eventually Admitted He was the Id Monster

Adams Forcing Morbius To Sit at His Brain-Boost Machine

Morbius: "Yes, I must be guilty"

Morbius' Attempt to Deny His Own Existence: "Stop. No further. I deny you, I give you up"

Morbius Collapsed to the Floor as He Died
The Departure of the Crew and The Destruction of the 'Forbidden Planet' of Altair-IV

Commander Adams (Leslie Nielsen)



The Flying Saucer Landing on Altair-IV

Arrival of Vehicle Driven by Robot


Dr. Morbius Introducing Daughter Altaira

Lt. Farman's Flirtations with Altaira

The Next Day's Kissing Scene Between Altaira and Lt. Farman



POV Tracking Shot of Unseen Force Entering Spaceship During First Nighttime Attack


Dr. Morbius: "This planet was the home of a mighty and noble race of beings which called themselves the Krell"




Morbius' Tour of the Underground Krell Labs

Shuttle Ride Deeper To the Giant Krell Vent System

The Underground Krell World

Two Screens Presented a Visual Representation of the Planet's "Harnessed Power"


Giant Footprints of an Invisible Creature During Second Night-time Attack

Morbius to Adams: "I warned you..."





The Third Nighttime Attack of the Id Monster


Morbius Awakening From His Horrible Dream That Created the Monster


"Doc" After Being Brain-Boosted - His Last Dying Words to Comm. Adams


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