Death in Venice (1971, It.)
(aka Morte a Venezia)
In director Luchino Visconti's stylistically lavish
adaptation of Thomas Mann's novel - a tale of sexual obsession by
a visiting composer in Venice (plagued by cholera):
- the beautifully shot, quiet and lonely death scene
of aging, avant-garde German composer Gustav von Aschenbach (Dirk
Bogarde) slumped feverishly on a solitary deck chair on a Venice
beach (accompanied by the Adagietto from Gustav Mahler's Fifth
Symphony) dying of heart failure (other causes could be cholera,
or suicide); he was reclining close to the
Grand Hôtel des Bains on the Lido where he was staying
- recently-applied dark hair dye dripped from his sweaty,
chalk-white face (from under his straw hat) and down his cheeks,
while he lovingly watched an angelic-looking teenaged Polish boy
named Tadzio (Bjorn Andresen) (also on vacation) and on the beach
wrestling with an Italian youth; he then observed Tadzio who waded
out into the water and pointed out toward the horizon of the pink-tinged
ocean - Gustav's expression mixed contentment, pain, and acceptance
as he reached out his hand toward the unattainable boy before his
death
- the last image was an extreme long-shot of his beach
chair on the large deserted stretch of sand when his body was found
by other hotel guests and carried away by workers
Teenaged Boy on Beach, Pointing
Gustav on Venice Beach Deck Chair
Final Long-Shot of Beach Chair with Deceased Gustav