Judging Criteria for Selection of Films and Songs:
A ballot was distributed in 2003 with 400
nominated films and songs to a jury of 1,500 leaders from the
film community, including film artists (directors, screenwriters, actors,
editors, composers, cinematographers, etc.) critics and historians.
Only songs from feature-length American films released before
January 1, 2003, were considered. [AFI defined an American film as an
English language film with significant creative and/or financial production
elements from the United States, and a feature-length film as a motion
picture of narrative format that is typically over 60 minutes in length.]
Voters could submit up to five write-in choices not included among the
400 nominees. The jurors were asked to consider the following criteria
in their selections of greatest songs:
- Song - Music and lyrics (that must be part
of the film) featured in an American film that set a tone of mood,
define character, advance plot and/or express the film's themes in
a manner that elevates the moving image art form. Songs may have been
written and/or recorded specifically for the film or previously written
and/or recorded and selected by the filmmaker to achieve the above
goals.
- Cultural Impact - Songs that have captured
the nation's heart, echoed beyond the walls of a movie theater and,
ultimately, stand in our collective memory for the film itself.
- Legacy - Songs that resonate across the century,
enriching America's film heritage and captivating artists and audiences
today.
NOT ELIGIBLE:
- Tunes with no lyrics --
"The Colonel Bogey March" from The
Bridge on the River Kwai (1957), and the themes from Gone
With the Wind (1939), Doctor Zhivago (1965), and The Godfather (1972) were not eligible.
- Film scores were not eligible.
- You would have thought that these well-known songs
(among many others) were ineligible because they were not sung
by the characters and only served as background music,
but a number of them were in the top 100:
"Mrs. Robinson" (# 6) in The Graduate (1967)
"My
Heart Will Go On" (#
14) in Titanic
(1997)
"Everybody's Talkin'" (# 22) in Midnight
Cowboy (1969)
"Raindrops Keep Fallin' On My Head" (# 23) in Butch
Cassidy And The Sundance Kid (1969)
"High
Noon (Do Not Forsake Me, Oh My Darlin)" (# 25) in High
Noon (1952)
"Unchained Melody" (# 27) in Ghost (1990)
"Born to Be Wild" (# 29) in Easy
Rider (1969)
"Wind Beneath My Wings" (# 44) in Beaches (1988)
"Goldfinger" (# 53) in Goldfinger
(1964)
"Gonna
Fly Now" (# 58) in Rocky (1976)
"Up
Where We Belong" (# 75) in An Officer And A Gentleman
(1982)
- "Laura" - the theme from
the Oscar-nominated drama of the same name Laura
(1944), "A Summer's Place" and [The Theme from]
"Picnic" were not eligible because the lyrics did
not appear in the film and were written for the song after the film's
release.
- For clarification's sake, a song need not have been written
especially for a movie to be eligible. Bob Seger's "Old Time
Rock and Roll" was eligible even though it was not written
specifically for the film Risky Business (1983).
Animated films (or puppet films, such as the Muppets)
with songs/dances, and dance sequences with memorable music,
such as the iconic Bee Gee's songs in Saturday Night Fever (1977)
and Flashdance - What A Feeling in Flashdance (1983) were
exceptions to the general rule.
4. "Moon River"
Breakfast at Tiffany's (1961)
Audrey Hepburn
5. "White Christmas"
Holiday Inn (1942)
Bing Crosby
8. "The Way We Were"
The Way We Were (1973)
Barbra Streisand
Facts (and
Commentary) About the 100 Greatest American Movie Songs:
Comparing Decades (descending order):
- The 1960s had 20 songs in the top 100
- The 1950s had 17 songs in the top 100
- The 1970s had 16 songs in the top 100
- The 1940s had 14 songs in the top 100
- The 1980s had 13 songs in the top 100
- The 1930s had 11 songs in the top 100
- The 1990s had 6 songs in the top 100
- The 2000s had 3 songs in the top 100
- There were no songs from the 1920s
The earliest song on the top 100 list was:
- "Isn't
It Romantic" from Love Me Tonight (1932) at # 73
The newest
songs on the top 100 list were:
- "All That Jazz" from Chicago
(2002) at # 98
- "Lose Yourself" from 8 Mile (2002) at
# 93
Two seasonal songs placed in the top 100:
Two counter-cultural films featured these
honored songs:
There were no Beatles songs among the nominees --
and obviously, in the winners list. Was this because the films were not
American-made and therefore ineligible?
Dubious 'winners' included:
- "Fight the Power" from Do the Right
Thing (1989) at
# 40
- "Ding Dong the Witch is Dead" from The
Wizard of Oz (1939) at # 82
- "Let
The River Run" from Working Girl (1988) at # 91
- "Lose Yourself" from 8 Mile (2002) at
# 93
"Puttin' On The Ritz" at # 89 was attributed
to Young
Frankenstein (1974), but was originally sung in Blue Skies
(1946).
Three musicals succeeded in having their three nominees
honored in the top 100:
Two unrelated versions of "New York, New York"
made the top 100:
- "Theme From New York, New York" from New
York, New York (1977) at # 31
- "New York, New York"
from On The Town (1949) at # 41
There were two Burt Bacharach compositions in the
top 100:
Two individuals were represented five
times on the list:
Four individuals were represented four times on the
list:
- Barbra Streisand:
"The Way We Were" from The Way We Were (1973) at
# 8
"Evergreen (Love Theme From A Star Is Born)" from A
Star is Born (1976) at # 16
"People" from Funny Girl (1968) at # 13
"Don't Rain On My Parade"
from Funny Girl (1968) at # 46
- Fred Astaire:
"Cheek to Cheek" from Top Hat (1935) at
# 15
"Let's Call The Whole Thing Off" from Shall We Dance
(1937) at # 34
"The Way You Look Tonight" from Swing
Time (1936) at # 43
"That's Entertainment" from The Band Wagon (1953) at
# 45
- Julie Andrews:
"The Sound of Music" from The Sound
Of Music (1965) at # 10
"Supercalifragilisticexpialidocious"
from Mary Poppins (1964) at # 36
"My Favorite Things" from The Sound
Of Music (1965) at # 64
"Do Re Mi"
from The Sound Of Music (1965) at
# 88
- Marni Nixon (dubbing):
Marilyn Monroe (partial), "Diamonds are a Girl's
Best Friend" from Gentlemen Prefer Blondes (1953) at
# 12
Audrey Hepburn, "I Could Have Danced All Night" from My
Fair Lady (1964) at # 17
Deborah Kerr, "Shall We Dance?" from The
King and I (1956) at # 54
Natalie Wood, "Tonight" from West
Side Story (1961) at # 59
There were three songs on the list sung by Bing
Crosby:
- "Holiday Inn" from
White Christmas (1942) at # 5
- "Swinging on a Star" from Going My
Way (1944) at
# 37
- "(We're Off on the) Road to Morocco" (with
Bob Hope) from
Road to Morocco (1942) at # 95
Popular title songs from many musicals or other films
failed to make the top 100:
- "Three Coins In The Fountain"
from Three Coins In The Fountain (1954)
- "Love Is A Many-Splendored
Thing" from Love Is A Many-Splendored Thing (1955)
- "An
Affair To Remember" from An Affair To Remember (1957)
- "Charade"
from Charade (1964)
- "Born Free"
from Born Free (1966)
- "Thoroughly Modern Millie"
from Thoroughly Modern Millie (1967), to name a few
Some song winners represented different genres of music:
- disco ("Stayin'
Alive" from Saturday Night Fever (1977) at # 9)
- rap ("Lose Yourself" from 8
Mile (2002) at # 93)
- rock 'n' roll ("Jailhouse Rock" from Jailhouse
Rock (1957) at # 21, "Rock Around the Clock" from
Blackboard Jungle (1955) at # 50, and "Old Time
Rock and Roll" from Risky Business (1983) at # 100)
Nominees from rock musicals that surprisingly didn't
make the top 100:
Songs from Frank Sinatra or from the documentary film Woodstock (1970)
did not make the cut to be in the top 100.
Twenty-nine of
the top 100 AFI picks won the Oscar for Best Song:
- "Over the Rainbow" from The
Wizard of Oz (1939) at # 1
- "Moon River" from Breakfast at Tiffany's
(1961) at # 4
- "White Christmas," Holiday Inn (1942) at # 5
- "When You Wish Upon a Star," Pinocchio
(1940) at # 7
- "The Way We Were," The Way We Were
(1973) at
# 8
- "My Heart Will Go On," Titanic (1997) at
# 14
- "Evergreen (Love Theme from A Star is Born)," A
Star Is Born (1976) at # 16
- "Raindrops Keep Fallin' on My Head," Butch
Cassidy and the Sundance Kid (1969) at # 23
- "High Noon (Do Not Forsake Me, Oh My Darlin)," High
Noon (1952) at # 25
- "Swinging on a Star," Going My Way
(1944) at
# 37
- "Theme from Shaft," Shaft (1971) at
# 38
- "Days of Wine and Roses," Days
of Wine and Roses (1962) at # 39
- "The Way You Look Tonight," Swing
Time (1936) at
# 43
- "Zip-a-Dee-Doo-Dah," Song of the South
(1946) at # 47
- "Whatever Will Be, Will Be (Que Sera, Sera)," The
Man Who Knew Too Much (1956) at # 48
- "Fame," Fame (1980) at # 51
- "Flashdance…What a Feeling," Flashdance
(1983) at # 55
- "The Windmills of Your Mind," The Thomas
Crown Affair (1968) at # 57
- "Beauty and the Beast," Beauty and
the Beast (1991) at # 62
- "Thanks for the Memory," The Big Broadcast
of 1938 (1938) at # 63
- "Streets of Philadelphia," Philadelphia
(1993) at # 68
- "Up Where We Belong," An Officer and
a Gentleman (1982) at # 75
- "The Shadow of Your Smile," The Sandpiper
(1965) at # 77
- "Arthur's Theme (Best That You Can Do)," Arthur
(1981) at # 79
- "I'm Easy," Nashville (1975) at
# 81
- "(I've Had) The Time of My Life," Dirty
Dancing (1987) at # 86
- "Buttons and Bows," The Paleface (1948) at
# 87
- "Let the River Run," Working Girl (1988) at
# 91
- "Lose Yourself," 8 Mile (2002) at
# 93
Winners included five Disney
animations:
- "When
You Wish Upon A Star" from Pinocchio
(1940) at # 7
- "Some Day My Prince Will Come"
from Snow White and the Seven Dwarfs
(1937) at # 19
- "Zip-a-Dee-Doo-Dah" from Song of the
South (1946) at # 47
- "Beauty And The Beast" from Beauty
and the Beast (1991) at # 62
- "Hakuna Matata" from The Lion
King (1994) at # 99
Other animation/live-action and puppetry winners included:
- "Supercalifragilisticexpialidocious" from the live-action/animated Mary Poppins (1964) at
# 36
- "Zip-A-Dee-Doo-Dah"
from Disney's live-action/animated Song of the South (1947) at
# 47
- puppetry in "Rainbow
Connection"
from The Muppet Movie (1979) at # 74
Although "That's Entertainment" from The
Band Wagon (1953) ranked at # 45, nominee "There's No Business
Like Show Business" from Annie Get Your Gun (1950) didn't
make the cut.
Other classic standard songs that were nominated
but didn't appear in the final list:
- "That Old Black Magic"
from Bus Stop (1956)
- "I've Got You Under My Skin"
from Born To Dance (1936)
- "Silver Bells" from The
Lemon Drop Kid (1951)
- "If I Loved You" and "You'll
Never Walk Alone" from Carousel (1956)
Other surprising omissions in the top 100 from the
400 nominees:
- "Lullaby of Broadway" from Gold Diggers
of 1935 (1935)
- "Boogie Woogie Bugle Boy of Company B" from Buck
Privates (1941)
- "High Hopes" from A Hole in the Head (1959)
- "Seventy-Six Trombones"
from The Music Man (1962)
- "Consider Yourself"
from Oliver! (1968)
- "Hello,
Dolly!" from Hello, Dolly! (1969)
- "The Candy Man" from Willy
Wonka & The Chocolate Factory (1971)
- "You Light Up My Life" from You Light
Up My Life (1977)
Twenty-two songs in the top 100 list were
from Broadway productions, many of which were merely adaptations from
their Broadway stage musical versions, such as:
One of the songs in the top 100 list was originally
from an opera:
- "Summertime" from Porgy and Bess, from Porgy and Bess (1959) at # 52