deconstruction

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Deconstruction

A process to carefully dismantle or remove usable materials from structures, as an alternative to demolition. It maximizes the recovery of valuable building materials for reuse and recycling and minimizes the amount of waste going to a landfill. Deconstruction options may include reusing the entire building by remodeling; moving the structure to a new location; or taking the building apart to reuse lumber, windows, doors, and other materials.
Illustrated Dictionary of Architecture Copyright © 2012, 2002, 1998 by The McGraw-Hill Companies, Inc. All rights reserved

deconstruction

a POSTSTRUCTURALIST intellectual movement particularly influential in France and the US since the late 1960s. The term is particularly associated with the work of the French philosopher Jacques DERRIDA who has developed powerful critiques, in particular of PHENOMENOLOGY, Saussurean linguistics, STRUCTURALISM and Lacanian psychoanalysis.

Derrida suggests that language is an unstable medium which cannot in any sense carry meaning or TRUTH directly He has drawn attention to the ways in which Western philosophies have been dependent on METAPHOR and figurative rhetoric to construct ‘origin’,‘essence’, or binary conceptual systems (e.g. nature/culture, masculine/feminine, rationalism/irrationalism) in which one term is constituted as the privileged norm setting up hierarchies of meaning which are then socially institutionalized. The project of deconstruction is to reveal the ambivalence of all TEXTS, which can only be understood in relation to other texts (intertextuality) and not in relation to any ‘literal meaning’ or normative truth.

By denying that we have any direct access to reality, unmediated by language, Derrida offers a critique of both POSITIVISM and phenomenology He also traces the extent to which Western linguistics and philosophy have been permeated by phonocentrism - the privileged notion of speech as the voice or ‘presence’ of consciousness – and by logocentrism – the belief that the Word of the transcendental signifier (e.g. God, the World Spirit) may provide a foundation for a whole system of thought. Clearly, for Derrida, any such transcendental origin or essence of meaning is sheer fiction. Further, he argues that social ideologies elevate particular terms (e.g. Freedom, Justice, Authority) to the status of the source from which all other meanings are derived. But the problem here is how any such term pre-exists other meanings through which its meaning is in practice constituted. Thus, any thought system which is dependent upon a first principle is, for Derrida, ‘metaphysical’.

In Derrida's view, then, LÉVI-STRAUSS consistently privileges a particular ethnocentric view of nature over culture; structuralism, generally, is dependent upon the project of constructing general laws based upon binary oppositions; LACAN (productively) sees the unconscious in terms of a language, but then falls into the trap of constituting the unconscious as the origin of‘truth’. Further, the relationship between deconstruction and MARXISM is a complex one. On the one hand Derrida has pointed to the extent to which Marxist theory has been dependent upon metaphor (e.g. base/superstructure) to erect a totalizing account of the world. On the other, he has, on occasion, declared himself to be a Marxist arguing that deconstruction is a political practice committed to uncovering false logics upon which social institutions maintain their power. While Derrida has continued to stress this progressive, radical critique, his work has been taken up by literary critics in the US in particular (the Yale School of Deconstructionists), stripped of its political force, and turned in a direction which focuses upon the ‘undecidability’ of meaning. Derrida himself has indicated the ways in which, ironically such strategies of deconstruction can ultimately operate in the service of dominant political and economic institutions.

Collins Dictionary of Sociology, 3rd ed. © HarperCollins Publishers 2000
References in periodicals archive ?
It is our contention that this hermeneutical logic shapes Gadamer's re-invocation of the polis; more specifically, it is the transcendental dynamic of this style of thought which offers a powerful response to deconstructive skepticism.
To sum up, Postmodernity, Ethics and the Novel is a sophisticated deconstructive study of the twentieth-century novel (with some backward glances to nineteenth-century examples of the genre).
Accounts consulted in this chapter include deconstructive theory, psychoanalysis, social psychology, deep ecology, and the New Age community of Findhorn.
Nevertheless, Bessiere is to be complimented for beginning to delineate the parameters of the modernist experiment from the deconstructive orientation.
Potentially deconstructive, audio technologies are shown by Kittler's media history to produce ever greater hegemonies--something that Kittler emphasizes by focusing on their development in relation to World Wars I and II.
Part 3, Organizational Analysis as Deconstructive Practice, argues that, in modernist theories of organization, the role of language in organization studies is highly neglected and misunderstood.
This return to history has of course informed the agenda of cultural historians, not least those trained to fetishize literary objects and those for whom the deconstructive turn is in fact grist to the mill, but it also allows Bowman to argue that 'those who read (...) any nineteenth-century novel which situates itself in the realist tradition (...) want to savor history, as well as romance, they want the reading of the novel to be somewhat similar to the experience of visiting a museum.'
A deconstructive and critical theory of men's studies should answer the charge of cultural imperialism.
Jackson's centripetal atomism, given a deconstructive thrust and with a New Historicist counter-current thrown in for good measure.
By setting Burke's empiricist theory of the sublime against Kant's idealism, Ferguson attempts to revalue the way in which post-structuralist and deconstructive theory has defined the realm of the aesthetic.

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