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==References==
==References==
*Carmer, Carl (1934). ''Stars Fell on Alabama.'' New York: The Literary Guild.
*Carmer, Carl (1934). ''Stars Fell on Alabama.'' New York: The Literary Guild.

==Further reading==

Ferrero, Pat, Elaine Hedges, and Julie Silber. ''Hearts and Hands: The Influence of Women & Quilts on American Society''. Rutledge Hill Press, Nashville, Tennessee, 1987.

Hedges, Elaine, Pat Ferrero, and Julie Silber. ''Hearts and Hands: Women, Quilts, and American Society''. Rutledge Hill Press, Nashville, Tennessee, 1996.

Kiracofe, Roderick, and Mary Elizabeth Johnson. ''The American Quilt: A History of Cloth and Comfort 1750-1950'', Clarkson N. Potter, Inc., New York, 1993.


==External links==
==External links==

Revision as of 17:01, 30 July 2008

Mrs. Bill Stagg of Pie Town, New Mexico with her embroidered patchwork quilt that displays all 48 (at the time) United States state flowers and birds, October 1940
Detail of a patch

A patchwork quilt is a quilt in which the top layer consists of pieces of fabric sewn together to form a design. The quilting design does not necessarily follow the patchwork design.

Originally, this was to make full use of left-over scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters. (A "fat quarter" is one square meter folded into four and cut along the folds, thus giving a square piece of fabric 50 cm on a side, as opposed to buying a quarter of a meter off the roll, resulting in a long thin piece that is only 25cm wide).

Designs can be geometric and formal or imaginative.

The quilt is formed of three layers: the patchwork, a layer of insulation wadding (batting) and a layer of backing material. These three layers are stitched together (i.e., quilted), either by hand or machine. The quilting can either outline the patchwork motifs, or be a completely independent design.

History

File:Little amsterdam.jpg
Little Amsterdam

Quilting was a very popular early American pastime, particularly in the Midwest, where quilting circles were a common social pastime for women. Annual town fairs generally included a quilting bee, to award excellence in quilting. Handmade quilts were a very common wedding gift for young couples, and were often mentioned specifically in wills due to their sentimental significance. It was not uncommon, in early American culture, for quilts to reflect a mosaic of a woman's life, often including swatches of material from memorable events such as pieces of a wedding gown or a child's baptismal garment. The Amish people are famous for their geometric patchwork designs with independent patterns and quilting; typical motifs include floral designs and heart shapes.The Amish and Mennonite women of the Pennsylvania Dutch country have been creating exquisite quilted masterpieces since the mid-1800s (and some believe even earlier). Amish quilts are an expression of frugality. They not only serve a practical, functional purpose, but serve as a form of entertainment as well.

In 1934, Carl Carmer published this list of quilt patterns mastered by "Mattie Sue" who was required by her parents in rural northeast Alabama to complete one hundred quilts before being married:

Garden of Eden Circle Saw Joseph's Coat
Star of Bethlehem Golden Gates Solomon's Crown
Tree of Paradise Solomon's Temple Art Square
The Cross Forbidden Fruit Tree Lady of the Lake
Wonder of the World Air Castle Wheel of Fortune
Love Rose Charm Friendship Quilt
Lover's Links True Lover's Knot Old Tippecanoe
Lincoln's Platform Wedding Knot Democrat Rose
Radical Rose Harrison's Rose Handy Andy
Hobson's Kiss Whig Rose Joseph's Necktie
Old Maid's Puzzle Widower's Choice Necktie
Churn Dash Baseball Ice Cream Bowl
Sugar Loaf Log Cabin Drunkard's Path
All Tangled Up Old Bachelor's Puzzle Hairpin Catcher
Hearts & Gizzards The Road to California Aunt Sulky's Patch
Crosses and Losses Tangled Garters Swinging Corners
Odds and Ends Bed Time Devil's Claws
Economy


In 1987 in San Francisco, the Names Project commenced as a memorial to the lives of people who died from AIDS and related diseases with quilt panels made by loved ones. Also known as the Aids Quilt, it grew to comprose many thousands of panels and spawned similar projects in countries around the globe. In later years, other subject- and event-specific community-based quilts have been created.

Colorwash quilting

This is a non-traditional method of quilting which uses small blocks of color to achieve the look of a watercolor painting. There is no fixed pattern. Fabrics are chosen for their hue and tone.

References

  • Carmer, Carl (1934). Stars Fell on Alabama. New York: The Literary Guild.

Further reading

Ferrero, Pat, Elaine Hedges, and Julie Silber. Hearts and Hands: The Influence of Women & Quilts on American Society. Rutledge Hill Press, Nashville, Tennessee, 1987.

Hedges, Elaine, Pat Ferrero, and Julie Silber. Hearts and Hands: Women, Quilts, and American Society. Rutledge Hill Press, Nashville, Tennessee, 1996.

Kiracofe, Roderick, and Mary Elizabeth Johnson. The American Quilt: A History of Cloth and Comfort 1750-1950, Clarkson N. Potter, Inc., New York, 1993.

Layered textiles and quilts
Quilting
Patchwork
Applique
History of quilting
Notable modern works
People
Organizations,
museums, and events

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