Lataif-e-Sitta

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Laṭāʾif (Arabic: اللطائف) are special organs of perception in Sufi spiritual psychology, subtle human capacities for experience or action. Depending on context, the laṭāʾif (plural) are also understood to be the qualities (or forms) of consciousness^[1] corresponding to those experiences or actions.

The underlying Arabic word laṭīfa (singular) means "subtlety" and the phrase laṭā’if-e-sitta means "six subtleties" (although the number of laṭāʾif can differ depending on the specific Sufi tradition).

When realized (or activated or awakened or illuminated (tajalli)),^[2] the laṭāʾif are understood to be part of Man's spiritual "Organ of Evolution",^[3] known as Qalb (Heart) (See Disambiguation: Qalb (Heart) or laṭīfa).

This integration of the laṭāʾif into Qalb is considered by some Sufi orders to be a central part of the comprehensive spiritual development that produces the Sufi ideal of a Complete Human Being (Al-Insān al-Kāmil).

Not all Sufi orders teach about the laṭā’if. Of those which do, descriptions and understandings can differ depending on the specific Sufi tradition and exponent representing it. Different systems iterate different numbers of centers, different colors, and different locations. There is no "more correct" system, and the student works with the framework given by their preceptor and transmitted down the particular lineage, since one of the purposes of the practices-of-the-Order is cultivating a deep attunement to the initiatic chain-of-transmission.

In addition, individual Sufi teachers (see Sheikh (Sufism)) sometimes understand aspects of laṭā’if theory and practice according to how the laṭāʾif have been uniquely revealed to them.^[4]

In general, there are at least three major historical understandings of the laṭāʾif:

• (13th century) The Kubrāwī order, described in the writings of Ala ud-Daula Simnani (1261–1336), views the laṭāʾif as potential psychospiritual organs/capacities that can be realized as progressive stages in those undergoing spiritual development;
• (17th century) The Mujaddidiyya branch of the Naqshbandi order, described in the writings of Ahmad Sirhindi (1564–1624), views the laṭāʾif as psychospiritual organs/capacities that are potential receptors of Divine energy^[4] when activated in those undergoing spiritual development;
• (20th century) The Punjab tradition within the Naqshbandi order, described in the writings of Ikbal Ali Shah (1894–1969) and Idries Shah (1924–1996), views the laṭāʾif as actual human psychospiritual organs/capacities that are implicit in everyday life and made explicit in those undergoing spiritual development.

According to the view of the Kubrawi Order there are seven laṭā’if. They are understood cosmologically as "descending" levels through which reality is created and structured.^{[5] [6]}

In the process of spiritual development, the individual Sufi is understood to "ascend" back through these levels progressively (see ontological Arcs of Descent and Ascent in Sufism).

The attainment of each level is a stage associated with the activation/realization of a corresponding spiritual organ/capacity, interpreted symbolically through Islamic cosmology and the prophets and messengers in Islam.^[7]

In ascending order they are:

• Laṭīfa Qalabīya (associated with an experience of the color black) represents the acquisition of a new organ, an embryonic subtle body. It is understood symbolically as "the Adam of one’s being", since Adam was the first human being.
• Laṭīfa Nafsīya (color blue) is an organ that corresponds to the animal soul and is a testing ground for struggle with desires and passions. It is understood symbolically as "the Noah of one’s being", since Noah faced the same situation in dealing with the hostility of his people.
• Laṭīfa Qalbīya (color red) is the organ that will develop to become the True Ego, the real personal individuality. It is understood symbolically as "the Abraham of one’s being", since the prophet Abraham historically represents the establishment of real religion.
• Laṭīfa Sirrīya (color white) is an organ of superconsciousness. It is understood symbolically as "the Moses of one’s being", since the prophet Moses participated in spiritual communication with God through this consciousness.
• Laṭīfa Ruḥīya (color yellow) is an organ through which an individual becomes capable of acting as vice-regent of God. It is understood symbolically as "the David of one’s being", since the prophet David fulfilled that role.
• Laṭīfa Khafīya (color black) is the subtle organ that receives spiritual inspiration. It is understood symbolically as "the Jesus of one’s being’, since the prophet Jesus was characteristic of such inspiration.
• Laṭīfa Ḥaqqīya (color green) is the subtle organ that is the final achievement of spiritual development: the True Ego. It is understood symbolically as "the Muḥammed of one’s being", since Muḥammed was the final prophet.

According to the view of the Mujaddidiyya branch of the Naqshbandi order there are five laṭāʾif.^[8] The reception of each laṭīfa’s "spiritual energy" from its corresponding cosmic realm is interpreted symbolically through the prophets and messengers in Islam, similar to the interpretation of the Kubrawi order:

• Qalb (color yellow; located below left breast) (Adam)
• Ruh (color red; located below right breast) (Abraham/Noah)
• Sirr (color white; located above left breast) (Moses)
• Khafi (color black; located above right breast) (Jesus)
• Ikhfa (color green; located at sternum) (Mohammed)

In this understanding, the laṭāʾif all have their physical association in the chest and so are said to be "of the Heart" (Qalb , the potential human "Organ of Evolution" (see: Disambiguation: Qalb (Heart) or Laṭīfa).

According to the Punjab tradition within the Naqshbandi order there are five laṭāʾif:^[2]

• Qalb (color yellow; experienced in left side of the body)
• Ruh (color red; experienced in right side of the body)
• Sirr (color white; experienced in solar plexus)
• Khafi (color black; experienced in forehead)
• Ikhfa (color green; experienced in center of chest)

In the view of Naqshbandi author Idries Shah (1924–1996), who emphasizes the modern-day psychological aspects of Sufism,^[9] the lataif are understood to be spiritual organs/capacities that also underlie ordinary forms of human consciousness.^[10]

As such, they are ordinarily only known indirectly through the equivalents (or their distortions) that they pattern on the conventional mental/emotional/somatic level of human experience.

Shah-inspired^[11] spiritual teacher Hameed Ali (A. H. Almaas) (1944–) understands some of these equivalents and conditioned distortions as follows:^[12]

• Qalb (Joy/Wanting)
• Ruh (Strength/Anger)
• Sirr (Will/Anxiety)
• Khafi (Peace & Intuition/Agitation)
• Ikhfa (Compassion/Hurt)

Latifa	Sufi Tradition	Color Association	Physical Association	Note
Qalb	Kubrawi (1)	Red	(?)	Kubrawi:[5]
Qalb	Naqshbandi (Mujaddidiyya) (1)	Yellow	below left breast	Mujaddidiyya:[13]
Qalb	Naqshbandi (Awaisi) (1)	Yellow	below left breast	Awaisi:[14]
Qalb	Naqshbandi (Punjab) (1)	Yellow	left side of body	Punjab:[2]
Qalb	Chisti (1)	Red	left breast
Qalb	Inayati (1)	Red	left breast	Inayati:[15]
Qalb	Khwajagan (1)	Red	left breast	Khwajagan:[16]
Qalb	Burhaniyya (1)	Yellow	below left breast	Burhaniyya:[17]
Ruh	Kubrawi (2)	Yellow	(?)
Ruh	Naqshbandi (Mujaddidiyya) (2)	Red	below right breast
Ruh	Naqshbandi (Awaisi) (2)	Red	below right breast
Ruh	Naqshbandi (Punjab) (2)	Red	right side of body
Ruh	Chisti (2)	Green	center of chest
Ruh	Inayati (2)	White	right breast
Ruh	Khwajagan (2)	Yellow	right breast
Ruh	Burhaniyya (2)	Red	below right breast
Sirr	Kubrawi (3)	White	(?)
Sirr	Naqshbandi (Mujaddidiyya) (3)	White	above left breast
Sirr	Naqshbandi (Awaisi) (3)	White	above left breast
Sirr	Naqshbandi (Punjab) (3)	White	solar plexus
Sirr	Chisti (3)	White	right breast
Sirr	Inayati (3)	Green	center of chest
Sirr	Khwajagan (3)	White	left breast
Sirr	Burhaniyya (3)	Green	center of chest
Khafi	Kubrawi (4)	Black/Green	(?)
Khafi	Naqshbandi (Mujaddidiyya) (4)	Black	above right breast
Khafi	Naqshbandi (Awaisi) (4)	Blue	above right breast
Khafi	Naqshbandi (Punjab) (4)	Black	forehead
Khafi	Chisti (4)	Indigo	forehead
Khafi	Inayati (4)	Indigo	forehead
Khafi	Khwajagan (4)	Green	right breast
Khafi	Burhaniyya (4)	White	forehead
Ikhfa	Naqshbandi (Mujaddidiyya) (5)	Green	sternum
Ikhfa	Naqshbandi (Awaisi) (5)	Green	sternum
Ikhfa	Naqshbandi (Punjab) (5)	Green	center of chest
Ikhfa	Chisti (5)	Black	top of head
Ikhfa	Inayati (5)	Black	top of head
Ikhfa	Khwajagan (5)	White	center of chest
Ikhfa	Burhaniyya (5)	Black	top of head
Nafs	Kubrawi (5)	Blue	(?)	see Disambiguation: Nafs (Egoic Self) or Laṭīfa
Nafs	Chisti (6)	Yellow	below navel	"
Nafs	Inayati (6)	Yellow	below navel	"
Nafs	Khwajagan (6)	Blue	forehead	"
Nafs	Naqshbandi (Awaisi) (6)	colorless	forehead	"
Qalab	Kubrawi (6)	Black	(?)	see Disambiguation: Qalab or Sultan al_Azkar
Qalab	Chisti (7)	Gray	floor of pelvis	"
Qalab	Naqshbandi (Awaisi) (7)	colorless	entire body	"
Haqq	Kubrawi (7)	Green	(?)

With rare exceptions, laṭāʾif are only experienced directly (and without distortion) in human beings who have undergone a spiritual evolution. The spiritual process of their full opening/activation/awakening/illumination consists of various methods, singly or in combination, such as:

• Dhikr ("remembrance"): the recitation of a Quranic phrase accompanied by certain postures, breathing, movement, and/or bodily attention ^[18]
• Muraqabah ("watching"): the focusing of awareness on the part of the body that is associated with a Laṭīfa to attract its corresponding divine energy^[19]
• Tawajjuh ("transmission"): the direct activation of a Laṭīfa by intentional interaction between teacher and student.^[20]

Just as interpretations of the laṭāʾif vary depending on different Sufi traditions and teachers, so does their activation. For example:

In the Kubrawi tradition, Sufi Ala ud-Daula Simnani (1261–1336) described a dhikr type practice that involved certain postures, the rotation of attention and breath to different parts of the physical body, and the recitation of a Quranic credal formula.^{[21] [22]}

In the Khwajagan tradition, Rif‘at Bey described a practice in which the name of Allah is imagined "written in letters of light" at the physical location associated with a laṭīfa and repeated silently until the color associated with it is seen surrounding the letters.^[16]

In the Mujaddidiyya tradition, the laṭāʾif are opened through practice one-by-one in "ascending" order, beginning with Qalb. Viewed as a progressive activation, each Laṭīfa (or progressive combination of laṭāʾif) is considered to be a level of spiritual realization.

The method of opening each laṭīfa typically begins with a direct transmission of Barakah (spiritual Presence) by teacher to student, and can also include physical touch (except for women) and the disclosure of a specific one of the Names of God in Islam associated with the Laṭīfa. The student then continues the practice by silent dhikr of the Divine Name, concentrating attention on the laṭīfa’s location; sometimes a visualization of the Name, the corresponding prophet, or the teacher is also added.^[23]

In the Awaisi tradition,^[24] the laṭāʾif are illuminated through a dhikr cycle that begins with Qalb and continues with the other six laṭāʾif in order. The student inhales vigorously into the Qalb(Heart) with a silent, attentive "Allah" and exhales out to the specific laṭāʾif with a silent, attentive "Hu". (See corresponding video in "External Link").

In the Punjab tradition, Idries Shah describes a type of muraqabah in which the student concentrates awareness on the part of the body that is associated with a laṭīfa.^[25] This tradition also employs various indirect methods, including psychological and somatic, which free the laṭāʾif by reducing the mental/emotive/somatic distortions that "veil" (see Hijab (Sufism)) their functioning.

Experiences of the laṭāʾif can be of (at least) two different types, singly or in combination:

• "Visual" experiences
• "Tactile" experiences

In Persian Sufi Illuminationism (see: Najm al-Din Kubra), all creation is a successive outflow from the original Supreme Light of Lights (Nur al-Anwar) (see: Nūr (Islam)). The cosmology of this tradition is a kind of Emanationism in which immaterial Light descends from the Light of Lights in ever-diminishing intensity. In other words, Creation at all levels of its existence—including that of the laṭāʾif—is made up of varying degrees of Light.

Accordingly, the experiences of the laṭāʾif are both an external "visual" experience of photisms ("acts of light") and a tactile inner feeling (dhawq), as described by Henry Corbin.^[26]

The laṭāʾif are experienced primarily as colors seen surrounding the name of Allah at the physical location associated with each laṭīfa, as described by Rifa‘t Bey.^[16]

The experiences of the laṭāʾif are primarily localized forms of an overall "tactile" spiritual Presence ("Hudur"^[27] ) in the body, as described (for example) by Hameed Ali.^[28]

Different Sufi traditions often have different "maps" of reality, some of which include the laṭāʾif and some of which do not. In addition, these maps often include features or terminology, some of which are more directly related to the laṭāʾif and some of which are less directly related.

The word laṭāʾif is the plural of the transliterated Arabic word laṭīfa that stems from the tripartite verb la-ṭa-fa, which means "to be subtle".^[29]

It assumed a spiritual meaning in the Qur’an where Al-Laṭīf is one of the 99 names of God in Islam, reflecting His subtle nature.^{[29] [30]}

And it was subsequently adopted by Sufism to refer to various forms of consciousness (see Disambiguation: Ten, five, or six laṭāʾif) that are not gross, material qualities of the physical world.^[31]

English language authors use three methods when referring to specific laṭā’if:

• a transliteration of the Arabic word associated with the laṭīfa
• a translation of the word's general Arabic meaning
• an interpretation of the experience that is the word's specific Sufi meaning.

Laleh Bahktiar^[5] uses both a transliteration and a translation:

• Laṭīfa ("Subtle Organ")
• Qalabiya ("Mold")
• Nafsiya ("Soul")
• Qalbiya ("Heart")
• Sirriya ("Secret")
• Ruhiya ("Spirit")
• Khafiya ("Inspiration")
• Haqqiya ("Seal")

Idries Shah also^[32] uses both a transliteration and a translation:

• Lataif ("special Organs of Perception" and "the Five Subtleties")
• Qalb ("Mind")
• Ruh ("Spirit")
• Sirr ("Consciousness")
• Khafi ("Intuition")
• Ikhfa ("Deep perception of Consciousness")

Hameed Ali^[33] uses a transliteration and an interpretation:

• Qalb ("Joy")
• Ruh ("Strength")
• Sirr ("Will")
• Khafi ("Peace" & "Intuition")
• Ikhfa ("Compassion")

In the version of Sufi cosmology proposed by Ahmad Sirhindi (1564–1624),^{[34] [35]} God created the universe in three stages:

• First came the "World of God's Command" (alam al-amr), which emerged instantly when God said, "Be!" The five subtle qualities (laṭāʾif) of God's Command were: Qalb, Ruh, Sirr, Khafi, and Ikhfa.
• Then came the "World of God's Creation" (alam al-khalq), which emerged through a process of evolution. The five subtle qualities (laṭāʾif) which patterned that Creation were: Consciousness (Nafs), Air (Baad), Fire (Nar), Water (Ma), and Earth (Khak).
• Finally, God created human beings, which combined the "World of God's Command" with the "World of God's Creation".

In this usage, then, there are ten laṭā’if in two categories:

• five relating to the "World of God’s Command" and
• five relating to the "World of God’s Creation".

In contrast, in most Sufi usages outside this cosmological one (including most of this webpage), there are either:

• five laṭāʾif (from the first category alone, the "World of God's Command") or
• six laṭāʾif (the five from the first category . . . plus Nafs from the second category, the "World of God's Creation") .

The Nafs in Sufism is considered to be a person's egoic consciousness^[36] or egoic "Self", the subtle (laṭīfa) quality of God's Creation that becomes individual and can undergo a spiritual development. This makes it unlike the five laṭā’if of God's Command, which are transcendent, unchanging qualities.

This egoic consciousness is said (by Idries Shah, for example^[37] ) to have seven stages of development, the primitive stages of which are considered to be a "barrier" or "veil" to full realization of the laṭā’if. In most Sufi traditions, accordingly, the progressive refinement of the Nafs through the seven stages is understood to facilitate the realization of the laṭā’if.

In the Naqshbandi tradition, however, it is the reverse: the progressive realization of the laṭāʾif is used to facilitate the refinement of the Nafs. This is why the Naqshbandi teaching method is famously known as "where others end, there marks our beginning" (indiraj al-nihayat fi’l-bidayat).^[38]

The word "Ruh" is used in Sufism in two different ways, on two different levels:

• "Ruh", as one of the laṭā’if described in the foregoing
• "Ruh" (Spirit), as the Divine Spirit or "essence" in human beings, created by God from his own Spirit.^[39]

The word "Qalb", like "Ruh", is used in Sufism in two different ways, on two different levels:

• "Qalb", as one of the laṭāʾif described in the foregoing
• "Qalb" (Heart), as the "Organ of Evolution" in human beings, the potential integration of Ruh (the Divine Spirit) and Nafs (the egoic Self).^[40]

The word "Sirr", like "Ruh" and "Qalb", is also used in Sufism in two different ways, on two different levels:

• "Sirr", as one of the laṭā’if described in the foregoing
• "Sirr" (Secret), as a super-conscious state of Qalb (Heart) or Ruh (Spirit) experienced as unity with God.^[41]

The laṭīfa named "Qalab" in the Kubrawi tradition is equivalent to the laṭīfa named "Sultan al-Azkar" ("King of Remembrance") in the Naqshbandi (Awaisi) tradition.^[42] Traditions that recognize this laṭīfa consider its realization to be the realization of a spiritual subtle body.

Some (like the Kubrawi) consider Qalab to be a first, preliminary realization of the subtle body and therefore the first laṭīfa to be emphasized in spiritual practise.

Other traditions (like the Awaisi) consider Sultan al_Azkar to be a final, comprehensive realization of that subtle body and therefore the final laṭīfa to be emphasized in practise.^[43]

In addition to the laṭāʾif, some^{[44] [45]} Sufi traditions also speak about two other categories of conscious experience that can arise during spiritual practice:

• "Hal" (State), is a temporary state of consciousness resulting from psychological or spiritual influences acting upon a student. They are considered to be gifts from God that arise in experience and then disappear immediately.
• "Maqam" (Station or Stage), is one of seven permanent stages of a Sufi's spiritual development/embodiment/transformation achieved by his own effort.

The number seven is used repeatedly in Islam and Sufism to organize concepts in various religious and spiritual categories. Sometimes the categories are legitimately inter-related and sometimes they are not.

For example, Seyyed Hossein Nasr (1933-), an Iranian-American scholar of Sufism, characterizes the Prophets associated with Ala ud-Daula Simnani's seven ontological levels of Sufi cosmology as corresponding to "states" and virtues that a Sufi can achieve.^[46] Since those seven levels are understood by Simnani to be laṭā’if, that would imply that the laṭā’if are "states". But there appears to be no consensus agreeing that the category laṭā’if is related to either of the categories Hal or Maqam.

The Divine Names of God in Islam are understood by Sufism to refer (in the great majority of cases) to the relational action, functioning, or appearance of transcendental Divine Attributes/Qualities in immanent, manifest reality.^[47]

The laṭāʾif, in contrast, while capable of being experienced indirectly through the somatic, emotional, and mental states they pattern in conventional experience, are primarily direct transcendental experiences of Divine Attributes themselves^[48] and not of functional relationships between the transcendent and the immanent.

In addition to Sufism itself, the laṭāʾif are also found in certain spiritual teachings whose founders have been influenced by Sufism.

The Fourth Way is an approach to human self-development introduced to Europe in the early 20th century by George Gurdjieff (1867-1949) and his student P.D. Ouspensky (1878-1947).

In this teaching, there are said to be multiple Centers (Fourth Way) within human beings that organise specific functions:

• Four "lower" centers (the Intellectual, Emotional, Moving, and Instinctive) are understood to operate explicitly in humans from birth.^[49]
• Two "higher" centers (the Higher Emotional and Higher Intellectual) are understood to operate implicitly in humans and can become explicit in those who undergo a spiritual development.^[50]

In this teaching, the qualities of the Higher Emotional Center are known as "Positive Emotions".^[51]

John G. Bennett (1897-1974), a contemporary student of both Ouspensky and Gurdjieff, researched the sources of Gurdjieff’s teaching and concluded that these Positive Emotions (also known as "sacred impulses") were identical with the laṭāʾif of Sufism.^[52]

Nevertheless, specific knowledge and realization of the Positive Emotions as laṭā’if are rarely emphasized in schools of the Fourth Way teaching today.

The Diamond Approach is a spiritual teaching developed by Hameed Ali (A. H. Almaas) (1944–) and Faisal Muqaddam (1946-) in the 1970s and forward.

Influenced by Naqshbandi Sufi Idries Shah, this teaching confirms the Naqshbandi (Punjab) understanding of five fundamental laṭāʾif and then expands it to include dozens of similar human capacities for which the more general term "Essential Aspects" is adopted.^[53]

Unlike the Gurdjieff/Ouspensky Fourth Way, the Diamond Approach uses various mental, emotive, and somatic methods for realizing the laṭāʾif, as a central part of its overall teaching and practice.^[54]

The spiritual experiences identified by Sufism as the laṭāʾif have their immediate historical antecedents in the Emanationism of Neoplatonism ^[55] (3rd century AD), which is known to have influenced the development of Sufism (see: Platonism in Islamic philosophy). The Emanations of Neoplatonism, in turn, arose from the Theory of forms of Plato (4th century BC).

The general concept of spiritual "subtle centers" originated within Persian Sufism: Junayd of Baghdad (835–910), al-Hallaj (858–922)^[56] , Al-Ghazali (1058–1111), and Shahab al-Din Abu Hafs Umar Suhrawardi (1145–1234).^[57]

Persian and Kubrawi Sufi Najm al-Din Razi (1177–1256) proposed five "inner means of perception" (Qalb, Ruh, Sirr, Khafi, and Ikhfa) that parallel the five outer senses of sight, hearing, smell, taste, and touch. It's unclear to commentators whether these inner senses were already understood as laṭāʾif at that time.^[58]

The earliest systematic formulation of the laṭāʾif is thought to be that of Persian/ Kubrawi Sufi Ala ud-Daula Simnani (1261–1336),^[7] who proposed seven laṭāʾif, relating them to the seven ontological levels of Sufi cosmology.^[59]

From the 17th to 19th centuries, the Indian Mujaddidis, beginning with Ahmad Sirhindi (1564–1624), returned to a standardized interpretation of five experiential laṭāʾif and associated their locations with parts of the physical body.^[60]

The Punjab tradition within the Naqshbandi in the late 19th and 20th centuries continued with five laṭā’if but identified the experience of their physical locations differently and viewed them as spiritual organs/capacities that also underlie ordinary forms of human consciousness.^[10]

It is thought by some^[61] that, just as with the nominal 99 Names of God in Islam and their underlying Divine Attributes,^[62] the number of laṭāʾif and their potential realization by humanity might actually be unlimited.

• Video: "Idries Shah — the Latifas" on YouTube; accessed December 8, 2023.
• Video: "Pir Zia Sufi Subtle Centers Lataif " on YouTube; accessed December 29, 2023.
• Video: "Awaisi Dhikr to Illuminate Lataif" on YouTube; accessed January 20, 2025.

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