Le Japon artistique, Artistic Japan, Japanischer Formenschatz, 1888-1891

書誌事項

Le Japon artistique, Artistic Japan, Japanischer Formenschatz, 1888-1891

(Western sources of Japanese art and Japonisme, ser. 8)

Edition Synapse, c2013

  • : set
  • v. 1
  • v. 2
  • v. 3
  • v. 4
  • v. 5
  • v. 6
  • 別冊解説
タイトル別名

芸術の日本 : 仏・英・独語版復刻集成 : 別冊解説

大学図書館所蔵 件 / 全60件

  • 愛知学院大学 図書館 情報センター 図

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  • 愛知大学 名古屋図書館 図

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    青山学院大学 図書館

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    秋田公立美術大学 附属図書館

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  • 追手門学院大学 附属図書館 図

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  • 桜美林大学 図書館

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    大阪芸術大学 図書館

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  • 大阪大学 附属図書館 総合図書館

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  • 大手前大学・大手前短期大学 図書館 図

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  • 岡山大学 附属図書館 附属図

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  • 金沢美術工芸大学 附属図書館

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    OPAC

  • 関西外国語大学 図書館 学術情報センター (御殿山)

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    関西大学 図書館 図

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    学習院大学 図書館 哲学

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  • 京都工芸繊維大学 附属図書館 図

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  • 京都女子大学 図書館 図

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    京都精華大学 情報館 図

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    OPAC

  • 京都橘大学 図書館

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    京都大学 人文科学研究所 図書室 本館

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  • 京都府立大学 附属図書館 図

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    京都府立大学 附属図書館 研究室

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    神戸女子大学 図書館 図

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  • 神戸大学 附属図書館 総合図書館 国際文化学図書館

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  • 国際日本文化研究センター

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    国士舘大学 鶴川図書館・情報メディアセンター 図

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  • 国立西洋美術館

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  • 国立歴史民俗博物館 図書室 書庫

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    駒沢女子大学 図書館

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  • 実践女子大学 図書館 図

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  • 実践女子大学 図書館 美研

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  • 女子美術大学 相模原図書館

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    椙山女学園大学 中央図書館 図

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    西南学院大学 図書館 図

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  • 専修大学 図書館 図

    v. 120624978, v. 220624979, v. 320624980, v. 420624981, v. 520624982, v. 620624983

  • 大東文化大学 60周年記念図書館

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  • 中央大学 中央図書館 政策

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    筑波大学 附属図書館 体育・芸術図書館

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    帝京大学 図書館

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    東京芸術大学 附属図書館 図

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  • 東京国立近代美術館

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  • 東京女子大学 図書館

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  • 東京大学 駒場図書館 駒場図

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  • 東京大学 総合図書館

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  • 東北大学 附属図書館 本館

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  • 東洋大学 附属図書館

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  • 富山大学 附属図書館 図

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  • 独立行政法人 国際交流基金 関西国際センター 図書館

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    名古屋市立大学 総合情報センター 山の畑分館

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    名古屋大学 附属図書館 中央図4F

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    日本女子大学 図書館 研究室

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    日本大学 芸術学部図書館 (江古田) 図

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  • 花園大学 情報センター(図書館)

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    広島市立大学 附属図書館

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    フェリス女学院大学 附属図書館

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  • 福岡大学 図書館

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  • 藤女子大学 図書館

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    宮崎大学 附属図書館 図

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    武蔵大学 図書館

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    明治大学 図書館 和

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    龍谷大学 瀬田図書館 図

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この図書・雑誌をさがす

注記

Volumes of Artistic Japan, illustrations and essays & Japanischer Formenschatz contain text pages only

Suppl. in Japanese

"ジャポニスムの系譜第8回配本 芸術の日本 仏・英・独語版復刻集成"--Suppl

収録内容

  • v. 1. Le Japon artistique : documents d'art et d'industrie, no. 1-12
  • v. 2. Artistic Japan, illustrations and essays, no. 1-12
  • Japanischer Formenschatz, no. 1-12
  • v. 3. Le Japon artistique : documents d'art et d'industrie, no. 13-24
  • v. 4. Artistic Japan, illustrations and essays, no. 13-24
  • Japanischer Formenschatz, no. 13-24
  • v. 5. Le Japon artistique : documents d'art et d'industrie, no. 25-36
  • v. 6. Artistic Japan, illustrations and essays, no. 25-36
  • Japanischer Formenschatz, no. 25-36
  • 別冊解説. 『芸術の日本』--新たなパラダイムの誕生 / 馬渕明子解説

内容説明・目次

内容説明

This is the eighth part of a successful series which provides art historians and students with primary-source materials relating to the Western reception of Japanese arts from the late nineteenth to the early twentieth century. It is now common knowledge that art collectors in Europe around the end of the nineteenth century played a very important role in the development of Japanese influence on Western art, in particular on the Impressionists who became acquainted with Ukiyoe by Hokusai, or other Japanese artefacts, many of which were imported from Japan by art dealers for their clients in Europe. The figure who played the most important role in such a European art community is Siegfried Bing (known simply as S. Bing), a German art dealer who relocated to Paris in the mid-nineteenth century. He imported and introduced Japanese art and later opened the now famous gallery, the Maison de l'Art Nouveau, which showed works of artists of what would become known as the Art Nouveau style. In 1888, he launched a monthly magazine on Japanese art and culture simultaneously in three languages editions (French, English and German) and published 36 issues over three years (in total of 108 issues in different editions). Each issue has a beautifully decorated cover and approx. ten full colour plates of Japanese prints and other Japanese art and numerous illustrations in black and white. The leading art critics and specialists on Japanese art contributed articles which covered a wide variety of arts, including craft works, architecture and theatre. The publication was achieved by many collaborators in different countries including Antotin Proust, Edmond Goncourt, Tadamasa Hayashi, William Anderson, Paul Manz, Roger Marx etc. This fascimile edition is the first complete reproduction of all issues of all three editions (in a slightly reduced format) with all covers and plates. Although there are academic and art libraries which hold the back issues of this most important document of the history of Japanese art, the majority of such collections lack some editions or some plates or jacket.

目次

6 volumes (210x297 mm), c. 2,010pp. (including many illus. b/w & foldouts + c. 390 plates in full colour.

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