- 巻冊次
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: cloth ISBN 9780252031540
内容説明
In this concise study, Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara's oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as "Bad Lieutenant" express this evil through visionary characters struggling against the inadmissible (inadmissible behaviour, morality, images, and narratives).
- 巻冊次
-
: pbk ISBN 9780252074110
内容説明
Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara's oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).
目次
Acknowledgments | xi
A CINEMA OF NEGATION | 1
Some Ethical Stakes in Ferrara's Cinema 1
What Is Passion? Central Figures of Hypermorality 22
"Going to the End of Being" 68
Self-Consciousness: The Visionaries 110
Cinema and Symbolic Reparation 150
INTERVIEW: ABEL FERRARA | 165
Filmography | 173
Bibliography | 193
Index | 199
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