内容説明
The so-called Flemish Primitives, a group of 15th-century painters from the Burgundian Netherlands, acquired their name in the 19th century. Among them were world-famous artists such as Rogier van der Weyden, Hans Memling, the brothers Van Eyck, and Hugo van der Goes. Their masterpieces, oil paintings minutely detailed in luminous colour, are a high point of Western European art, which, together with the Italian Renaissance paintings, laid foundations for modern art. This scholarly in-depth analysis focuses on the artistic, religious and social significance of their art, as well as how the paintings themselves were collected, evaluated and studied over the centuries.[-][-] [-][-]'"the clearly written essays address crucial and current issues" "this is an efficient and essential study that seeks to integrate the form, content, and function of these paintings" "highly recommended" - American Library Association[-][-] [-][-][-]"written by a truly all-star cast of authors" "this book is both authoritative and readable, concise yet engaged with the essentials: artists, works, history of interpretation, and current methodologies. It should make for a splendid teaching tool" - The Art Book [-]
目次
Table of Contents - 7[-]General Introduction - 9[-]1 Objects and Questions (Bernhard Ridderbos) - 15[-]2 Collecting Early Netherlandish Paintings in Europe and the United States (Till-Holger Borchert) - 184[-]3 From Waagen to Friedl nder (Bernhard Ridderbos) - 229[-]4 Realism, Renaissance and Nationalism (Wessel Krul) - 263[-]5 Technical Examination (Jeltje Dijkstra) - 303[-]6 The Corpus of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Li ge (Henri Pauwels) - 341[-]7 Patronage (Maximiliaan P.J. Martens) - 356[-]8 Iconography and Iconology (Craig Harbison) - 389[-]Notes - 418[-]Bibliography - 450[-]Illustration Credits - 480[-]Index - 486
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