Sexual politics and narrative film : Hollywood and beyond

書誌事項

Sexual politics and narrative film : Hollywood and beyond

Robin Wood

(Film and culture)

Columbia University Press, c1998

  • : cloth
  • : paper
タイトル別名

Sexual politics & narrative film

大学図書館所蔵 件 / 18

この図書・雑誌をさがす

注記

Includes index

内容説明・目次

巻冊次

: cloth ISBN 9780231076043

内容説明

This is an examination of the relationship between narrative style and sexual politics. The book probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love and representations of women, race and gender in contemporary films from the United States, Europe and Japan. Looking closely at the work of Leo McCarey and Jacques Rivette, and generation X films such as "Before Sunrise", Wood finds that what is most important is not these films' record of another time and place, but the light they can throw on contemporary cultural situations. Wood's central concern is the ways in which films relate to sexual politics and the organization within our culture of gender and sexuality.
巻冊次

: paper ISBN 9780231076050

内容説明

One of the most distinctive voices in film criticism explores relationships between narrative style and sexual politics. Robin Wood, well known for his books Hollywood from Vietnam to Reagan and Hitchcock's Films Revisited, probes the political and sexual ramifications of fascism and cinema, marriage and the couple, romantic love, and representations of women, race, and gender in contemporary films from the United States, Europe, and Japan. He looks closely at the works of Leo McCarey and Jacques Rivette, Ozu's "Noriko Trilogy," and the recent Generation X films Before Sunrise and The Doom Generation. In a chapter on fascism and cinema that juxtaposes Leni Riefenstahl's Triumph of the Will and Alain Resnais's Night and Fog, Wood finds that what is most important is not these films' record of another time and place but "the light they can throw on our contemporary cultural situation." Wood's central concern in these chapters is the ways in which the films relate to sexual politics and the organization within our culture of gender and sexuality. Seeing humanity as a "battleground" of a struggle between forces for Life and those of Death, Wood holds out hope for a joining of the forces of feminism, antiracism, lesbian and gay rights, and environmentalism necessary for authentic movement toward liberation.

目次

I. Introductory 1. Introduction 2. Facisim/Cinema II. Marriage and the Couple 3. The Couple and the Other 4. Renoir and Mozart 5. Resistance to Definition: Ozu's "Noriko" Trilogy III. The Family 6. Leo McCarey and "Family Values" 7. Family Loyalties IV. Romantic Love 8. The Two Gaslights 9. Letter from an Unknown Woman: The Double Narrative V. Women-Oppression and Transgression 10. Three Films of Mizoguchi: Questions of Style and Identification 11. Persona Revisited VI. Race and Gender 12. Mandingo: The Vindication of an Abused Masterpiece VII. Toward Liberation 13. Narrative Pleasure: Two Films by Jacques Rivette 14. Drawing Earl: The Lesson of Life Classes 15. Rethinking Romantic Love: Before Sunrise 16. Finale: The Doom Generation

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