Thanatos

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Than·a·tos

(thăn′ə-tōs′)
n.
1. Death as a personification or as a philosophical notion.

[Greek.]

than′a·tot′ic (-tŏt′ĭk) adj.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Thanatos

(ˈθænəˌtɒs)
n
1. (Classical Myth & Legend) the Greek personification of death: son of Nyx, goddess of night. Roman counterpart: Mors
2. (Psychoanalysis) the name chosen by Freud to represent a universal death instinct. Compare Eros 2
Thanatotic adj
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Than•a•tos

(ˈθæn əˌtɒs, -toʊs)

n.
1. (among the ancient Greeks) a personification of death.
2. Psychoanal. (usu. l.c.) the death instinct, esp. as expressed in violent aggression.
Than`a•tot′ic (-ˈtɒt ɪk) adj.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun 1. Thanatos - (Greek mythology) the Greek personification of death; son of Nyx
Greek mythology - the mythology of the ancient Greeks
2. Thanatos - (psychoanalysis) an unconscious urge to die
depth psychology, psychoanalysis, analysis - a set of techniques for exploring underlying motives and a method of treating various mental disorders; based on the theories of Sigmund Freud; "his physician recommended psychoanalysis"
impulse, urge - an instinctive motive; "profound religious impulses"
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
Translations
Танатос
Tànatos
Thanatos
Thanatos
Thanatos
Tánatos
Thanatos
תנטוס
Tanatos
Thanatosz
Tanato
タナトス
Tanatas
Thanatos
Thanatos
Tanatos
Tânatos
Thanatos
Tanatos
Tanatos
Thanatos
ทานาทอส
Thanatos
Танатос
References in periodicals archive ?
Both Gertrude and Claudius seem to be driven by thanatotic urge, yet not the normal or suicidal senses or even in the sacrificial mode by Law--but death of an essentially different order: the aporetic gift of death (see Derrida 2008, 36-82; see also Derrida 1993, 31-35, 37-41).
Ophelia, whose death is regarded as one of the most often recreated thanatotic moments, still remains the inspiration.
By exploiting the graveyard setting, and in particular the symbolic value of the corpse, Chapman reconfigures early modern widowhood within a framework in which the erotic and thanatotic converge.

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