synecdochical

Comparing typhoid and Zika illuminates the public health consequences of figuring the miasmatic as a synecdochical representation of the whole.

In terms of a literary analysis, this strategy might best be described as the use of a synecdochical metaphor.

In 'The gas-fitter's marriage' a synecdochical vein is eyed: the husband, looking at his sister-in-law, notes that 'The vein swelling in her neck / resembles the feeling / he should have for [his own wife]' (5).

Likewise, a synecdochical logical process makes understanding large complex issues like environmental conservation more easily digestible for the average person by reducing the issues down to simpler, smaller scale concerns that, in the long run, have much larger impacts.

The figure most associated with heteronormative values within the novel is Yvonne, Maria's university friend, and thus synecdochical with contemporary society.

For Laura Marcus, although the anecdote implies "too neat a 'fit' between the shoes and their owner," still "the synecdochical nature of the shoes--they 'stand in' for the absent Jacob--is again appropriate in a novel in which 'character' has been represented in flashes and fragments" (93).

In Lafazani Olga's words, "Heterotopias are something like counter-sites in which all the other real sites that can be found within a given culture are simultaneously represented, contested, and inverted." (2013 p.5) In this synecdochical view of borders, the machismo which is ever-present in Chilean society becomes even more highly valued at the instable border whereby only dominance and aggression can protect the feminine interior.

Rather than follow a narrative or documentary trajectory, the work leaps from one synecdochical fragment to the next--a burning house, bloody footprints in the snow, a rusty jack-knife planted in a scarred wall, and a spent shotgun shell are just a few of the images in the book.

The ending describes the narrative as "pis meruaile" (598), echoing the opening observation that lays are defined by marvels (17-20) and suggesting a synecdochical relationship between the central marvel of the gallery and the poem itself.

These shameful controversies serve as troubling reminders that, despite the theoretical comprehensiveness granted to prisoners of war in modern international accords such as the Geneva Conventions, in practice the body of the captive continues to be a synecdochical repository of imperial forces.

His true identity can only be fully expressed in this synecdochical perspective as a man among men in society, not an individual who exists alone apart from others in the community.