hyperbolize

In order to make Nilofer look sufficiently exotic for a CNN audience, Mumtaz not only hires an artist to paint bruises on her face but also hyperbolizes her deprived situation through a painted mud hut made of cardboard and Nilofer's murder at the hands of her husband, Fazal.

Where the Romantic child has been seen as the organizing principle of modernity--that is, as an emblem of social futurity (Edelman) and a stabilizer of myths of morality, humanity, and the "ordering of time" (Pellegrini 98)--I argue that the viral child both hyperbolizes and troubles the increasingly economized cultures of subjectivity and temporality that the Romantic child catalyzed.

The suggestion that this "hero" suffers a greater "loss" than Belinda hyperbolizes the splenetic fit that she endures, for all the "striking resemblance" of surface-level details; again, the familiar and strange converge as Pope's "matter" is reshaped to fit new contexts, and to sharpen the critical focus on a hero implicitly likened to a "lady."

Unlike Brandt's Boxkampf, which replicates and hyperbolizes mainstream representations of the manly boxer, Hoch's photomontage jumbles gender and confounds masculinity.

I'm happy, love, the more I buzz."' Another reputed fable-writer, Marie-Madeleine Joliveau de Segrais, demonstrated a gift for pithy morals that Shapiro hyperbolizes by eliding the definite articles and substituting a final gerund for the original compound verb in her two-line "Eagle and the Worm": "Eagle spied worm atop a tree and, calling,/'How did you climb so high?' he asked.

In three aphorisms McLuhan illuminates, and hyperbolizes, the environmental stunning and processing.

Smith characterizes such as a being that "can be guaranteed to think, speak and act exactly as you would expect." (38) In other words, the visuality of the female body reduces her to mechanical predictability, hyperbolizes stereotypes, and thus commodities the female body into an industry that perpetuates its ideology using her image as a conduit for mythological dissemination.

(46) Massinger hyperbolizes the fictional aspect of the creation because there was no original encounter, and thus no possibility for the sitter to self-fashion herself for the portrait.