Stroheim


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Stro·heim

(strō′hīm′), Erich von 1885-1957.
Austrian-born American filmmaker and actor best known for directing Greed (1924) and for his roles in Grand Illusion (1937) and Sunset Boulevard (1950).
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Stroheim

(ˈstrəʊˌhaɪm; ˈʃtrəʊ-)
n
(Biography) See von Stroheim
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
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Noun 1. [画像:Stroheim - United States film actor (born in Austria) (1885-1957)]Stroheim - United States film actor (born in Austria) (1885-1957)
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in periodicals archive ?
Erich von Stroheim, the auteur of silent masterpiece "Greed," plays Desmond's unnervingly devoted butler/driver (and the sole source of her continued inbox of fan mail).
Forget sexually inappropriate language: Erich von Stroheim shot mass orgies for his own pleasure.
In the US, Erich von Stroheim offered Greed at four hours and D W Griffiths produced Intolerance and Birth of a Nation at three hours plus.
In it, the enemy, played by the brilliant Erich von Stroheim, plays a feature and sympathetic part, as do other Germans.
Quando assistia a um film, Lubisch Murnau ou Von Stroheim. Eram os nomes que lia antes dos nomes dos artistas do elenco.
And he spoke a lot about Erich von Stroheim, and it was less The Wedding March than Erich von Stroheim [the film's director].
Starring: Carter Roy, Alena von Stroheim, Chris O'Brien, Tom Saporito, Scott Allen Perry, Jessica Perrin, Scott Weinberg
Sin embargo, las dificultades para conseguir que los cineastas, igual que hacen los novelistas, puedan decidir la duracion de sus ficciones en funcion de su propia exigencia expresiva, sigue librandose todavia y su derrota queda bien ilustrada por la mutilacion, dolorosa e irreversible, de obras maestras como Greed (Erich von Stroheim, 1924) o The Magnificent Ambersons (Orson Welles, 1942) [3].
The movie made many future screen idols, including Lillian Gish, Mae Marsh, and renowned director Eric Stroheim. Being a spectacle in the silent era of cinema, Intolerance presented a complicated plot.

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