Nipponese

"It's such a high-energy show; it relates to people and themes of power, and it's also staged in a very different way...We are using elements of Epic Theatre, or political theatre, and we're also using elements of Japanese Noh theatre," said Downey, referring to the Nipponese classical form of drama that uses masks and music to tell a story.

The presence here of high diplomatic and official representatives of the Nipponese Empire and other nations of Greater East Asia testify to the traditional friendship and mutual understanding between all Oriental peoples.

The Nipponese Oil, Gas and Metals National Corporation signed in October 2015 a deal with local authorities to jointly explore for rare earths in the Karaganda and Kostanay regions.

(46.) Lieutenant Nguyln Thai, translator until the end of 1946 for the Nipponese deserters during their training in Kempeitai techniques, became the head of the Caodaist gendarmerie in 1948, "to monitor soldiers' discipline, ensure security on holidays, and interrogate enemy prisoners" (Louaas 2014, p.

Still, these manifestations are awfully derivative: When Sara isn't falling down holes, slicing her hand open, or shivering at night while shadows loom outside her tent, she catches the odd glimpse of these twisted specters, the creepiest of which suggests Linda Blair putrefying in a Nipponese schoolgirl uniform.

The Attic Letters written between 1882 and 1911 also describe the ever changing social and political situation in the young, modernizing Japan, changing the "late-nineteenth-century Bryn Mawr alumna and one of the first few Japanese women to have studied abroad" (Ryang, 2004: 58, 59) into one of the most important witnesses of the fast changing, modernizing Nipponese mind.

In the meantime, obviously, the outcome of the war appears uncertain, and especially for the Pacific it seems reasonable to imagine a compromise--for me peace is not unthinkable--could certainly bring for our country [that is Indonesia] a semi-independence under the Nipponese, Dutch or some other international (block or Union) leadership, protectorate, mandate or something similar but, in any case, in terms of the internal administration, the inclusion of the dominant influence of Indonesians--that is my hope.

We are informed that their treatment of us will be dependent on the treatment of Nipponese prisoners-of-war at the hands of the American, British and Dutch governments.

To the despair of their families, and the vexation of white opposers and agitators such as the "Native Sons of B.C.," who declared that "the Canadian-born Nipponese never has and never will think of himself as Canadian (100 percent or 1 percent)" (Adachi 1976: 159), the belief of the Nisei in their "assimilability" was genuine and profound.

The "empire of signs" foregrounded Ridley Scott's postmodernist film Blade Runner, Director's Cut (1982) is not twentieth century Japan as described in Roland Barthes' semiotic study of Nipponese culture, but an Asianized futuristic America.

A novel set in a post nation-state Shanghai in which nanotechnology suffuses its atmosphere and permeates the physiques and psyches of its denizens, The Diamond Age's plot departs from a classic cyberpunk tenor that teems with cyborgs, cyberweapons and slummy characters, and soon transfigures into a complex technosocial intertwinement in which governmental technocracies from diverse factions (the Victorians, the Chinese, the Nipponese and the black community) exert biopolitical policies upon their communities.

"Among the Nipponese, these things were all the rage."