Stephen's fear of drowning, his anxiety about creative production--as the word "unspeeched" indicates, and repressed guilt associated with his mother come together in this chapter, as he ponders the "tomb, allwombing tomb" (3.402), "
bridebed, childbed, bed of death, ghostcandled.
Through such a definition, Stephen traps the mother within her own biology; her position in bed is the means by which her cycle of existence is recorded: "
bridebed, childbed, bed of death, ghostcandled" (3.396).