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vying for his rightful place
upon dragon patrol’s flag

he takes the stump
and screeches at the boys

i am man! no i am dragon
man!! the beef of his arm vibrates

as he curls his bicep
into ever more and more and more bicep

mounds of veiny muscle
ripping through his skin with each flex

posturing himself as strong
and bad and everything a boy desires

himself to be i bring you fire!
he shrieks, embers crackling

out his jowl onto the boys’ faces
scorching through to bone

i bring you flame! i even bring you
the power of BURNINATION!!!

the scouts jump to their feet
faces lit up as torches on march

to set a spinster’s hut to ash
and chant trog-dor! trog-dor!

they grab the cloth flag
sew an S (for dragon)

a more different S (also for dragon)
closed curves for the mouth

then, of course, the consummate Vs
for sharp teeth and sharp spineties and sharp

eyebrows furled into
the cruelty of boyish glee

now! the dragon man steps forward
one last touch! he sucks in deep

scales sizzling along his body
and puffs his funk

into the stitches of the fabric
as the embers gutter out

the stink of meat still
wafting from the singes

our patrol leader hoists the flag
in the air and screeches

we are men! no, we are dragon
men!! the scouts howl in reply

and i worry, i worry,
he may be right


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© Copyright 2025 By: Jennessa Hester

Jennessa Hester is a transgender writer and scholar based in Texas. She is a Lambda Literary Fellow and has been a finalist for the Rhysling Award and Prufer Poetry Prize. Her work has appeared in Bellingham Review, Cream City Review, HAD, and elsewhere. Find her online at jennessahester.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
By: Samantha Lane Murphy
Podcast read by: Emmie Christie
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life. Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 27 Jan 2025
Issue 20 Jan 2025
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Strange Horizons is a weekly magazine of and about speculative fiction. We publish fiction, poetry, reviews, essays, interviews, and art. For more information, see our about page. All material in Strange Horizons is copyrighted to the original authors and may not be reproduced without permission.

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