Tuesday, June 21, 2011

Annigoni’s Egg Tempera Recipe

Eggs, oil, wine, and ground cadmium. Yumm! Sounds good enough to eat. Watch how portrait painter Pietro Annigoni (1910-1988) mixes his egg tempera.

[フレーム]
Direct link to YouTube video
Wikipedia on Annigoni
Painting with Annigoni: A Halcyon Decade
Thanks, Keita

14 comments:

Ernest Friedman-Hill said...

Wonderful!

June 21, 2011 at 10:04 AM
billspaintingmn said...

I'd like to try that!

June 21, 2011 at 10:17 AM
Anonymous said...

wow, thanks for digging up that video ! Answered some of my questions about tempera for sure

June 21, 2011 at 10:26 AM
Antti Ruuhijärvi said...
This comment has been removed by the author.
June 21, 2011 at 10:36 AM
James Gurney said...

Ruuhkis, thanks, that's fine.

And thanks to Keita Hopkinson for telling me about this video. Michael John Angel, who has the atelier in Florence, was a student of Annigoni, and is passing on much of his knowledge.

June 21, 2011 at 10:40 AM
Honey P. Amplegood said...

mmmm cadmium!

June 21, 2011 at 4:12 PM
Anonymous said...

It's probably better to use readymade tube paints before trying to make your own egg tempera. Badly mixed paints may not work right and end up discouraging those wanting to work in egg tempera.

June 21, 2011 at 6:47 PM
Stephen Southerland said...

This is very strange. I was just looking for egg tempera recipes a couple of days ago. I feel like my mind is being read.

Was that stand oil that PA mixed w/ the eggs?

June 21, 2011 at 7:20 PM
Christopher Thornock said...

I think what Annigoni is making is an egg/oil emulsion. There are other recipes and techniques. Seems to me that I have seen on the internet an old American Artist magazine article showing step by step his process. His portraits are pretty amazing.

June 22, 2011 at 10:40 AM
James Gurney said...

Colin Adams sent me this and asked me to post it:
"I'm an illustrator, maker, and avid reader of your blog. I just watched the Tempera recipe video, and noticed that the ratio the announcer mentioned didn't look like what he was actually doing. As he filled the cylinder, it was supposed to be six parts egg yolk, to one part oil (and one part varnish, which means he pre-mixed the varnish and oil to use that much in the film). But as you can see in the attached screen grab from the end of his pour, it's a bit more than two parts, if that is the mix. If it was just oil, than the recipe would be very different once he mixed it all."

June 22, 2011 at 12:21 PM
Anonymous said...

Fascinating. Does anybody know where one can watch the rest of this video (if it exists somewhere on cyber space)? I searched around but to no avail.

June 23, 2011 at 6:54 AM
James Gurney said...

Tino, try the British Pathe site, which has viewable clips of old newsreel footage, and apparently a lot of stuff on Annigoni:

http://www.britishpathe.com/results.php?search=annigoni

June 23, 2011 at 11:38 AM
youngstudios said...

very intresting.
i love the vintage feel of the film.
I dont use traditonal medium and i have never used temprea. does the egg cause the painting to "rot". it seems like it would brown and smell over time.

very neat find. james.

June 24, 2011 at 7:38 AM
Colin said...

Youngstudios-
No, it wouldn't "rot" any more than dried blood would rot. Many old (pre 1500) masters used this method, and as soon as it dries, along with the oil, it oxidizes. If you have ever seen an egg broken on the sidewalk, you will see that it forms a hard "glue" in a few days.

--Colin

June 24, 2011 at 7:37 PM

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